Histoire de Mr. Vieux Bois | |
---|---|
Publication information | |
Format | Text comics |
Genre | Humor, text comics |
Publication date | 1837 |
Creative team | |
Written by | Rodolphe Töpffer |
Artist(s) | Rodolphe Töpffer |
Histoire de Mr. Vieux Bois (also known as Les amours de Mr. Vieux Bois, or simply Mr. Vieux Bois), published in English as The Adventures of Mr. Obadiah Oldbuck (sometimes referred to simply as Obadiah Oldbuck), [1] is a 19th-century publication written and illustrated by the Swiss caricaturist Rodolphe Töpffer.
It was created in 1827 and published first in Geneva, Switzerland in 1837 as Histoire de Mr. Vieux Bois, [1] then in London in 1841 by Tilt and Bogue editions as the book The Adventures of Mr. Obadiah Oldbuck, [1] [2] and then in New York, U.S., in a newspaper supplement titled Brother Jonathan Extra No. IX (September 14, 1842), [3] [4] [5] followed by an 1849 republication as a book titled The Adventures of Mr. Obadiah Oldbuck, published in New York by Wilson & Co. [6] [7] The English-language editions were unlicensed copies of the original work as they were done without Töpffer's authorization.
Oldbuck is commonly referred to as the first comic book printed in the U.S. and America's first newspaper comic. [3]
The format consists of sequential pictures with captions, a.k.a. "text comics", rather than utilizing speech balloons, which had been common in political cartoons since the 1770s. In Understanding Comics , comics theorist Scott McCloud says Töpffer's work is in many ways "the father of the modern comic". McCloud emphasizes Töpffer's use of "cartooning and panel borders" along with "the first interdependent combination of words and pictures seen in Europe". [8]
Töpffer described comics as a medium appealing particularly to children and the lower classes, and this is evident in the style of the work. It is notable that the story was never intended for publication but rather as an idle "diversion" for his close friends; [9] however, the story achieved widespread popularity in several countries.
Töpffer used a lithography method called autography, [10] in which the pen draws on specially prepared paper, allowing a freer line than the engraving of the time. Autography lithographs also did not require the drawings to be flipped horizontally.
Mr. Vieux Bois encounters a young woman and instantly falls in love. His initial attempts at courting are ignored, followed by short periods of his desperation. He discovers a rival suitor and challenges him to a duel. He is better with his dueling sword and his rival has to flee. Vieux Bois contacts the parents of his girlfriend, seeking her hand in marriage. He returns home and starts to celebrate loudly. His celebration ends with his arrest for disturbing the neighbours. The marriage is called off and he feels suicidal.
He then goes traveling but falls prey to highwaymen. Seeking refuge in a lair, he meets a hermit who persuades him to join the local cloister. After two weeks he escapes the cloister dressed in drag. At home he finds a letter from his love interest, finally returning his affection. They flee on his horse, but Vieux Bois is apprehended by monks and returned to prison. Released, he flees again with his fiancée.
On his wedding day Vieux Bois leaves his home for the church but then returns to place his dog as guard outside the house. Consequently, he arrives late for his own wedding. His in-laws had tired of waiting and called off the marriage again. He tries to shoot himself in the head but only wounds his face. He is mistaken for dead and buried. Crows digging at his grave finally manage to awake him. His return home terrifies his inheritors. As soon as he changes his clothes, he is again arrested for assault. He defends himself in court but nevertheless ends up sentenced to imprisonment for a year. His only cellmate is his loyal dog.
They soon manage to escape by opening a hole in the roof. He jumps to the roof of the neighbouring house but his dog falls into the chimney. The house belongs to his object of affection and her parents. Mr. Vieux Bois falls from the roof and onto a street lamp. He flees the local police. Meanwhile, the resident family climbs the chimney to the rooftop in order to meet the dog's owner. They find nobody and are then trapped on the roof.
Three days later Mr. Vieux Bois returns disguised as an officer. He searches for his lady love and is informed that the whole family is still missing. He leaves to search for them. The following day, a chimney sweep discovers the whole family. Vieux Bois encounters one of the monks responsible for his imprisonment. He cuts off his beard in revenge but then has to flee a legion of vengeful monks.
