Hop Around | ||||
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Studio album by | ||||
Released | January 2000 [1] | |||
Recorded | October–November 1998 [1] | |||
Studio | Signal to Noise, Toronto | |||
Genre | Punk rock | |||
Length | 32:35 | |||
Label |
| |||
Producer | Chris Spedding | |||
Dee Dee Ramone chronology | ||||
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Alternative cover | ||||
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Kerrang! | [3] |
Hop Around is the fourth studio album by Dee Dee Ramone, released in 2000. [4] It was his final album to contain mostly original material before his death in 2002. The album features, among others, producer Chris Spedding on keyboards and guitar, drummer Billy Rogers, who notably played with Johnny Thunders and the Ramones, [5] [6] and Ramone's wife Barbara on bass and vocals.
Dee Dee Ramone and Chris Spedding met each other in Toronto in 1998 just before recording Hop Around. Spedding had been hired by Ramone's label, the Toronto-based Other Peoples Music, to produce the album. According to Spedding, they both enjoyed working together, and he found Ramone to be very professional, "which I didn't expect because he had a strange reputation." Spedding remembered that they worked quickly, "because Dee Dee uses a lot of energy in the studio and got bored quickly. Because of this I think we were well suited." [7]
Recorded in fall 1998, Hop Around was released over a year later in January 2000. Spedding: "Dee Dee was disappointed with the record company (OPM) delaying its release and then not promoting it properly. He wanted to rerecord everything again and put it out on a different label. He asked me to produce the new one. ... I dissuaded him from rerecording the songs from the previous album and we recorded what was to become our last album together, Greatest & Latest . [7]
Allmusic's Stewart Mason gave the album 1½ stars out of 5, describing it as "a pathetic mess made by a guy whose best work was over two decades in his past and who was reduced to Rutles-style imitations of those past glories." He went on to say that Chris Spedding's production gives the album "a crisp '70s punk sheen that's actually rather nice on its own merits but which really only points up the complete lack of inspiration in the songs." [2]
All tracks are written by Dee Dee Ramone except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "I Don't Wanna Die in the Basement" | 1:52 | |
2. | "Mental Patient" | 1:40 | |
3. | "Now I Wanna Be Sedated" | 2:21 | |
4. | "Rock & Roll Vacation in L.A." | 1:59 | |
5. | "Get Out of this House" | 1:35 | |
6. | "38th & 8th" | 2:38 | |
7. | "Nothin'" | Dave Bingham, Roger Mayne | 2:39 |
8. | "Hop Around" | 1:32 | |
9. | "What About Me" | 2:26 | |
10. | "I Saw a Skull Instead of My Face" | 2:23 | |
11. | "I Wanna You" | 2:02 | |
12. | "Master Plan" | 2:29 | |
13. | "Born to Lose" | Johnny Thunders | 2:35 |
14. | "Hurtin' Kind" | Doug McCutcheon | 2:20 |
15. | "I'm Horrible" | Ramone, Barbara Ramone, Chris Spedding | 2:04 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "I Don't Wanna Die in the Basement" | 1:52 | |
2. | "Mental Patient" | 1:40 | |
3. | "Now I Wanna Be Sedated" | 2:21 | |
4. | "Rock & Roll Vacation in L.A." | 1:59 | |
5. | "Get Out of this House" | 1:35 | |
6. | "38th & 8th" | 2:38 | |
7. | "Nothin'" | Bingham, Mayne | 2:39 |
8. | "Hop Around" | 1:32 | |
9. | "What About Me" | 2:26 | |
10. | "I Saw a Skull Instead of My Face" | 2:23 | |
11. | "I Wanna You" | 2:02 | |
12. | "Master Plan" | 2:29 | |
13. | "Chinese Rocks" | Ramone, Richard Hell | 2:35 |
14. | "Hurtin' Kind" | McCutcheon | 2:20 |
15. | "I'm Horrible" | Ramone, Ramone, Spedding | 2:04 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "I Don't Wanna Die in the Basement" | 1:52 | |
2. | "Mental Patient" | 1:40 | |
3. | "Now I Wanna Be Sedated" | 2:21 | |
4. | "Rock & Roll Vacation in L.A." (Alternate version) | 1:59 | |
5. | "Get Out of this House" | 1:35 | |
6. | "38th & 8th" | 2:38 | |
7. | "Nothin'" | Bingham, Mayne | 2:39 |
8. | "Hop Around" (Alternate version) | 1:32 | |
9. | "What About Me" | 2:26 | |
10. | "I Saw a Skull Instead of My Face" | 2:23 | |
