Hua Hsu Last updated February 09, 2025 American writer and academic (born 1977)
Hua Hsu (born 1977) [ 1] is an American writer and academic, based in New York City . He is a professor of English at Bard College and a staff writer at The New Yorker . His work includes investigations of immigrant culture in the United States, as well as public perceptions of diversity and multiculturalism . He is the author of A Floating Chinaman: Fantasy and Failure Across the Pacific . His second book, Stay True: A Memoir , was published in September 2022.
Early life and education A second-generation Taiwanese American , Hsu was born in 1977 in Champaign-Urbana , Illinois , [ 2] before moving to Plano , then Richardson, Texas . [ 3] His family moved to southern California, [ 3] then ultimately Cupertino, California , [ 4] where his father was an engineer; his mother stayed at home with Hua. [ 3] The family lived in Cupertino from about the time Hua was 9 to 18, though his father moved to Taiwan to pursue work and Hua often spent summers and other school vacations there. [ 5]
Hsu attended college at the University of California, Berkeley , where he studied political science . [ 3] He graduated in 1999. [ 3] He next attended Harvard University to study Asian-American literature , [ 3] earning a Ph.D. in the History of American Civilization in 2008. [ 6] Louis Menand advised his dissertation, [ 7] titled Pacific Crossings: China, the United States, and the Transpacific Imagination . [ 6]
Career Hsu was a tenured associate professor of English and director of American Studies at Vassar College [ 8] until 2022, when he became professor of English at Bard College . [ 9] Since 2017, he has also been a staff writer at The New Yorker . [ 10] His work includes investigations of immigrant culture in the United States, as well as public perceptions of diversity and multiculturalism . Other research work and interests include studies of literary history and arts criticism . [ 11]
Hsu has been a fellow at New America , a public policy think tank and a contributor to The New Yorker , The Atlantic , Slate , and The Wire . [ 12] [ 13] [ 14] His 2012 essay for Lucky Peach about suburban Chinatowns was nominated for a 2012 James Beard Award for food writing. [ 15] He is a board member of the Asian American Writers' Workshop . [ 16] His book, A Floating Chinaman: Fantasy and Failure Across the Pacific , [ 17] was published in June 2016 by Harvard University Press . [ 18] He was a 2016 National Fellow for the New America Foundation. [ 19]
Hsu's second book, Stay True: A Memoir , about an important friendship he had while in college, was published by Doubleday on September 27, 2022. It received a starred review in Publishers Weekly . [ 20] Jennifer Szalai of The New York Times wrote, "Hsu is a subtle writer, not a showy one; the joy of 'Stay True' sneaks up on you, and the wry jokes are threaded seamlessly throughout." [ 21] The book was named one of the "10 Best Books of 2022" by The New York Times [ 22] and The Washington Post . [ 23] The book won the 2023 Pulitzer Prize for Memoir or Autobiography [ 24] and the 2022 National Book Critics Circle award in autobiography . [ 25]
Bibliography Books Hsu, Hua (2016). A floating Chinaman : fantasy and failure across the Pacific . Cambridge, Mass.: Harvard UP. — (2022). Stay true : a memoir . New York: Doubleday/Knopf/PRH.Essays and reporting Hsu, Hua (January–February 2009). "The end of White America?" . U.S. The Atlantic . — (April 18, 2012). "All hail the chairmen : Jonathan Olivares's 'Taxonomy of Office Chairs' " . Los Angeles Review of Books .— (September 5, 2012). "Michael K. Williams reveals his Omar Mix" . Vulture .— (December 13, 2012). "Wokking the Suburbs" . Lucky Peach .— (September 26, 2014). "The Simpsons go to China" . Currency. The New Yorker . [ a] — (October 16, 2014). "Before gentrification, a city covered in graffiti" . Cultural Comment. The New Yorker . [ a] — (December 1, 2014). "The civility wars" . Cultural Comment. The New Yorker . [ a] — (February 22, 2016). "A god dream : Kanye West unveils a new album, 'The Life of Pablo' " . The Critics. Pop Music. The New Yorker . 92 (2): 66– 68. [ b] — (March 7, 2016). "The struggle : Macklemore wrestles with his place in hip-hop" . The Critics. Pop Music. The New Yorker . 92 (4): 70– 71. [ c] — (July 25, 2016). "Pale fire : is whiteness a privilege or a plight?" . The Critics. A Critic at Large. The New Yorker . 92 (22): 63– 66. [ d] — (September 21, 2016). "The Critic Who Convinced Me That Criticism Could Be Art" . The New Yorker .— (October 3, 2016). "Bon Iver's new voice" . The Critics. Pop Music. The New Yorker .— (January 4, 2017). "Listening to George Michael in Taiwan" . Cultural Comment [web only]. The New Yorker .— (April 24, 2017). "Praise songs : Alice Coltrane in Sanskrit" . The Critics. Pop Music. The New Yorker . 93 (10): 98– 99. [ e] — (May 1, 2017). "Legacy media : Kendrick Lamar's sense of debt to those who came before" . The Critics. Pop Music. The New Yorker . 93 (11): 74– 75. [ f] — (September 18, 2017). "Rostam Batmanglij defines his musical identity" . Pop Music. The New Yorker .