He returns empty-handed to his hometown. The chimney sweep informs him of the rescue of his lady. Led to the roof, he finds his lost dog. He stays on the roof for nine days in an effort to communicate with his love, not realizing the family has moved. On the ninth day he leaves the roof and reestablishes contact with his lady. They flee again with horse and carriage. Mr. Vieux Bois is rushing the horse and manages to cover 18 leagues in three hours only to find that the carriage containing his lady was lost at some point.
The carriage has been loaded on a stagecoach heading for Paris. But its weight eventually overturns the stagecoach into a river. A passenger seeks refuge on the river-floating carriage. He is identified as the rival driven away at the duel months ago. He drives the carriage to the shore and attempts to release the woman from it. Before he can do so Vieux Bois arrives, posing as a highwayman. He forces his old rival to keep his face on the ground. Then he enters the locked door of the carriage, releases his lady, forces his rival to enter it and throws it into the river again.
The lady complains of exhaustion and seems to have lost weight. Her lover leads her to the mountains where she can pursuit a fattening diet. Meanwhile, he adopts a pastoral lifestyle under the name of "'Tircis". Several pages are devoted to the sleeping woman changing hands between the two persistent rivals for her affection. When she awakes she finds Vieux Bois with a new donkey, taken from his opponent.
On their way home they have to cross the grounds of the local monastery where they have several enemies. The man disguises himself as a miller and the woman as a sack of flour. The monks stop them anyway to examine the cargo. They are scared to find it squealing. The "miller" assures them it contains the Devil. The monks flee but return with reinforcements. The couple are condemned as sorcerers and sentenced to execution by burning. The execution is carelessly prepared and the prisoners take advantage of the smoke to flee towards the river. There their old carriage is found standing. Two pursuing monks are approaching. Knowing them well, Vieux Bois throws some coins around and enters the carriage with his lady. The monks believe the carriage is filled with coins. In their greed they decide to keep it for themselves and dig a pit in order to bury it. When it gets deep enough, their prey exits the carriage and buries them up to their necks. Leaving the monks, the duo has one last encounter with the rival suitor before the story ends happily with their marriage.
Lortac and Cavé made an animated adaptation of the work in 1921, titled Histoire de Monsieur Vieux-Bois. [11]
Works
A comic strip is a sequence of cartoons, arranged in interrelated panels to display brief humor or form a narrative, often serialized, with text in balloons and captions. Traditionally, throughout the 20th and into the 21st century, these have been published in newspapers and magazines, with daily horizontal strips printed in black-and-white in newspapers, while Sunday papers offered longer sequences in special color comics sections. With the advent of the internet, online comic strips began to appear as webcomics.
A graphic novel is a long-form work of sequential art. The term graphic novel is often applied broadly, including fiction, non-fiction, and anthologized work, though this practice is highly contested by comics scholars and industry professionals. It is, at least in the United States, typically distinct from the term comic book, which is generally used for comics periodicals and trade paperbacks.
Comics are a medium used to express ideas with images, often combined with text or other visual information. It typically takes the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus among theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common means of image-making in comics. Photo comics is a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and tankōbon have become increasingly common, along with webcomics as well as scientific/medical comics.
Rodolphe Töpffer was a Swiss teacher, author, painter, cartoonist, and caricaturist. He is best known for his illustrated books, which are possibly the earliest European comics. He is known as the father of comic strips and has been credited as the "first comics artist in history."
An American comic book is a thin periodical originating in the United States, on average 32 pages, containing comics. While the form originated in 1933, American comic books first gained popularity after the 1938 publication of Action Comics, which included the debut of the superhero Superman. This was followed by a superhero boom that lasted until the end of World War II. After the war, while superheroes were marginalized, the comic book industry rapidly expanded and genres such as horror, crime, science fiction and romance became popular. The 1950s saw a gradual decline, due to a shift away from print media in the wake of television and the impact of the Comics Code Authority. The late 1950s and the 1960s saw a superhero revival and superheroes remained the dominant character archetype throughout the late 20th century into the 21st century.
