|Written by||Yvette Mimieux|
|Directed by||Tracy Keenan Wynn|
|Music by||George Aliceson Tipton|
|Country of origin||United States|
|Producers|| Leonard Goldberg |
Shelley Hull (associate producer)
|Production locations||20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles|
|Running time||72 minutes|
|Production company||Spelling-Goldberg Productions|
|Distributor||Sony Pictures Television|
|Original release||October 8, 1974|
Hit Lady is a 1974 made-for-TV film that aired on October 8, 1974. Starring Yvette Mimieux as artist and assassin Angela de Vries, it was written by Mimieux and directed by Tracy Keenan Wynn.
An artist works part-time as a syndicate assassin. She decides to do one last job, killing a labor leader Jeffrey Baine. However she can't go through with the job.
Hit Lady was written by Mimieux, and directed by Tracy Keenan Wynn.   
By the early 1970s Mimieux was well established as an actor but was unhappy with the roles offered to female actors. "The women they [male screenwriters] write are all one dimensional," she said. "They have no complexity in their lives. It's all surface. There's nothing to play. They're either sex objects or vanilla pudding." 
Mimieux had been writing for several years prior to this film, mostly journalism and short stories. She had the idea for a story about a Pirandello-like theme, "the study of a woman, the difference between what she appears to be and what she is: appearance vs reality." Mimieux says the more she thought about the character "the more I wanted to play her. Here was the kind of nifty, multifaceted part I'd been looking for. So instead of a short story, I wrote it as a film." 
She wrote a thriller called Counterpoint about a female killer who used her attractive appearance to get close to her victims. She said the character was "not... a good housewife or sex object. The character I wrote is like an onion, layers upon layers, multi-facted, interesting, desirable, manipulative... It's about what people are saying to each other and what they mean." 
Mimieux had appeared in two TV movies, Black Noon and Death Takes a Holiday , so took her script to producers Aaron Spelling and Leonard Goldberg who submitted it to ABC as a TV movie. The network wanted some changes. "I created a totally amoral creature who killed people like you'd swat a fly, with no remorse, no regret," said Mimieux. "That was a little too strong for the network. So they made me soften her."  They also insisted the script be retitled from Counterpoint to Hit Lady. 
Tracy Keenan Wynn was the son of Keenan Wynn and grandson of Ed Wynn. He had developed a strong reputation as a screenwriter, his credits including The Longest Yard, The Glass House and The Autobiography of Miss Jane Pittman. This allowed him to make his directorial debut with this film. His father Keenan made a cameo appearance as he wanted to be the first actor ever directed by his son. (It would be the only film he ever directed.) 
Hit Lady first aired on ABC on October 8, 1974 as part of its ABC Movie of the Week anthology series. It was one of the highest-rated and most talked about TV movies of 1974.  
The Los Angeles Times called it a "tightly structured, richly textured melodrama". 
The movie was repeated in June 1975. 
Francis Xavier Aloysius James Jeremiah Keenan Wynn was an American character actor. His expressive face was his stock-in-trade; and though he rarely carried the lead role, he had prominent billing in most of his film and television roles.
The Longest Yard is a 1974 American prison sports comedy film directed by Robert Aldrich, written by Tracy Keenan Wynn, based on a story by producer Albert S. Ruddy, and starring Burt Reynolds, Eddie Albert, Ed Lauter, and Mike Conrad. The film follows a former NFL player recruiting a group of prisoners and playing football against their guards. It features many real-life football players, including Green Bay Packers legend Ray Nitschke.
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