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Anthropology is the scientific study of humanity, concerned with human behavior, human biology, cultures, societies, and linguistics, in both the present and past, including past human species. Social anthropology studies patterns of behavior, while cultural anthropology studies cultural meaning, including norms and values. A portmanteau term sociocultural anthropology is commonly used today. Linguistic anthropology studies how language influences social life. Biological or physical anthropology studies the biological development of humans.
Margaret Mead was an American cultural anthropologist who featured frequently as an author and speaker in the mass media during the 1960s and the 1970s.
Napoleon Alphonseau Chagnon was an American cultural anthropologist, professor of sociocultural anthropology at the University of Missouri in Columbia and member of the National Academy of Sciences. Chagnon was known for his long-term ethnographic field work among the Yanomamö, a society of indigenous tribal Amazonians, in which he used an evolutionary approach to understand social behavior in terms of genetic relatedness. His work centered on the analysis of violence among tribal peoples, and, using socio-biological analyses, he advanced the argument that violence among the Yanomami is fueled by an evolutionary process in which successful warriors have more offspring. His 1967 ethnography Yanomamö: The Fierce People became a bestseller and is frequently assigned in introductory anthropology courses.
Visual anthropology is a subfield of social anthropology that is concerned, in part, with the study and production of ethnographic photography, film and, since the mid-1990s, new media. More recently it has been used by historians of science and visual culture. Although sometimes wrongly conflated with ethnographic film, visual anthropology encompasses much more, including the anthropological study of all visual representations such as dance and other kinds of performance, museums and archiving, all visual arts, and the production and reception of mass media. Histories and analyses of representations from many cultures are part of visual anthropology: research topics include sandpaintings, tattoos, sculptures and reliefs, cave paintings, scrimshaw, jewelry, hieroglyphics, paintings and photographs. Also within the province of the subfield are studies of human vision, properties of media, the relationship of visual form and function, and applied, collaborative uses of visual representations.
The Bureau of American Ethnology was established in 1879 by an act of Congress for the purpose of transferring archives, records and materials relating to the Indians of North America from the Interior Department to the Smithsonian Institution. But from the start, the bureau's visionary founding director, John Wesley Powell, promoted a broader mission: "to organize anthropologic research in America." Under Powell, the bureau organized research-intensive multi-year projects; sponsored ethnographic, archaeological and linguistic field research; initiated publications series ; and promoted the fledgling discipline of anthropology. It prepared exhibits for expositions and collected anthropological artifacts for the Smithsonian United States National Museum. In addition, the BAE was the official repository of documents concerning American Indians collected by the various US geological surveys, especially the Geographical and Geological Survey of the Rocky Mountain Region and the Geological Survey of the Territories. It developed a manuscript repository, library and illustrations section that included photographic work and the collection of photographs.
Timothy Asch was an American anthropologist, photographer, and ethnographic filmmaker. Along with John Marshall and Robert Gardner, Asch played an important role in the development of visual anthropology. He is particularly known for his film The Ax Fight and his role with the USC Center for Visual Anthropology.
The USC Center for Visual Anthropology (CVA) is a center located at the University of Southern California. It is dedicated to the field of visual anthropology, incorporating visual modes of expression in the academic discipline of anthropology. It does so in conjunction with faculty in the anthropology department through five types of activities: training, research and analysis of visual culture, production of visual projects, archiving and collecting, and the sponsorship of conferences and film festivals. It offers a B.A. and an MVA in Visual Anthropology.
The Margaret Mead Film Festival is an annual film festival held at the American Museum of Natural History in New York City. It is the longest-running, premiere showcase for international documentaries in the United States, encompassing a broad spectrum of work, from indigenous community media to experimental nonfiction. The Festival is distinguished by its outstanding selection of titles, which tackle diverse and challenging subjects, representing a range of issues and perspectives, and by the forums for discussion with filmmakers and speakers.