— (December 4, 2017). "Forward march : Bjõrk's visions of the future" . The Critics. Pop Music. The New Yorker . 93 (39): 62– 64. [ g] — (May 20, 2019). "Machine yearning : Holly Herndon's search for a new art form for our tech obsessions" . The Critics. Pop Music. The New Yorker . 95 (13): 83– 84. [ h] — (December 9, 2019). "Burial's Search for Fleeting Moments" . Pop Music. The New Yorker .— (January 6, 2020). "Exclude me in : in the seventies, a group of Asian–American writers decided it was their turn" . The Critics. Books. The New Yorker . 95 (43): 58– 63. [ i] — (September 21, 2020). "The musical monk : rediscovering Beverly Glenn-Copeland's inward-looking sounds" . The Critics. Pop Music. The New Yorker . 96 (28): 59– 60. [ j] — (December 21, 2020). "Whims : Paul McCartney's surprisingly playful pandemic album" . The Critics. Pop Music. The New Yorker . 96 (41): 80– 81. [ k] — (January 25, 2021). "Sound design : the obsessive beat-making of Madlib" . The Critics. Pop Music. The New Yorker . 96 (45): 72– 73. [ l] — (April 5, 2021). "Game over : how athletes began telling a new story about sports" . The Critics. Podcast Dept. The New Yorker . 97 (7): 63– 65. [ m] — (September 20, 2021). "Listening tour : Saint Etienne's nostalgic, time-travelling sounds" . The Critics. Pop Music. The New Yorker . 97 (29): 78– 79. [ n] — (August 22, 2022). "My dad and Kurt Cobain : alternative culture and a fax machine bridged an ocean" . Personal History. The New Yorker . 98 (25): 24– 29.———————
Notes 1 2 3 Available on website only. ↑ Title in the online table of contents is "Kanye West realizes his dreams". ↑ Online version is titled "Mackelmore, the hip-hop villain". ↑ Online version is titled "White plight?". ↑ Online version is titled "Alice Coltrane ’s devotional music". ↑ Online version is titled "Kendrick Lamar's holy spirit". ↑ Online version is titled "Bjõrk's visions of an enchanted future". ↑ Online version is titled "Electronic pop for the surveillance era". ↑ Online version is titled "The Asian-American canon breakers". ↑ Online version is titled "Beverly Glenn-Copeland's music for a future that never came". ↑ Online version is titled "Paul McCartney's surprisingly playful pandemic album". ↑ Online version is titled "The obsessive beat-making of Madlib". ↑ Online version is titled "The rise of the athlete podcaster". ↑ Online version is titled "Saint Etienne's Nineties nostalgia". References ↑ Spaeth, Ryu (September 20, 2022). "Hua Hsu Is True to the Game" . Vulture . Retrieved September 20, 2022 . ↑ Hsu, Hua (August 15, 2022). "My Dad and Kurt Cobain" . The New Yorker . Retrieved August 20, 2022 . 1 2 3 4 5 6 7 "Episode 29: Professor and New Yorker Writer Hua Hsu by Mary H.K. Choi" . Hey, Cool Job . March 16, 2018. Retrieved April 25, 2018 . ↑ "Angry Reader of the Week: Hua Hsu" . ↑ Hsu, Hua (June 18, 2012). "How Rock Ballads Brought My Father's American Dream To Life" . NPR . Retrieved April 25, 2018 . 1 2 "Alumni Publications" . American Studies – The Graduate School of Arts and Sciences at Harvard University . Retrieved April 25, 2018 . ↑ Mistry, Anupa (June 9, 2016). "Yaa Gyasi And Hua Hsu Talk About Writing" . The Fader . Retrieved April 25, 2018 . ↑ "Hua Hsu - English Department - Vassar College" . english.vassar.edu . Retrieved September 12, 2017 . ↑ College, Bard. "Hua Hsu" . www.bard.edu . Retrieved August 20, 2022 . ↑ "Hua Hsu" . The New Yorker . Retrieved April 25, 2018 . ↑ "Vassar Faculty and Staff" . Vassar English Department . Vassar College. Retrieved February 16, 2016 . ↑ "Hua Hsu, New America Fellow" . New America . Retrieved February 16, 2016 . ↑ "Authors: Hua Hsu" . Slate . ↑ "Author: Hua Hsu" . The Atlantic . ↑ Forbes, Paula (March 18, 2013). "Here Are the 2013 James Beard Awards Finalists" . Eater . Retrieved November 29, 2021 . ↑ Romano, Evan (March 13, 2017). "Brooklyn 100 Influencer: Hua Hsu, The 'New Yorker' " . Brooklyn Magazine . Retrieved September 12, 2017 . ↑ Nguyen, Viet Thanh (July 22, 2016). "Reconsidering the Work of a Chinese Immigrant Writer of the 1930s" . The New York Times . ISSN 0362-4331 . Retrieved September 12, 2017 . ↑ "Contributors: Hua Hsu" . The New Yorker . Retrieved February 16, 2016 . ↑ "Hua Hsu" . New America . Retrieved November 29, 2021 . ↑ "Stay True: A Memoir by Hua Hsu" . Publishers Weekly . May 19, 2022. Retrieved August 20, 2022 . ↑ Szalai, Jennifer (September 29, 2022). "A Formative Friendship Cut Short by Tragedy" . New York Times . Retrieved November 22, 2022 . ↑ "The 10 Best Books of 2022" . The New York Times . November 29, 2022. Retrieved November 30, 2022 . ↑ "The 10 Best Books of 2022" . The Washington Post . November 17, 2022. Retrieved November 30, 2022 . ↑ "2023 Pulitzer Prize Winners & Finalists" . The Pulitzer Prizes . May 8, 2023. Retrieved May 8, 2023 . ↑ Varno, David (February 1, 2023). "NATIONAL BOOK CRITICS CIRCLE ANNOUNCES FINALISTS FOR PUBLISHING YEAR 2022" . National Book Critics Circle . Retrieved February 3, 2023 . ↑ "The 100 Most Influential People in Brooklyn Culture 2017" . Brooklyn Magazine . March 13, 2017. Retrieved September 12, 2017 .
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