| Holy Expedition | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | July 21, 1983 | |||
| Recorded | May 9, 1983 | |||
| Venue | The Marquee, London, UK | |||
| Genre | Heavy metal | |||
| Length | 42:19 | |||
| Label | Vap (Japan) Heavy Metal Worldwide (UK) Roadrunner (Europe) | |||
| Producer | Bow Wow | |||
| Bow Wow chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Collector's Guide to Heavy Metal | 5/10 [1] |
| Metal Forces | 5/10 [2] |
Holy Expedition is the second live album by Japanese heavy metal band Bow Wow.
Get Over It is the fifth studio album by the hard rock band Mr. Big. It is their first studio album to feature guitarist Richie Kotzen.
Thunder and Lightning is the twelfth and final studio album by Irish hard rock band Thin Lizzy, released on 4 March 1983. Guitarist John Sykes was hired to replace Snowy White after 1981's Renegade, and Sykes helped to provide a heavier sound and guitar tone than Thin Lizzy had used on previous albums. However, the bulk of the songwriting was completed before he joined the band. Keyboard player Darren Wharton also offered a stronger musical influence to Thin Lizzy's final studio album, co-writing many of the tracks including "Some Day She Is Going to Hit Back", and the final single "The Sun Goes Down". A farewell tour followed the album's release, followed by the live album Life. The group's co-founder, frontman and bass player Phil Lynott died in 1986.
Life is a double live album by Irish rock band Thin Lizzy, released in 1983. This double album was recorded during their farewell tour in 1983, principally at the Hammersmith Odeon in London, UK. Phil Lynott had felt reluctantly that it was time to disband the group after the 1983 tour and to mark the occasion, former Thin Lizzy guitarists Eric Bell (1969–73), Brian Robertson (1974–78) and Gary Moore joined the band on stage at the end of these gigs to do some numbers. This was called "The All-Star Jam".
Finyl Vinyl is a live album by the British hard rock band Rainbow and was released in 1986, after the band had already disbanded in 1984. It includes live recordings spanning 1978 to 1984, along with three studio B-sides.
Eye II Eye is the fourteenth studio album by the German hard rock band Scorpions, released in 1999. It is a radical departure in that Eye II Eye is much more pop-oriented than their previous work, which alienated some fans, despite the single "Mysterious" reaching number 26 on the Billboard Hot Mainstream Rock Tracks chart. It is the first studio Scorpions album to feature James Kottak on drums and also the final Scorpions studio album to feature Ralph Rieckermann on bass guitar.
Vicious Circle is the fourth album by the American hard rock band L.A. Guns. The first single was "Long Time Dead". The band supported the album with a North American tour.
No Parole from Rock 'n' Roll is the first album by American heavy metal band Alcatrazz led by veteran singer Graham Bonnet, released in 1983. It spent seven weeks on the Billboard 200 albums chart, peaking at No. 128. The album precipitated guitarist's Yngwie Malmsteen solo career, and is most famous for the single "Island in the Sun".
Dangerous Curves is the fifth solo studio album by American hard rock/heavy metal singer and guitarist Lita Ford, released in 1991. Though it was a popular release and received heavy video rotation on MTV, the album was not as successful as its predecessor due to its predominantly glam metal sound and the fact that musical tastes were shifting towards alternative rock in late 1991. The album charted on both the US and UK charts in 1992 and the single, "Shot of Poison", was nominated for a Grammy Award for Best Female Rock Vocal Performance in 1993. This was Lita Ford's second ever Grammy nomination and her first since 1984's "Dancin' On The Edge".
BBC Radio One Live in Concert is a live recording from 1983 by Irish rock band Thin Lizzy, released in 1992. This show at the Reading Festival in 1983 came at the end of their farewell tour, and was originally intended to be the band's last concert.
Spell of Iron is the debut album by Finnish metal band Tarot, released in 1986 by Flamingo Music. It was released on CD in 1994 by Bluelight Records, and a remastered version was released in 2006 by Spinefarm Records.
