This article's lead section may be too long.(January 2024) |
Hidden Generations is a term used to describe a group of Indigenous peoples who responded to colonial forces in Australia by reducing their visibility. [1] Although the term is relatively new in public conversation, it describes a very established pattern of behaviour. The emergence of the term is an outcome of this group of Indigenous people once again asserting their cultural identity. [2]
Hiding was seen by many Indigenous peoples as the best of the poor options available to ensure safety for their families and continuity of their lineages. [2] [3] Events that prompted these strategies included child removals (resulting in the Stolen Generations), restrictions of movements on missions and reserves, dispossession of land, massacres, and the introduction of foreign disease. Hidden Generation people hid in a number of ways – at times they hid physically, at other times they hid their identity and cultural practices. [2]
Aboriginal peoples often experienced discrimination as a result of government policies, such as assimilation, which led to Indigenous people being regarded as inferior to non-Indigenous people. In this context, some families determined that, for the safety of their children, it was best to hide their children's identities. These children grew up unaware of their Indigenous heritage. Some families relocated from their traditional lands to places where they were unknown. Some hid in plain sight from colonial society by claiming to be of another heritage, one that was less discriminated against by colonial Australia. [3]
These strategies meant that families avoided becoming Stolen Generations, or being removed from Country to reserves or missions. Families were kept together, often on Country or in the bush. As a result, they were able to continue to share cultural knowledge and family stories, and to maintain traditional familial structures and cultural practices, albeit in a less visible way. The disadvantages of this strategy included disconnection from wider kin networks. [2]
Many Aboriginal families who were Hidden Generation are now reclaiming their Aboriginal identities and connections to Country. This includes reinvigorating their links with their broader kin, clan and nation groups, and maintaining their culture in the open once again. Budawang/Yuin woman Danièle Hromek writes of this experience and its impact:
Nor will I be referring to my culture as having been lost. It was not lost; it was forcibly silenced through the processes of colonisation. My family and ancestors faced these forces with an incredible, creative and beautiful resilience and resisted them, passing on knowledges and practices in often hidden and discreet ways until, in my generation, it was safe for them to re-emerge from the deep sleep in which they were being kept safe. Until the land and descendants of the land no longer exist, our culture always was and always will be. [2]
Hiding is a strategy that began in the early days of colonisation. In the book Hidden in Plain View Paul Irish describes how Aboriginal people were ignored in colonial narratives, despite being prominent in early colonial Sydney, and re-emerged a century later when government intervention was on the increase. [3] Irish writes that, although Aboriginal people were mostly absent from colonial writings, they maintained a strong connection with the land and its resources, and tried to live on their own terms. While in part responding to the impacts experienced by the Stolen Generations, the Hidden Generations are different from the Stolen Generations. Claire G. Coleman (Wirlomin Noongar) explains this difference in relation to her father, Graham Coleman (Noongar), who she says is a member of the Hidden Generation:
My immediate family are among the few with no history of children being taken; we don't carry stories of wailing mothers, of children screaming as the welfare man, the police, the so-called "protectors" took them. Secrecy and lies with intergenerational ramifications kept my father safe from the worst of the government's genocidal intent; kept him from the long arm of the law; kept me and my siblings safe too. Those secrets continued for most of Dad's life, protecting me and my family; they continued after children had ceased being stolen, because it's hard to break the habit of decades. My grandfather did what he thought was best for his family. He could not have known, would not have imagined, the long-term ramifications of his protection. [1]
Many Indigenous people are now speaking and publishing about their family stories and experiences. The term Hidden Generation is becoming increasingly widespread as the experiences of these groups become acknowledged and recognised. [4] [5] [6] [7] [8]
Sally Morgan (Palku and Nyamal) discusses hiding identity due to shame in her book My Place . [5] Harassment from Fisheries and the general public deterred South Coast Aboriginal people from fishing, causing shame and anger as their culture became criminalised as something to hide and practice in secret. [9] Eileen Alberts (Gunditjmara) describes how her aunt, Connie Hart, used to watch in secret as her mother wove, thereby keeping their weaving practice alive. [4] In the play Winyanboga Yurringa, Andrea James (Yorta Yorta/Kurnai) describes how women wove in the dark to keep the practice alive. [10]