11. | "I Wanna You" | 2:02 | |
12. | "Master Plan" | 2:29 | |
13. | "Chinese Rocks" | Ramone, Hell | 2:35 |
14. | "Hurtin' Kind" | McCutcheon | 2:20 |
15. | "I'm Horrible" | Ramone, Ramone, Spedding | 2:04 |
16. | "Be My Baby" | Jeff Barry, Ellie Greenwich, Phil Spector |
Credits adapted from the album's liner notes. [8]
Douglas Glenn Colvin, better known by his stage name Dee Dee Ramone, was an American musician. He was the bassist and a founding member of the punk rock band the Ramones. Throughout the band's existence, he was the most prolific lyricist and composer, writing many of their best-known songs, such as "53rd & 3rd", "Chinese Rock", "Commando", "Wart Hog", "Rockaway Beach", "Poison Heart" and "Bonzo Goes To Bitburg". The latter won the New York Music Award for best independent single of the year in 1986, while Animal Boy, which the song is from, won for best album.
Rocket to Russia is the third studio album by the American punk rock band Ramones, and was released on November 4, 1977, through Sire Records. It is the band's last album to feature original drummer Tommy Ramone, who left the band in 1978 to focus on production. The album's origins date back to the summer of 1977, when "Sheena Is a Punk Rocker" was released as a single. That summer was known as the peak of the punk rock genre since many punk bands were offered recording contracts. The album's recording began in August 1977, and the band had a considerably larger budget with Sire allowing them between $25,000 and $30,000; much of this money went toward the album's production rather than recording.
Ramones is the debut studio album by the American punk rock band Ramones, released on April 23, 1976, by Sire Records. After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote about them in an article and contacted Danny Fields, insisting that he be their manager. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. The Ramones began recording in January 1976, needing only seven days and $6,400 to record the album.
Road to Ruin is the fourth studio album by the American punk rock band Ramones, released on September 22, 1978, through Sire Records as LP record, 8 track cartridge & audio cassette. It was the first Ramones album to feature new drummer Marky Ramone, who replaced Tommy Ramone. Tommy left the band due to low sales of previous albums as well as stress he experienced while touring; however, he stayed with the band to produce the album with Ed Stasium. The artwork's concept was designed by Ramones fan Gus MacDonald and later modified by John Holmstrom to include Marky instead of Tommy.
Subterranean Jungle is the seventh studio album by the American punk rock band Ramones, released by Sire Records on February 23, 1983. Overall, the album featured a return to a somewhat more hard punk rock style compared to the band's previous two albums End of the Century in 1980, and Pleasant Dreams in 1981, which were the most pop-focused of the band's career. This direction was encouraged by guitarist Johnny Ramone. The recording sessions saw disputes between band members, mainly due to struggles with alcohol addiction by Joey Ramone and Marky Ramone, and the drug addiction of Dee Dee Ramone.
Too Tough to Die is the eighth studio album by the American punk rock band Ramones. It was released on October 1, 1984, and is the first Ramones record to feature Richie Ramone on drums. With ex-member Tommy Ramone producing, the recording process was similar to that of the band's 1976 self-titled debut album. Likewise, the record's style—both lyrically and compositionally—saw the band returning to their roots. The photograph on the album cover, which features silhouettes of the band members, resulted from a "lucky accident" after photographer George DuBose's camera malfunctioned.
Brain Drain is the eleventh studio album by the American punk rock band Ramones, released on May 23, 1989. It is the last Ramones release to feature bassist/songwriter/vocalist Dee Dee Ramone, the first to feature Marky Ramone since his initial firing from the band after 1983's Subterranean Jungle and the band's last studio album on Sire Records. It ends with their unlikely seasonal song "Merry Christmas ".