European comics are comics produced in Europe. The comic album is a very common printed medium. The typical album is printed in large format, generally with high quality paper and colouring, commonly 24 cm × 32 cm, has around 48–60 pages, but examples with more than 100 pages are common. While sometimes referred to as graphic novels, this term is rarely used in Europe, and is not always applicable as albums often consist of separate short stories, placing them somewhere halfway between a comic book and a graphic novel. The European comic genres vary from the humorous adventure vein, such as The Adventures of Tintin and Asterix, to more adult subjects like Tex Willer, Diabolik, and Thorgal.
Alexander "Ally" Sloper is the eponymous fictional character of the British comic strip Ally Sloper. First appearing in 1867, he is considered one of the earliest comic strip characters and he is regarded as the first recurring character in comics.
Archer & Armstrong is a superhero duo in the Valiant Comics universe. The two were originally created by writer and artist Barry Windsor-Smith and introduced in their own self-titled comic book series in 1992. After Acclaim Entertainment bought Valiant Comics in 1996, the two characters were rebooted in a series of one-shot comics entitled Eternal Warriors. Valiant Entertainment, Inc. relaunched the Valiant Comics universe yet again in 2012 and Archer & Armstrong Volume 2 introduced a new version of the duo. Their stories are a mix of dark superhero action and comedic adventures.
Iron Monger is an alias used by multiple fictional characters, supervillains appearing in American comic books published by Marvel Comics. The first character to use the alias is Obadiah Stane, who first appeared in Iron Man #163. The Iron Monger armor first appeared in Iron Man #200.
Gaylord McIlvaine Du Bois was an American writer of comic book stories and comic strips, as well as Big Little Books and juvenile adventure novels. Du Bois wrote Tarzan for Dell Comics and Gold Key Comics from 1946 until 1971, and wrote over 3,000 comics stories over his career.
Scamp is a canine Disney comics character, the son of Lady and Tramp, all of whom appear in the 1955 animated film Lady and the Tramp. Scamp is featured in comic strips and comic books of his own since the 1950s. In the final scene of the film, the dogs have a litter of puppies, including three girl pups who look like Lady, and a mischievous, restless boy pup who resembles Tramp. The puppies are unnamed in the film and only appear in one scene, but the little boy puppy made an impression, and King Features Syndicate launched a comic strip a few months after the film's release.
This is a timeline of significant events in comics prior to the 20th century.
Greyfriars Bobby is a 1961 American drama film starring Donald Crisp and Laurence Naismith in a story about two Scottish men who compete for the affection of a Skye Terrier named Bobby. The screenplay by Robert Westerby was based upon the 1912 novel Greyfriars Bobby by Eleanor Atkinson which was based, in turn, upon an incident in 19th century Edinburgh involving a dog that came to be known as Greyfriars Bobby. It was the second film based upon Atkinson's novel, the first being Challenge to Lassie in which Crisp also starred. The film was directed by Don Chaffey and shot at Shepperton Studios and on location in Scotland. The film has been released to DVD and Disney+.
The history of comics has followed different paths in different parts of the world. It can be traced back to early precursors such as Trajan's Column, in Rome, Egyptian hieroglyphs and the Bayeux Tapestry.
Robert Lee Beerbohm was an American comic book historian and retailer who was intimately involved with the rise of comics fandom from 1966. Beginning as a teenager in the late 60s, he became a fixture in the growing comic convention scene, while in the 1970s and 1980s he was heavily involved in Bay Area comic book retailing and distribution.
The history of American comics began in the 19th century in mass print media, in the era of sensationalist journalism, where newspaper comics served as further entertainment for mass readership. In the 20th century, comics became an autonomous art medium and an integral part of American culture.
Old Buck may refer to:
Text comics or a text comic is a form of comics where the stories are told in captions below the images and without the use of speech balloons. It is the oldest form of comics and was especially dominant in European comics from the 19th century until the 1950s, after which it gradually lost popularity in favor of comics with speech balloons.
Legende is a Dutch-language 2006 opera in 3 acts by Peter-Jan Wagemans which premiered in 2011 at Dutch National Opera. The opera is based on the illustrated book Histoire de Mr. Vieux Bois written and drawn by the Swiss author Rodolphe Töpffer (1799-1846). The book combines comic stories about the titular butterfly-collector with more serious stories.
Originally published in several languages in Europe in 1837, among them an English version designed for Britain in [1841]. A year later it was that version reprinted in New York on Sept. 14, 1842 for Americans...