The Codex Leicester is a collection of scientific writings by Leonardo da Vinci. The codex is named after Thomas Coke, Earl of Leicester, who purchased it in 1717. The codex provides an insight into the inquiring mind of the definitive Renaissance artist, scientist and thinker, as well as an exceptional illustration of the link between art and science and the creativity of the scientific process.
LGBT art in Singapore, or queer art in Singapore, broadly refers to modern and contemporary visual art practices that draw on lesbian, gay, bisexual, and transgender+ imagery and themes, addressing topics such as LGBT rights, history and culture in Singapore. Such queer art practices are often by Singaporean or Singapore-based visual artists and curators who identify as LGBT+ or queer.
The Biennale of Sydney is an international festival of contemporary art, held every two years in Sydney, Australia. It is a large and well-attended contemporary visual arts event in the country. Alongside the Venice and São Paulo biennales and Documenta, it is one of the longest running exhibitions of its kind and was the first biennale to be established in the Asia-Pacific region.
Hans Ulrich Obrist is a Swiss art curator, critic, and historian of art. He is artistic director at the Serpentine Galleries, London. Obrist is the author of The Interview Project, an extensive ongoing project of interviews. He is also co-editor of the Cahiers d'Art review. He lives and works in London.
Martin John Kemp is a British art historian and exhibition curator who is one of the world's leading authorities on the life and works of Leonardo da Vinci. The author of many books on Leonardo, Kemp has also written about visualisation in art and science, particularly anatomy, natural sciences and optics. Instrumental in the controversial authentication of Salvator Mundi to Leonardo, Kemp has been vocal on attributions to Leonardo, including support of La Bella Principessa and opposition of the Isleworth Mona Lisa.
The Singapore Biennale is a large-scale biennial contemporary art exhibition in Singapore, serving as the country’s major platform for international dialogue in contemporary art. It seeks to present and reflect the vigour of artistic practices in Singapore and Southeast Asia within a global context, fostering collaboration and engagement between artists, arts organisations, and the international arts community.
The New Mexico Museum of Natural History and Science is a natural history and science museum in Albuquerque, New Mexico near Old Town Albuquerque. The Museum was founded in 1986. It operates as a public revenue facility of the New Mexico Department of Cultural Affairs.
r a d i o q u a l i a is an art collaboration by New Zealanders, Adam Hyde and Honor Harger, founded in 1998 in Australia. Since 1999 they have been based in several different countries including the Netherlands, the UK and Latvia.
BioArt is an art practice where artists work with biology, live tissues, bacteria, living organisms, and life processes. Using scientific processes and practices such as biology and life science practices, microscopy, and biotechnology the artworks are produced in laboratories, galleries, or artists' studios. The scope of BioArt is a range considered by some artists to be strictly limited to "living forms", while other artists include art that uses the imagery of contemporary medicine and biological research, or require that it address a controversy or blind spot posed by the very character of the life sciences.
Museo Nazionale Scienza e Tecnologia Leonardo da Vinci in Milan, dedicated to painter and scientist Leonardo da Vinci, is the largest science and technology museum in Italy. It was opened on 5 February 1953 and inaugurated by Prime Minister Alcide De Gasperi.
Semiconductor is UK artist duo Ruth Jarman and Joe Gerhardt. They have been working together for over twenty years producing visually and intellectually engaging moving image works which explore the material nature of our world and how we experience it through the lens of science and technology, questioning how these devices mediate our experiences. Their unique approach has won them many awards, commissions and prestigious fellowships including; SónarPLANTA 2016 commission, Collide @ CERN Ars Electronica Award 2015, Jerwood Open Forest 2015 and Samsung Art + Prize 2012. Exhibitions and screenings include; The Universe and Art, Mori Art Museum, Tokyo, Japan, 2016; Infosphere, ZKM, Karlsruhe, 2016; Quantum of Disorder, Museum Haus Konstruktiv, Zurich, 2015; Da Vinci: Shaping the Future, ArtScience Museum, Singapore, 2014; Let There Be Light, House of Electronic Arts, Basel 2013 ; Field Conditions, San Francisco Museum of Modern Art, 2012; International Film Festival Rotterdam, 2012; New York Film Festival: Views from the Avant Garde, 2012; European Media Art Festival, 2012; Worlds in the Making, FACT, Liverpool 2011 ; Earth; Art of a Changing World, Royal Academy of Arts, London, 2009 and Sundance Film Festival, 2009.
The Adelaide International was a biennial art exhibition held in at the Samstag Museum of Art in Adelaide, South Australia, in partnership with the Adelaide Festival of the Arts, from 2010 to 2014. The series featured a range of contemporary visual works from artists based outside Australia. After a pause in the partnership was agreed, the exhibition was revived by the Samstag in 2019 as a series of three annual events, with the new title Adelaide//International, with a different context and concept: the 2019 exhibition was about the effect of colonisation on indigenous culture.
Horse and Rider is a beeswax sculpture depicting a rider on a horse. The history of the sculpture is unknown before the 20th century. The work has been attributed to Leonardo da Vinci by the Italian art historian Carlo Pedretti, though most historians have ignored or denied the attribution. A number of casts have been made, using a mold taken from the wax original.
June Yap is a Singaporean curator, art critic, and writer. She is currently the Director of Curatorial & Collections at the Singapore Art Museum.
Carmen C. Bambach (1959) is an American art historian and curator of Italian and Spanish drawings at the New York Metropolitan Museum of Art who specializes in Italian Renaissance art. She is considered one of the world's leading specialists on Leonardo da Vinci, especially his drawings.
Juliana Yasin was a Singaporean contemporary artist and curator whose practice spanned painting, installation, video, and performance art. Her works examined notions of identity, subjectivity, and community practices. Pedagogy and research further complemented her artistic practice, with Juliana having taught fine art at Kolej Bandar Utama in Kuala Lumpur and worked as a Singapore-based researcher for the Asia Art Archive, Hong Kong.
Luke Syson is an English museum curator and art historian. Since 2019, he has been the director of the Fitzwilliam Museum at the University of Cambridge, prior to which he held positions at the British Museum (1991–2002), the Victoria and Albert Museum (2002–2003), the National Gallery (2003–2012) and the Metropolitan Museum of Art (2015–2019). In 2011 he curated the acclaimed Leonardo da Vinci exhibition at the National Gallery: Leonardo da Vinci: Painter at the Court of Milan, which included his pivotal role in the controversial authentication by the National Gallery of da Vinci's Salvator Mundi.
Vincent Delieuvin is a French author and art historian specializing in the work of Leonardo da Vinci, and in Italian paintings of the sixteenth century, generally. Since 2006, he has worked as a heritage curator at the Louvre museum.
The Last Supper is a series of paintings created by the pop artist Andy Warhol (1929-1987) between 1984 and 1986 based on the famed earlier painting The Last Supper by Leonardo da Vinci.
The 60th Venice Biennale is an upcoming international contemporary art exhibition to be held in 2024. The Venice Biennale takes place every two years in Venice, Italy. Artistic director Adriano Pedrosa will curate its central exhibition, Foreigners Everywhere.