Animal Boy is the ninth studio album by the American punk rock band Ramones, released through Sire Records on May 19, 1986. Due to conflicts within the group, the album features less of lead singer Joey Ramone, both in performing and writing, and less performing from guitarist Johnny Ramone. Bassist Dee Dee Ramone wrote and sang more on this album than on previous albums, and Richie Ramone became the first drummer to write songs for the band since Tommy Ramone, the band's original drummer. Richie also wrote for Too Tough To Die (1984). The album spawned four singles, all of which charted on the UK Singles Chart, as well as other charts. In addition to singles, the band promoted their album using a music video for "Something to Believe In", which parodied the contemporary benefit concerts Live Aid and Hands Across America.
NYC 1978 is a live album by American punk rock band, the Ramones.
Loud, Fast Ramones: Their Toughest Hits is a compilation of Ramones songs. Curated by Johnny Ramone, the initial 50,000 copies of the album include the 8-song bonus disc Ramones Smash You: Live ’85. The bonus disc features previously unreleased live recordings made on February 25, 1985 at the Lyceum Theatre in London. It is notable for being the only officially released live recording on CD to feature Richie Ramone on drums.
Slow Dazzle is the fifth solo studio album by the Welsh rock musician John Cale, released on 25 March 1975, his second album for record label Island.
"Pet Sematary" is a single by American punk rock band Ramones, from their 1989 album Brain Drain. The song, originally written for the Stephen King 1989 film adaptation of the same name, became one of the Ramones' biggest radio hits and was a staple of their concerts during the 1990s. The song plays over the film’s credits.
Greatest & Latest is the fifth and final studio album by Dee Dee Ramone, released in 2000. It consists of re-recordings of Ramones songs, a re-recorded solo song, cover songs and an unreleased new song.
Standing in the Spotlight is the first solo studio album by Dee Dee Ramone released in 1989, under the rap moniker Dee Dee King. The album is sometimes considered to be one of the biggest failures in recording history.
Back Home Again is the twenty-fourth studio album by American country music artist Kenny Rogers released in 1991. It was Rogers' last album to be released through Reprise Records. The album was Rogers' second album not to attain any certifications from the RIAA and only reached number 42 on the U.S. Country charts.
The Gift is the twenty-seventh studio album and a holiday album by country music singer Kenny Rogers. It was released in 1996 via Magnatone Records. The album features a rendition of "Mary, Did You Know?" featuring Wynonna Judd. This version of the song charted at No. 55 on Hot Country Songs in 1997.
...Ya Know? is the second and final solo album by Joey Ramone. It was released posthumously on May 22, 2012, by BMG. The album features producers Ed Stasium, Jean Beauvoir, Daniel Rey, Joey's brother Mickey Leigh and Joe Blaney. Musicians include Joan Jett, Steven Van Zandt, Richie Ramone, Holly Beth Vincent, Genya Ravan, members of Cheap Trick and the Dictators and Mickey Leigh.
Michael "Busta" Jones was an American musician, songwriter and producer. He is known for his bass work both live and in the studio with Albert King, Talking Heads, Gang of Four, Chris Spedding as well as many others during a decade spanning career that lasted from the late 1960s until his death in 1995.
Rock Billy Boogie is a studio album by Robert Gordon, released on RCA Records in 1979. It peaked at number 106 on the Billboard 200 chart.
Between 1993 and 2000, a series of Ramones covers albums were released by Selfless Records, an independent record label based in Garland, Texas specializing in punk rock, on which bands influenced by seminal punk group the Ramones performed cover versions of entire Ramones albums. Under the Selfless label, Screeching Weasel, the Queers, and the Vindictives respectively covered the first three Ramones albums: Ramones (1976), Rocket to Russia (1977), and Leave Home (1977). Selfless then became Clearview Records and continued the series, with Boris the Sprinkler, the Parasites, the Mr. T Experience, the Beatnik Termites, and the McRackins respectively covering End of the Century (1980), It's Alive (1979), Road to Ruin (1978), Pleasant Dreams (1981), and Too Tough to Die (1984).
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