Shannon Foster (D'harawal) describes her family's experiences as follows:
Our story does more than just highlight the government's assimilation policies, it also interrogates the dichotomy of the Aboriginal experience that says you either grew up on a mission or you were Stolen Generations. There are other lived experiences made up of mission refugees, runners, and those swept up in the policies of assimilation, in the hope of a better life for our children. We created our own communities forged by the intended destruction of that which we would not allow to be destroyed. My father was not stolen from his immediate family, he was stolen from his community of origin, but he created another one around us, drawing in the love and respect of an extended family of wonderful aunties and uncles that helped him preserve culture and pass it onto us just as our Ancestors have done for generations before him. [11]
Elder Frances Bodkin (Bidigal/D'harawal) calls the Hidden Generations the Dudbaya'ora – the Hidden Ones. [12] Her son, Gawaian Bodkin-Andrews (Bidigal/D'harawal), says, "the Hidden Generations are those whose Bloodlines sit in the often-ignored ether between the missions and the Stolen Generations." [2]
Hromek writes about her family's experience:
In my family, not only were our children sent to hide from welfare and other government organisations in the bush, they were also hidden in plain sight, disguised for their own safety. Irrespective of being hidden, our knowledges and ways of being, as well as our cultural and performative practices, were often passed on to us in a hidden yet safe way to ensure these were maintained for future generations, to be reclaimed when it was once again safe. [2]
The Stolen Generations were the children of Australian Aboriginal and Torres Strait Islander descent who were removed from their families by the Australian federal and state government agencies and church missions, under acts of their respective parliaments. The removals of those referred to as "half-caste" children were conducted in the period between approximately 1905 and 1967, although in some places mixed-race children were still being taken into the 1970s.
Taiwanese indigenous peoples, also known as Formosans, Native Taiwanese, Austronesian Taiwanese or Gaoshan people, and formerly as Taiwanese aborigines, are the indigenous peoples of Taiwan, with the nationally recognized subgroups numbering about 569,000 or 2.38% of the island's population. This total is increased to more than 800,000 if the indigenous peoples of the plains in Taiwan are included, pending future official recognition. When including those of mixed ancestry, such a number is possibly more than a million. Academic research suggests that their ancestors have been living on Taiwan for approximately 6,500 years. A wide body of evidence suggests that the Taiwanese indigenous peoples had maintained regular trade networks with numerous regional cultures of Southeast Asia before the Han Chinese colonists began settling on the island from the 17th century, at the behest of the Dutch colonial administration and later by successive governments towards the 20th century.
Cultural assimilation is the process in which a minority group or culture comes to resemble a society's majority group or assimilate the values, behaviors, and beliefs of another group whether fully or partially.
Grave robbery, tomb robbing, or tomb raiding is the act of uncovering a grave, tomb or crypt to steal commodities. It is usually perpetrated to take and profit from valuable artefacts or personal property. A related act is body snatching, a term denoting the contested or unlawful taking of a body, which can be extended to the unlawful taking of organs alone.
Jack Leonard Davis was an Australian 20th-century Aboriginal playwright, poet and Aboriginal Australian activist.
The history wars is a term used in Australia to describe the public debate about the interpretation of the history of the European colonisation of Australia and the development of contemporary Australian society, particularly with regard to their impact on Aboriginal Australian and Torres Strait Islander peoples. The term "history wars" emerged in the late 1990s during the term of the Howard government, and despite efforts by some of Howard's successors, the debate is ongoing, notably reignited in 2016 and 2020.
Burnum Burnum was an Aboriginal Australian sportsman, activist, actor, and author. He was a Woiworrung and Yorta Yorta man at Wallaga Lake in southern New South Wales. He was originally christened Harry Penrith but in 1976, he changed his name to Burnum Burnum after his grandfather both to honour him and acknowledge his Aboriginal identity.
Cummeragunja Reserve or Cummeragunja Station, alternatively spelt Coomeroogunja, Coomeragunja, Cumeroogunga and Cummerguja, was a settlement on the New South Wales side of the Murray River, on the Victorian border near Barmah. It was also referred to as Cumeroogunga Mission, although it was not run by missionaries. The people were mostly Yorta Yorta.
William Cooper was an Aboriginal Australian political activist and community leader; the first to lead a national movement recognised by the Australian Government.