Black 'N Blue is the debut studio album by American glam metal band Black 'n Blue, released in 1984. The album includes the band's only song to chart as a single, Hold On to 18. In 2015, the album was ranked 28th at Rolling Stone's "50 Greatest Hair Metal Albums of All Time".
Bow Wow are a Japanese rock band formed in 1975. Originally consisting of guitarist and vocalists Kyoji Yamamoto and Mitsuhiro Saito, bassist Kenji Sano and drummer Toshihiro Niimi, they were one of the first Japanese metal bands. After releasing nine studio albums, Saito left in 1983. The band then adopted a mainstream sound by recruiting lead vocalist Genki Hitomi and keyboardist Rei Atsumi and renamed themselves to Vow Wow. They relocated to England in 1986, before Sano left the band the following year and Yamamoto invited former Whitesnake bassist Neil Murray to replace him. After Murray left to join Black Sabbath, studio bassist Mark Gould played on Vow Wow's last album before they disbanded in 1990.
Metal Rendez-vous is the fourth studio album by the Swiss hard rock band Krokus, released in June 1980. It is the first Krokus release to feature vocalist Marc Storace; Chris von Rohr had formerly served as the band's lead vocalist but appears on Metal Rendez-vous as the band's bassist. The track "Heatstrokes" charted number one in the British Heavy Metal Charts, and arguably opened up markets for Krokus in Britain and the United States, along with "Bedside Radio" and "Tokyo Nights". Strangely, the song "Tokyo Nights" features a reggae beat halfway through. The album sold more than 150,000 copies in Switzerland and was certified Triple Platinum.
Play Dirty is the fourth studio album by British heavy metal band, Girlschool, released on Bronze Records in 1983 and produced by Noddy Holder and Jim Lea from the hard rock band Slade. It was the first Girlschool album not to enter the UK Top 40 album chart and signalled a general downturn in their career, along with an inclination towards a softer rock sound. Kelly Johnson left the band soon after the release and an intended full US-tour never materialised. In the UK, two singles were lifted from the album, each having a picture-sleeve:
Dangerous Games is the third studio album by American heavy metal band Alcatrazz. It marked a drastic departure from the band's two previous albums with its heavily Japanese-influenced style. It was also the first and only appearance for new guitarist Danny Johnson who replaced Steve Vai after he left the band to join The David Lee Roth Band in 1986, and the last studio album that Alcatrazz had released for 34 years, until the release of Born Innocent in 2020.
A Matter of Attitude is the second album by Danish rock band Fate, released in 1986.
Blow My Fuse is the fourth album by the American glam metal band Kix. Released on September 6, 1988, on Atlantic Records, the album features Kix's only hit, the power ballad "Don't Close Your Eyes". The song peaked at No. 11 on the Billboard Hot 100 and was co-written with Bob Halligan Jr. and Crack the Sky frontman John Palumbo, both of whom had previously collaborated on Kix songs. The album was certified platinum by the RIAA in 2000.
Shock Waves is a compilation album by Japanese heavy metal band Vow Wow. The album was released in 1986 in the USA and contains most of the songs from the Tony Platt-produced album III (1986), with the addition of "Beat of Metal Motion" and "You Know What I Mean" from the albums of 1984 and 1985 respectively.
Heading for a Storm is the second studio album by the Dutch hard rock band Vandenberg, released in 1983 on Atco Records.
Black Hearts & Jaded Spades is the third studio album by English heavy metal band Tokyo Blade. It was originally released in 1985 on Tokyo Blade own record label and in the same year reissued by SPV/Steamhammer. The keyboard-laden compositions of this album and the strongly down-tuned guitar sound, marks the complete detachment of the band from their new wave of British heavy metal roots. It was interpreted as an attempt to conquer the American and Japanese markets, where glam and pop metal acts dominated the charts, but to no avail.
 | This 1980s metal album–related article is a stub. You can help Wikipedia by expanding it. |