Hungry Hearts | |
---|---|
![]() Italian film poster | |
Directed by | Saverio Costanzo |
Screenplay by | Saverio Costanzo |
Based on | Il bambino indaco by Marco Franzoso |
Produced by |
|
Starring | Adam Driver Alba Rohrwacher Roberta Maxwell |
Cinematography | Fabio Cianchetti |
Edited by | Francesca Calvelli |
Music by | Nicola Piovani |
Distributed by | Radiant Films International [1] |
Release dates |
|
Running time | 109 minutes |
Country | Italy |
Language | English |
Hungry Hearts is a 2014 Italian drama film directed by Saverio Costanzo. It was selected to compete for the Golden Lion at the 71st Venice International Film Festival. [2] [3] At Venice, Adam Driver and Alba Rohrwacher won the Volpi Cup for Best Actor and Best Actress respectively. [4] It was also screened in the Special Presentations section of the 2014 Toronto International Film Festival. [5]
Jude (Adam Driver) is a gentle, pragmatic engineer living in New York City. In unfortunate circumstances, he becomes trapped in a restaurant bathroom with Mina (Alba Rohrwacher), who works at the Italian embassy. Despite this equally awkward and funny first encounter, Jude and Mina begin a relationship and move in together.
A few months later, Mina wakes to a phone call from her employer. They notify her that she has been transferred and will be relocated to her native Italy in two months, separating her from Jude. Upon learning of the impending transfer, Jude is deeply upset, and later in the day initiates a sexual encounter. Against Mina's wishes, Jude ejaculates inside of her, and Mina later discovers she is pregnant. Jude and Mina are married at a beachside cafe in Brighton Beach. After the reception, a man shoots a deer on the boardwalk outside. Mina is distraught after witnessing the unnecessary and careless death of an animal, and is bothered by recurring nightmares about it.
As the pregnancy begins, Mina fails to maintain a stable diet. At a friend's art exhibit, Mina wanders outside to the patio and faints. She is taken to the hospital, where an ultrasound is performed and Mina and Jude are informed that their baby is not receiving adequate nutrients to grow. The couple return home, where Mina expresses a distrust of modern medicine. She decides to employ only alternative medicine, going so far as to visit a psychic who informs Mina that her fetus is an Indigo child. Trusting her maternal instincts, Jude does not initially intervene in Mina's self-inflicted undernourishment and shunning of western treatment options.
Mina continues to undernourish herself and her unborn child, and when it is time for her to give birth, contractions do not begin due to her malnourishment. As the baby goes into distress, Jude takes Mina to the hospital where a c-section is performed against her wishes. The baby boy is weak and must begin his life inside an incubator.
Seven months later, Mina has not allowed her son to be taken outside the apartment. Because of her growing obsession with purity and cleanliness, Mina does not allow outsiders to touch her baby without first washing their hands, requires all cell phones be left at the bottom of the entryway stairs, and keeps the infant on a vegan diet. She continues to renounce modern medicine. While Mina is gone, Jude takes the baby to a doctor who informs him that the baby is severely malnourished, and at risk of retarded growth or death. Jude returns home and confronts Mina about her parenting style. The rift between the two grows larger. Mina is horrified when she returns home to find Jude feeding their baby a meat product, and after an argument during which Jude slaps Mina, she agrees to allow Jude to take charge of feeding the baby.
After two weeks of following the prescribed diet, the baby has not gained any weight. Jude is suspicious of Mina, who takes the baby away after every meal. Jude discovers that Mina, gaunt and withered herself, has been feeding the baby an anti-nutrient oil, preventing him from absorbing food. Jude finds excuses throughout each day to take the infant outside and feed him in secret. While visiting, Jude's mother becomes aware of the situation and urges Jude to take action. He visits a lawyer, who advises him to take the infant somewhere he can be safe, and obtains a court order prohibiting Mina from being the child's primary caretaker.