Robert Grosvenor Gardner was an American academic, anthropologist, and documentary filmmaker who was the Director of the Film Study Center at Harvard University from 1956 to 1997. He is known for his work in the field of visual anthropology and films like the National Film Registry inductee Dead Birds and Forest of Bliss. In 2011, a retrospective of his work was held at Film Forum, New York.
The following outline is provided as an overview of and topical guide to anthropology:
An ethnographic film is a non-fiction film, often similar to a documentary film, historically shot by Western filmmakers and dealing with non-Western people, and sometimes associated with anthropology. Definitions of the term are not definitive. Some academics claim it is more documentary, less anthropology, while others think it rests somewhere between the fields of anthropology and documentary films.
Richard Kurin, an American cultural anthropologist, museum official and author, is the Acting Provost and Under Secretary for Museums and Research at the Smithsonian Institution. He is a key member of the senior team managing the world's largest museum and research complex with 6,500 employees and a $1.4 billion annual budget, caring for more than 139 million specimens, artifacts and artworks, working in 145 countries around the globe, hosting some 30 million visitors a year, and reaching hundreds of millions online and through the Smithsonian's educational programs and media outreach. Kurin is particularly responsible for all of the national museums, scholarly and scientific research centers, and programs spanning science, history, art and culture.
John Kennedy Marshall was an American anthropologist and acclaimed documentary filmmaker best known for his work in Namibia recording the lives of the Juǀʼhoansi.
The National Anthropological Archives is the third largest archive in the Smithsonian Institution and a sister archive to the Human Studies Film Archive. The collection documents the history of anthropology and the world's peoples and cultures, and is used in indigenous language revitalization. It is located in the Smithsonian's Museum Support Center in Suitland, Maryland, and is part of the Department of Anthropology at the National Museum of Natural History.
The Smithsonian Institution's Museum Support Center (MSC) is a collections storage and conservation facility in Suitland, Maryland which houses Smithsonian collections which are not on display in the museums. It is not usually open to the public, due to security concerns, though occasionally special tours are organized.
Museum anthropology is a domain of scholarship and professional practice in the discipline of anthropology.
John Melville Bishop is a contemporary, U.S., documentary filmmaker known for the breadth of his collaborations, primarily in the fields of anthropology and folklore. He has worked with Alan Lomax, John Marshall, and extensively with the Smithsonian Institution and the American Folklife Center at the Library of Congress. In 2005, he received a Lifetime Achievement Award from the Society for Visual Anthropology.
Linda Helen Connor is an Australian anthropologist. She is Emeritus Professor of Anthropology at the University of Sydney.
Lucile Eleanor St. Hoyme was an American biological anthropologist who conducted research related to human variation, bioarcheology, and paleopathology. St. Hoyme served as an Assistant Curator in the Department of Anthropology at the National Museum of Natural History. St. Hoyme analyzed human remains excavated from the John Kerr Reservoir Basin using a new bioarcheological approach combining data from other disciplines. Beyond her work with the Smithsonian collections, St. Hoyme also worked on FBI forensic cases in the 1960s with National Museum of Natural History Anthropology Curator J. Lawrence Angel.
References
- 1 2 Homiak, Jake. "History of the Human Studies Film Archives". National Anthropological Archives and Human Studies Film Archives. Archived from the original on 27 January 2013. Retrieved 25 Nov 2012.
- 1 2 Sorenson, E. Richard (June 1975). "To Further Phenomenological Inquiry: The National Anthropological Film Center". Current Anthropology. 16 (2): 267–269. doi:10.1086/201547. JSTOR 2741128. S2CID 144891901.
- ↑ Horton, Alan W.; E. Richard Sorenson (1975-05-31). "Anthropological Film Center". Science News. 107 (22): 347. doi:10.2307/3959823. JSTOR 3959823.
- 1 2 "Guide to the Collections of the Human Studies Film Archives: Introduction". National Anthropological Archives and Human Studies Film Archives. Archived from the original on 14 May 2013. Retrieved 25 November 2012.
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