Hold On, I'm Comin' | ||||
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Studio album by | ||||
Released | April 1, 1966 | |||
Recorded | 1965–1966 | |||
Genre | Soul | |||
Length | 32:04 | |||
Label | Stax/Atlantic Stax 708 | |||
Producer | Jim Stewart [1] | |||
Sam and Dave chronology | ||||
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Singles from Hold On, I'm Comin' | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
Hold On, I'm Comin' is the 1966 debut album by Atlantic Records soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
The album reached number one on the Billboard R&B Albums chart and number 45 on the Billboard Top LPs chart, launching two charting singles. The title track peaked at number one on the Billboard Hot Black Singles chart, and at number 21 on the Billboard Hot 100, while "You Don't Know Like I Know" peaked at number seven and number 90. An Allmusic review refers to Hold On, I'm Comin' as epitomizing "Memphis soul in all its unpretentious, down-home glory". [3]
According to Steve Cropper, lead guitarist for Booker T. & the M.G.'s, the Stax Recording Studio played a key role in the creation of the title track, Hold on, I'm Comin'. Stax Records was an old Movie Theater located at 926 East McLemore Avenue in Memphis, Tennessee. The men's restroom in the theater-turned studio had tile walls and tile floors. To produce reverb and echo a speaker from the studio was placed in the men's room to pipe the sound into the men's room; and a microphone was placed in the men's room to return the sound back to the recording studio. This arrangement produced both the reverb and echo heard on Stax Records. The song was written by Isaac Hayes and David Porter. They had been working for a while when Porter went to the restroom. Hayes grew impatient and yelled for Porter to get back to the writing session. Porter replied: "Hold on, I'm comin'." They both recognized the sexual overtone and completed the song within an hour. [4]
Except where otherwise noted, all tracks written by Isaac Hayes and David Porter.
Aretha Franklin recorded the title song for her 1981 album Love All the Hurt Away .
In August, 2007 soul singer Guy Sebastian recorded a tribute version of "Hold On, I'm Comin" at Ardent Studios in Memphis, Tennessee for his album of soul classics The Memphis Album with many of the original Stax music band members including Steve Cropper, Donald Duck Dunn, Lester Snell and Steve Potts.
Another cover version was recorded by Cliff Bennett and the Rebel Rousers in 1966. Tom Jones covered it on his 1967 album 13 Smash Hits.
Many other artists have covered this song, including: Eric Burdon, Bryan Ferry, Solomon Burke, The Chords, Eric Clapton and BB King, Michael Bolton, the Weather Girls, King Curtis, George Benson, Tina Turner, Jerry Lee Lewis, Iron Butterfly, Martha & the Vandellas, Dexy's Midnight Runners, the Boogie Kings, Bruce Springsteen, Precious Wilson, Melissa Etheridge, and Hanson.
Some artists sampled some parts of the song like Village People in their song "I'm a Cruiser" (1978).
Booker T. & the M.G.'s were an American instrumental, R&B, and funk band formed in Memphis, Tennessee, in 1962. The band is considered influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor, and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore and the baritone/tenor (lower) voice was Dave Prater (1937–1988).
Isaac Lee Hayes Jr. was an American singer, songwriter, composer, and actor. He was one of the creative forces behind the Southern soul music label Stax Records, serving as both an in-house songwriter and as a session musician and record producer, teaming with his partner David Porter during the mid-1960s. Hayes and Porter were inducted into the Songwriters Hall of Fame in 2005 in recognition of writing scores of songs for themselves, the duo Sam & Dave, Carla Thomas, and others. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame.
Hot Buttered Soul is the second studio album by American soul musician Isaac Hayes. Released in 1969, it is recognized as a landmark in soul music. Recorded with The Bar-Kays, the album features four lengthy tracks, including a 12-minute version of the Burt Bacharach/Hal David cover "Walk On By" and an almost 19-minute long version of Jimmy Webb's "By the Time I Get to Phoenix;" both songs were edited significantly and released as a double A-side single in July 1969.
David Porter is an American record producer, singer, songwriter, entrepreneur and philanthropist.
The Soul Children was an American vocal group who recorded soul music for Stax Records in the late 1960s and early 1970s. They had three top 10 hits on the U.S. Billboard R&B chart – "The Sweeter He Is" (1969), "Hearsay" (1972), and "I'll Be the Other Woman" (1973) – all of which crossed over to the Billboard Hot 100.
The Great Otis Redding Sings Soul Ballads, simply referred to as Soul Ballads or Sings Soul Ballads, is the second studio album by American soul singer-songwriter Otis Redding, released in 1965. The album was one of the first issued by Volt Records, a sub-label of Stax Records, and Redding's first on the new label. Like Redding's debut Pain in My Heart (1964), Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mix made by engineer Tom Dowd, replacing the early mono mix.