While Mina is distracted, Jude gives the baby boy to his mother, who takes provisional care of him while Mina is meant to recuperate. Jude and Mina, now at seemingly irreparable odds with each other, visit their child often. Jude's mother grows increasingly uncomfortable with Mina's disturbing physical and mental state. During an unannounced visit, Mina attempts to forcibly take her child home with her, but Jude and his mother prevent this. In a brief struggle for the baby between Mina and Jude, Mina is knocked into a door frame, bruising and splitting her lip. Mina leaves the house in quiet frustration.
The following night Jude is woken by flashing lights outside his mother's house. A police officer knocks on the door, informing Jude that he has been accused of battery. Mina appears from behind the officer, accompanied by other authorities, and takes their child back to New York City despite Jude and his mother's desperate pleadings.
Mina takes the infant to the boardwalk where she and Jude were married, and the two spend the day quietly observing the ocean.
In the night Mina wakes upon hearing someone enter the apartment. An unseen person enters the bedroom and stands face-to-face with Mina. The screen cuts to black as a gunshot sounds.
Jude is shown running down a street illuminated by police lights. He turns into a police station, urgently asking about the whereabouts of his son. The authorities hand Jude the baby. In the station, Jude sobs while holding his child. A police interview is shown revealing that Jude's mother killed Mina to ensure the safety of her grandson, accepting the punishment she will receive as a result.
In the final scene, Jude and his son walk along the beach. The child, now healthy and of school age, holds his father's hand.
Critical reception for Hungry Hearts has been mixed, and the film holds a score of 63% on review aggregator Rotten Tomatoes, based on 38 reviews with an average rating of 6.4/10. [6] It holds a weighted average score of 44/100 on Metacritic, based on 15 critics, indicating "mixed to average reviews". [7]
Awards | ||||
---|---|---|---|---|
Award | Category | Recipients and nominees | Result | |
71st Venice International Film Festival [8] | Golden Lion | Saverio Costanzo | Nominated | |
Volpi Cup for Best Actor | Adam Driver | Won | ||
Volpi Cup for Best Actress | Alba Rohrwacher | Won | ||
Pasinetti Award for Best Actress | Alba Rohrwacher | Won | ||
Special Pasinetti Award for Best Direction | Saverio Costanzo | Won | ||
Cinema for UNICEF Award | Saverio Costanzo | Won | ||
60th David di Donatello Awards [9] | Best Film | Mario Gianani and Lorenzo Mieli | Nominated | |
Best Director | Saverio Costanzo | Nominated | ||
Best Script | Saverio Costanzo | Nominated | ||
Best Actress | Alba Rohrwacher | Nominated | ||
Best Cinematography | Fabio Cianchetti | Nominated | ||
Best Editing | Francesco Calvelli | Nominated | ||
Best Score | Nicola Piovani | Nominated | ||
55th Globi d'oro [10] | Best Actress | Alba Rohrwacher | Won | |
30th Ciak d'oro [11] | Best Producer | Mario Gianani and Lorenzo Mieli | Nominated | |
Best Screenwriter | Saverio Costanzo | Nominated | ||
Best Cinematography | Fabio Cianchetti | Nominated | ||
Best Score | Nicola Piovani | Nominated |
A wet nurse is a woman who breastfeeds and cares for another's child. Wet nurses are employed if the mother dies, if she is unable to nurse the child herself sufficiently or chooses not to do so. Wet-nursed children may be known as "milk-siblings", and in some societies, the families are linked by a special relationship of milk kinship. Wet-nursing existed in societies around the world until the invention of reliable formula milk in the 20th century. The practice has made a small comeback in the 21st century.
Three Men and a Cradle is a 1985 French comedy film by Coline Serreau. The film was remade in Hollywood as Three Men and a Baby in 1987, which subsequently inspired nine adaptations in seven languages.
Mouchette is a 1967 French tragedy film directed by Robert Bresson, starring Nadine Nortier and Jean-Claude Guilbert. It is based on the novel of the same name by Georges Bernanos. Bresson explained his choice of the novel saying, "I found neither psychology or analysis in it. The substance of the book seemed usable. It could be sieved."
Saverio Costanzo is an Italian film and television director.
Ossos is a 1997 Portuguese film directed by Pedro Costa.
Grace is a 2009 American horror film written and directed by Paul Solet, based on the 2006 short film of the same name. The short film was used to obtain the feature version's funding.
