How to Make a Monster | |
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Directed by | Herbert L. Strock |
Written by | Herman Cohen Aben Kandel |
Produced by | Herman Cohen James H. Nicholson |
Starring | Robert H. Harris Gary Conway Gary Clarke Morris Ankrum Paul Brinegar Robert Shayne John Ashley |
Cinematography | Maury Gertsman |
Music by | Paul Dunlap |
Distributed by | American International Pictures |
Release date |
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Running time | 73 minutes |
Country | United States |
Language | English |
Budget | $100,000 (est.) [1] |
How to Make a Monster is a 1958 American horror film drama. It was produced and written by Herman Cohen, directed by Herbert L. Strock, and starring Gary Conway, Robert H. Harris, Paul Brinegar, Morris Ankrum, Robert Shayne, and John Ashley. The film was released by American International Pictures as a double feature with Teenage Caveman . It is notable for its inclusion of props and studios that created actual sci-fi horror movies.
The film is a follow-up to both I Was a Teenage Werewolf and I Was a Teenage Frankenstein. Like Teenage Frankenstein, a black-and-white film that switches to color in its final moments, How to Make a Monster was filmed in black-and-white and only the last reel (the fire scene finale) is in full color.
Pete Dumond, chief make-up artist for 25 years at American International Studios, will be fired after the studio is purchased by NBN Associates. The new management from the East, Jeffrey Clayton and John Nixon, plan to make musicals and comedies instead of the horror pictures for which Pete has created his remarkable monster make-ups and made the studio famous The new owners show Pete one of their new rock musical numbers on stage which features John Ashley. In retaliation, Pete vows to use the very monsters these men have rejected to destroy them in revenge.
By mixing a numbing ingredient into his foundation cream and persuading the young actors that their careers are through unless they place themselves in his power, he creates a cream that deadens the willpower of whoever has it applied on them. In effect, he manages to draw the unsuspecting Larry Drake and Tony Mantell (each playing monsters in Werewolf Meets Frankenstein) into his control. Pete urges Larry, in Teenage werewolf make-up, to kill Nixon in the studio projection room. Next day, studio guard Monahan, an amateur detective, stops in at the make-up room. He shows Pete and Rivero, Pete's make-up assistant, his little black book in which he has jotted down many interesting facts, such as the late time (9:12PM) Pete and Rivero checked out the night of Jeffrey Clayton's murder. He explains he hopes to work his way up to chief of security on the lot. Apprehensive, Pete makes himself up as a terrifying split-faced Caveman, one of his own creations and kills Monahan in the studio commissary while Monahan makes his rounds that night. Richards, the older guard, sees and hears nothing of the struggle, but discovers the missing Monahan's body. Later, Pete orders the unknowing Tony, in Teenage Frankenstein make-up, to attack Clayton and choke him to death after he arrives home at night in his 1958 Lincoln convertible.
Police investigators uncover two clues: a maid, Millie, describes Frankenstein's monster (Tony, in make-up), who struck her down as he fled from the scene of Clayton's murder, and the police laboratory technician discovers a peculiar ingredient in the make-up left on Clayton's fingernails from his death struggle with Tony. The formula matches bits found in Pete's old make-up room.
The police head for Pete's house. Pete has taken Rivero, Larry and Tony to his home for a grim farewell party, his house being a museum of all the monsters that he created in his 25 years at the studio. Pete, distrusting Rivero, stabs him to death when they are alone in the kitchen. Learning that Larry and Tony are trying to leave the locked living room, he attacks them both with the knife.
Larry awkwardly knocks over a candelabra, setting the monster museum on fire, and Pete is burned to death, trying in vain to save the heads of his monstrous "children" mounted on the walls. The police break through the locked door just before the flames reach the boys, and they save Larry and Tony.
Many of Pete Dumond's "children" destroyed in the fire were props originally created by Paul Blaisdell for earlier AIP films, and he actually allowed the props to be destroyed. They include The Cat Girl (1957), "Beulah" from It Conquered the World (1956), Invasion of the Saucer Men (1957) and the Dr. Jekyll mask from Attack of the Puppet People (1958). [2] Blaisdell also created a brand new monster costume he dubbed "Aunt Esmeralda" which he created specifically to be burned in the fire scene (designed so that as the face melted, a grisly skull was revealed underneath). Blaisdell's She-Creature mask was also in the scene but miraculously was not destroyed. [3]
Blaisdell had specifically asked AIP not to burn his Cat Girl mask, but it was carelessly destroyed in the fire anyway. (To compound the tragedy, the cameraman failed to film the Cat Girl mask as it was burning.) The whole incident left a bad taste in Blaisdell's mouth. [4]
Herman Cohen says he cast John Ashley as a singer at the request of James H. Nicholson, who had just put Ashley under a long-term contract with the studio. Ashley was having some minor success as a recording artist at the time. [5] [6]
AIP did not have a physical studio, so the film was shot at Ziv Studios. During production there, a sign was put up that called the studio lot "American International Studios", which was totally misleading. [7]
Ed Wood's widow Kathy claimed in a 1992 interview that her husband always felt that the idea for How To Make a Monster was stolen from him by AIP producer Sam Arkoff. She said "Eddie condemned Arkoff, he really hated him. Eddie gave them a script for approval, and they changed the characters a little bit around. Eddie had written it for Lugosi. It was about this old horror actor who couldn't get work any more, so he took his vengeance out on the studio. (They changed it to) a make-up man who takes revenge on a studio." Arkoff denied Wood's claim was true, stating that Herman Cohen originated the entire project on his own. [8]
Scream Factory's 2020 Blu-ray release features an audio commentary by Tom Weaver. [9]
Svengoolie featured the film on June 12, 2021, again on December 11, 2021, on June 25, 2022 and, most recently, on February 24, 2024. [10]
American International Pictures LLC is an American film production company owned by Amazon MGM Studios. In its original operating period, AIP was an independent film production and distribution company known for producing and releasing films from 1955 until 1980, a year after its acquisition by Filmways in 1979.