Benang: From the Heart is a 1999 Miles Franklin Award-winning novel by Australian author Kim Scott. The award was shared with Drylands by Thea Astley.
The Motion of Reconciliation was a motion to the Australian Parliament introduced and passed on 26 August 1999. Drafted by Prime Minister John Howard in consultation with Aboriginal Senator Aden Ridgeway, it dedicated the Parliament to the "cause of reconciliation" and recognised historic maltreatment of Indigenous Australians as the "most blemished chapter" in Australian history. While falling short of an apology, the motion included a statement of regret for past injustices suffered by Indigenous Australians.
Each province had different foster programs and adoption policies; Saskatchewan had the only targeted Indigenous transracial adoption program, the Adopt Indian Métis (AIM) Program. The term "Sixties Scoop" itself was coined in the early 1980s by social workers in the British Columbia Department of Social Welfare to describe their own department's practice of child apprehension. The phrase first appears in print in a 1983 report commissioned by the Canadian Council on Social Development, titled "Native Children and the Child Welfare System", in which researcher Patrick Johnston noted the source for the term and adopted its usage. It is similar to the term "Baby Scoop Era," which refers to the period from the late 1950s to the 1980s in which large numbers of children were taken from unmarried mothers for adoption.
The Cootamundra Domestic Training Home for Aboriginal Girls, commonly known as "Bimbadeen" and Cootamundra Girls' Home, located at Cootamundra, New South Wales, was a home and training college for Aboriginal girls during the 20th century. It operated by the NSW Government's Aborigines Welfare Board from 1911 to 1968 to provide training to girls forcibly taken from their families under the Aborigines Protection Act 1909. The only training received by the girls was to work as domestic servants, and they were not allowed any contact with their families. They were part of a cohort of Aboriginal people now known as the Stolen Generations.
The Australian Aboriginal Progressive Association (AAPA) was an early Indigenous Australian organisation focused on Aboriginal rights, founded in 1924 by Fred Maynard and based in Sydney, New South Wales (NSW). It ceased operations in 1927. The AAPA is known as the first Aboriginal activist group in Australia, with its membership roster peaking at over 600 members, with 13 branches and 4 sub-branches in NSW.
Melanie Hogan is a film director and producer of Australian documentaries. Her directorial debut Kanyini premiered at the Sydney Film Festival in 2006. Her film narrates the Australian history from her opinion of a Aboriginal perspective, as she acknowledged that she had not been educated on it despite having attended Australian schools through the tertiary level.
The Aboriginal South Australians are the Indigenous people who lived in South Australia prior to the British colonisation of South Australia, and their descendants and their ancestors. There are difficulties in identifying the names, territorial boundaries, and language groups of the Aboriginal peoples of South Australia, including poor record-keeping and deliberate obfuscation, so only a rough approximation can be given here.
On 13 February 2008, the Parliament of Australia issued a formal apology to Indigenous Australians for forced removals of Australian Indigenous children from their families by Australian federal and state government agencies. The apology was delivered by Prime Minister Kevin Rudd, and is also referred to as the National Apology, or simply The Apology.
Detribalization is the process by which persons who belong to a particular indigenous ethnic identity or community are detached from that identity or community through the deliberate efforts of colonizers and/or the larger effects of colonialism.
Settler colonialism in Canada is the continuation and the results of the colonization of the assets of the Indigenous peoples in Canada. As colonization progressed, the Indigenous peoples were subject to policies of forced assimilation and cultural genocide. The policies signed many of which were designed to both allowed stable houses. Governments in Canada in many cases ignored or chose to deny the aboriginal title of the First Nations. The traditional governance of many of the First Nations was replaced with government-imposed structures. Many of the Indigenous cultural practices were banned. First Nation's people status and rights were less than that of settlers. The impact of colonization on Canada can be seen in its culture, history, politics, laws, and legislatures.
Melissa Brickell is an Indigenous Australian welfare worker based in Melbourne, Australia. She served as Director of Reconciliation Victoria and was the Chairperson for the Stolen Generations Sorry Day Committee and the Stolen Generations Alliance. She also served on the National Aboriginal and Torres Strait Islander Catholic Council and the National Aboriginal and Torres Strait Islander Ecumenical Commission.