King & Queen is a studio album by American recording artists Otis Redding and Carla Thomas. It is Thomas' fourth album and Redding's sixth and the final studio album before his death on December 10, 1967. Influenced by Marvin Gaye's duets, the album features ten covers of soul classics and the eleventh finishing song co-written by Redding.
"Soul Man" is a 1967 song written and composed by Isaac Hayes and David Porter, first successful as a number 2 hit single by Atlantic Records soul duo Sam & Dave, which consisted of Samuel "Sam" Moore and David "Dave" Prater. In 2019, "Soul Man" was selected for preservation in the National Recording Registry as "culturally, historically, and aesthetically significant" by the Library of Congress. It was No. 463 in "Top 500 Greatest Songs of All Time" by Rolling Stone in 2010 and No. 458 in 2004.
Memphis Underground is a 1969 album by jazz flutist Herbie Mann, that fuses the genres of jazz and rhythm and blues (R&B). While Mann and the other principal soloists were leading jazz musicians, the album was recorded in Chips Moman's American Sound Studio in Memphis, a studio used by many well-known R&B and pop artists. The rhythm section was the house band at American Studios. The recording was engineered and produced by Tom Dowd.
Soul Men is an album by the R&B duo Sam & Dave, released in 1967. It reached No. 5 on the Billboard Top R&B LPs chart and No. 62 on the Top LPs chart. The album launched the hit single "Soul Man", which peaked at No. 1 on the R&B Singles chart and No. 2 on the Hot 100 Singles chart. The song won Sam & Dave a Grammy in 1967 for Best R&B Group, Vocal or Instrumental.
The Exciting Wilson Pickett, released in 1966, was the third album by R&B and soul singer Wilson Pickett. The album charted at No. 3 on the U.S. Billboard R&B albums chart and No. 21 on the popular albums chart, becoming the highest-charting studio album of Pickett's career. The making of the album saw Pickett end his relationship with Stax Studios in Memphis, Tennessee, where he had cut his early singles, and move to Fame Studios in Muscle Shoals, Alabama, where he would record for the next two years. According to AllMusic, this album firmly established Picket's "stature as a major '60s soul man". The album launched four major hits for Pickett, but AllMusic emphasizes that the album cuts, "of nearly an equal level", will be of more interest to collectors.
The Memphis Album is a cover album of Memphis soul songs by Australian singer Guy Sebastian released in Australia by Sony Music on 10 November 2007. The album was recorded at Ardent Studios in Memphis with Steve Cropper, Donald 'Duck' Dunn, Steve Potts, and Lester Snell. The M.G.'s were the Stax studio band who played on many of the original versions of the songs Sebastian recorded on the album. Steve Cropper was also a co-writer of three of the tracks, "In the Midnight Hour", "Knock on Wood" and "(Sittin' On) The Dock of the Bay". One original song written by Sebastian was included on the album. The Memphis Album debuted at No. 3 on the ARIA Albums Chart, spending eight weeks in the Top 10. It reached double platinum accreditation, and received a nomination for "Highest Selling Album" at the 2008 ARIA Music Awards.
Knock on Wood is the debut album of soul singer/songwriter Eddie Floyd, released in 1967 on Stax Records. The album was recorded between July and December 1966 at Stax Recording Studio. It features his most well-known single, the title track, "Knock on Wood".
"Soul Finger" is the first single released by R&B group the Bar-Kays. It was issued by Stax Records on the Volt Records label on April 14, 1967.
"Hold On, I'm Comin'" is a 1966 single recorded by soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
Love Man is the third posthumous album by American soul recording artist Otis Redding. It was released in June 20, 1969 and featured songs Redding had recorded in 1967. The album was produced by Steve Cropper, and featured Booker T. and the M.G.'s.
Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The first side of the album mainly contains cover versions, and the second songs mainly written by Redding.
Soul Finger is the debut album of the Bar-Kays, issued three months after the single of the same name. It was recorded by Tom Dowd and Chris Huston on Friday, June 23, 1967, at the Stax studio in Memphis. Though all but one member of the group were black, the album cover art, by Loring Eutemey, suggests an interracial pop music party feeling. The instrumental band, after being signed in early 1967, was tutored by Al Jackson, Jr. and the other members of Booker T. & the M.G.'s, which shows in the tightness of the rhythm section. That summer they also were selected by Otis Redding as his new backup band.
Southern Roots: Back Home in Memphis is an album by Jerry Lee Lewis released on Mercury Records in 1973.