Frankenstein's Daughter is an independently made 1958 American black-and-white science fiction/horror film drama, produced by Marc Frederic and George Fowley, directed by Richard E. Cunha, that stars John Ashley, Sandra Knight, Donald Murphy, and Sally Todd. The film was distributed by Astor Pictures and was released theatrically as a double feature with Missile to the Moon.
Samuel Zachary Arkoff was an American film producer, known as the co-founder of American International Pictures.
I Was a Teenage Werewolf is a 1957 American science fiction horror film directed by Gene Fowler Jr., and starring Michael Landon as a troubled teenager, Yvonne Lime and Whit Bissell. Co-written and produced by cult film producer Herman Cohen, it was one of the most successful films released by American International Pictures (AIP).
It Conquered the World is an independently made 1956 American black-and-white science fiction film, produced and directed by Roger Corman, starring Peter Graves, Lee Van Cleef, Beverly Garland, and Sally Fraser. It Conquered the World was released theatrically by American International Pictures as a double feature with The She-Creature.
The beach party film is an American film genre of feature films which were produced and released between 1963 and 1968, created by American International Pictures (AIP), beginning with their surprise hit, Beach Party, in July 1963. With this film, AIP is credited with creating the genre. In addition to the AIP films, several contributions to the genre were produced and released by major and independent studios alike. According to various sources, the genre comprises over 30 films, with the lower-budget AIP films being the most profitable.
Beach Party is a 1963 American film and the first of seven beach party films from American International Pictures (AIP) aimed at a teen audience. This film is often credited with creating the beach party film genre.
The Eye Creatures is a 1967 American made-for-television comedy horror science fiction film about an invasion by a flying saucer and its silent, shambling alien occupants.
I Was a Teenage Frankenstein is a horror film starring Whit Bissell, Phyllis Coates and Gary Conway, released by American International Pictures (AIP) in November 1957 as a double feature with Blood of Dracula. It is the follow-up to AIP's box office hit I Was a Teenage Werewolf, released less than five months earlier. Both films later received a sequel in the crossover How to Make a Monster, released in July 1958. The film stars Whit Bissell, Phyllis Coates, Robert Burton, Gary Conway and George Lynn.
John Ashley was an American actor, producer and singer. He was best known for his work as an actor in films for American International Pictures, producing and acting in horror films shot in the Philippines, and for producing various television series, including The A-Team.
James Harvey Nicholson was an American film producer. He is best known as the co-founder, with Samuel Z. Arkoff, of American International Pictures.
Invasion of the Saucer Men, is a 1957 black-and-white comic science fiction/comedy horror film produced by James H. Nicholson for release by American International Pictures. The film was directed by Edward L. Cahn and stars Stephen Terrell, Gloria Castillo, Raymond Hatton and Frank Gorshin.
Day the World Ended is a 1955 independently made black-and-white post-apocalyptic science fiction film, produced and directed by Roger Corman, that stars Richard Denning, Lori Nelson, Adele Jergens, Paul Birch and Mike Connors. Chet Huntley of NBC, later of The Huntley-Brinkley Report, served as the film's narrator. It was released by American Releasing Corporation as a double feature with The Phantom from 10,000 Leagues.
Lawrence StewartTalbot, also known as the Wolf Man, is a title character of the 1941 Universal film The Wolf Man and its sequels, created by Curt Siodmak. He was portrayed by Lon Chaney Jr. In the 2010 remake of the film, he is portrayed by Benicio del Toro. The Wolf Man was part of the Universal Monsters ensemble.
The She-Creature, or The She Creature, is a 1956 American black-and-white science fiction horror film, released by American International Pictures from a script by Lou Rusoff. It was produced by Alex Gordon, directed by Edward L. Cahn, and stars Chester Morris, Marla English and Tom Conway, and casting Frieda Inescort and El Brendel in smaller roles. The producers hired Marla English because they thought she bore a strong resemblance to Elizabeth Taylor.
Apache Woman is a 1955 American Western directed by Roger Corman and starring Lloyd Bridges. It was Corman's second film as director, following Five Guns West. It was one of four Westerns he made for American International Pictures, the other being Five Guns West, The Oklahoma Woman (1955) and Gunslinger (1956). Corman says Apache Woman and Oklahoma Woman were from ideas by AIP whereas the others were his ideas. This was the first film from Golden State Productions, a company headed by Alex Gordon.
Blood of Dracula is a 1957 American black-and-white horror film directed by Herbert L. Strock, and starring Sandra Harrison, Louise Lewis and Gail Ganley. It was co-written by Aben Kandel and Herman Cohen.
Cat Girl is a 1957 British horror film directed by Alfred Shaughnessy and starring Barbara Shelley, Robert Ayres, and Kay Callard. It was produced by Herbert Smith and Lou Rusoff. The film was an unofficial remake of Val Lewton's Cat People (1942). In the United States American International Pictures released Cat Girl on a double bill with The Amazing Colossal Man (1957).
Dragstrip Girl is a 1957 film starring John Ashley in his first lead role. American International Pictures released the film as a double feature with Rock All Night and it proved an early success for the studio.
Paul Blaisdell was an American painter, sculptor and visual effects creator, best remembered for his work in science fiction and horror B movies of the 1950s.