Alba Caterina Rohrwacher is an Italian actress.
Infant feeding is the practice of feeding infants. Breast milk provides the best nutrition when compared to infant formula. Infants are usually introduced to solid foods at around four to six months of age.
A Street in Palermo is a 2013 Italian drama film written and directed by Emma Dante. It was screened in the main competition section at the 70th Venice International Film Festival. Elena Cotta won the Volpi Cup for Best Actress.
In the Club is a British drama television series that was first broadcast on BBC One on 5 August 2014. The series follows six couples who attended a local Parent Craft class during their pregnancy. The series was written and created by Kay Mellor. A second series was commissioned in 2014 and broadcast in the UK from 3 May to 7 June 2016.
The 71st annual Venice International Film Festival took place in Venice, Italy between 27 August to 6 September 2014. The festival opened with Alejandro G. Iñárritu's film Birdman, and closed with Ann Hui's drama film The Golden Era. Italian actress Luisa Ranieri hosted the opening and closing nights of the festival. The Swedish film A Pigeon Sat on a Branch Reflecting on Existence, directed by Roy Andersson, won the Golden Lion, and Joshua Oppenheimer's The Look of Silence won the Grand Jury Prize.
Ten Thousand Saints is a 2015 American drama film written and directed by Shari Springer Berman and Robert Pulcini. It is based on the novel of the same name by Eleanor Henderson. The film stars Asa Butterfield as Jude Keffy-Horn, the protagonist of the story.
The Wonders is a 2014 internationally co-produced drama film directed by Alice Rohrwacher. It was selected to compete for the Palme d'Or at the 2014 Cannes Film Festival where it won the Grand Prix.
Alice Rohrwacher is an Italian film director, editor, and screenwriter. She made her directorial debut with Heavenly Body (2011). She has since directed notable films such as The Wonders (2014), winner of the Grand Prix; Happy as Lazzaro (2018), which she also wrote and which received the Cannes Film Festival Award for Best Screenplay; and La chimera (2023). Her short Le pupille (2022) was nominated for the Academy Award for Best Live Action Short Film.
Massimiliano Pani is an Italian songwriter, producer and composer born on 18 April 1963 in Milan to parents Corrado Pani and Mina. His mother has always aroused great curiosity and interest not only for her career but the events that have characterized her private life Corrado Pani was married at the time and due to Mina's refusal to hide the relationship, the singer was banned from performing on public Italian television or radio channels. Within a year, her affair with Corrado ended.
Ilenia Pastorelli is an Italian actress. In 2016, she made her film acting debut with They Call Me Jeeg, for which she was awarded the David di Donatello for Best Actress award.
Taj Mahal is a 2015 French-Belgian thriller drama film written and directed by Nicolas Saada. It was screened in the Horizons section at the 72nd edition of the Venice Film Festival. The story of the film makes explicit reference to the 2008 Mumbai attacks which have concerned The Taj Mahal Palace Hotel.
Dana Louise Raphael was an American medical anthropologist. She was a strong advocate of breastfeeding and promoted the movement to recruit non-medical care-givers to assist mothers during and after childbirth. She called such care-givers "doulas." The term "doula" was popularized in her 1973 book "The Tender Gift: Breastfeeding." She also coined the term “matrescence,” the rite of passage where “changes occur in a woman's physical state, in her status within the group, in her emotional life, in her focus of daily activity, in her own identity, and in her relationships with all those around her” through new motherhood.
Laura Bispuri is an Italian film director and screenwriter. Her career ranges from two films in competition at the Berlinale, to one in the official Orizzonti competition at the Venice Film Festival, to directing the fourth season of My Brilliant Friend, based on the novels by Elena Ferrante and produced by HBO and RAI.
The Ties is a 2020 Italian romantic drama film directed by Daniele Luchetti, based on the 2014 novel of the same name by Domenico Starnone. It stars Alba Rohrwacher, Luigi Lo Cascio, Laura Morante, Silvio Orlando, Giovanna Mezzogiorno, Adriano Giannini, Linda Caridi, and Francesca De Sapio.