"Please Mr. Postman" is a folk song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman. It is the debut single by the Marvelettes for the Tamla (Motown) label, notable as the first Motown song to reach the number-one position on the Billboard Hot 100 pop singles chart. The single achieved this position in late 1961; it hit number one on the R&B chart as well. "Please Mr. Postman" became a number-one hit again in early 1975 when the Carpenters' cover of the song reached the top position of the Billboard Hot 100. "Please Mr. Postman" has been covered several times, including by the British rock group The Beatles in 1963.
"I Can't Tell You Why" is a song by the American rock band Eagles, which appeared on their 1979 album The Long Run. It was written by band members Timothy B. Schmit, Glenn Frey, and Don Henley. Recorded in March 1978, it was the first song finished for the album and the first Eagles song to feature Schmit on lead vocals. Released as a single in February 1980, it became a Billboard top 10 hit in April of that year, reaching number eight on the Billboard Hot 100 and number three on the Adult Contemporary chart. It was the group's last top ten hit on the Billboard Hot 100.
"White Christmas" is an Irving Berlin song reminiscing about an old-fashioned Christmas setting. The song was written by Berlin for the musical film Holiday Inn, released in 1942. The composition won the Academy Award for Best Original Song at the 15th Academy Awards.
Klymaxx is an American all-female pop/R&B band from Los Angeles, California. The band was composed of members Bernadette Cooper, Lorena Porter Shelby, Cheryl Cooley, Robbin Grider, Lynn Malsby and Joyce "Fenderella" Irby.
"What Becomes of the Brokenhearted" is a hit single recorded by Jimmy Ruffin and released on Motown Records' Soul label in the summer of 1966. It is a ballad, with lead singer Jimmy Ruffin recalling the pain that befalls the brokenhearted, who had love that's now departed. The song essentially deals with the struggle to overcome sadness while seeking a new relationship after a breakup.
"Until You Come Back to Me " is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The most well-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA gold record.
"I Won't Last a Day Without You" is a song with lyrics written by Paul Williams and music composed by Roger Nichols. It was released in the U.K. in September 1972, paired with Goodbye to Love as a double-A side. The single reached number 9 and spent 14 weeks on the chart. It was later released in the U.S. and became a hit single for the Carpenters in 1974, reaching number 11 on the Billboard Hot 100 chart and number one on the easy listening chart. It was the Carpenters' ninth number one on the easy listening chart.
"My, My, My" is a number-one R&B single by American singer-songwriter Johnny Gill. As the second single from Gill's second self-titled album, the hit song, with backing vocals performed by After 7, as well as a jazz solo performed by saxophonist Kenny G, spent two weeks at number-one on the US R&B chart, and made the number ten on the Billboard Hot 100 charts. It was also Gill's only song to reach the Adult Contemporary singles chart, where it peaked at No. 32. In 1991 the song won a Soul Train Music Award for Best R&B/Soul Single, Male. It's also known to be Johnny Gill's signature song. This song is listed as BMI Work #1039724.
"Touch Me When We're Dancing" is a song written by Terry Skinner, J. L. Wallace and Ken Bell. Skinner and Wallace headed the Muscle Shoals, Alabama session group Bama, who first recorded this song and released it as a single in 1979 reaching number 42 on the Billboard Easy Listening chart and number 86 on the Billboard Hot 100 chart. The song was later recorded by The Carpenters in 1981 for their Made in America album. In 1984, it was recorded by country music artists Mickey Gilley and Charly McClain for their 1984 duet album It Takes Believers and in 1986 by the country music group Alabama.
Joyce "Fenderella" Irby is an American singer, songwriter, bass guitarist and producer. She was the co-lead vocalist of the all-female band Klymaxx. Irby has also worked with artists such as Lloyd, Troop, Sammie, The SOS Band and Shalamar.
"Any Day Now" is a popular song written by Burt Bacharach and Bob Hilliard in 1962. It has been recorded by numerous artists over the years, including notable versions by Chuck Jackson in 1962, Alan Price in 1965, Elvis Presley in 1969, and Ronnie Milsap in 1982. The lyrics of this song predict the eventual demise of a romantic relationship the lyricist is in with an unnamed person whom the lyricist believes will get away one day and leave the lyricist with feelings of sadness and emptiness for the rest of his/her life.
"Crying Time" is a song from 1964 written and originally recorded by the American country music artist Buck Owens. It gained greater success in the version recorded by Ray Charles, which won two Grammy Awards in 1967. Numerous other cover versions have been performed and recorded over the intervening years.
"I Miss You" is a hit single recorded by American R&B and pop band Klymaxx for their fourth album, Meeting in the Ladies Room (1984). Written and co-produced by Klymaxx keyboardist Lynn Malsby, the song was released as the album's third single. "I Miss You" eventually reached number 5 on the US Billboard Hot 100 chart, number 2 on the New Zealand Singles Chart, and number 1 on the Canadian RPM Top Singles chart. Despite peaking at number 5 in the US, it was ranked at number 3 on the year-end Billboard chart for 1986, mainly because of its run on the pop chart lasting for 29 weeks.
Meeting in the Ladies Room is the third studio album by Klymaxx, released in 1984. In the US, it reached No. 18 on the Billboard 200 and No. 9 on the R&B album chart. It is certified Platinum.
Klymaxx is the fourth studio album by Klymaxx, released in 1986.
"Meeting in the Ladies Room" is a song recorded by Klymaxx for the MCA Records label, and the title track from their fourth album. It was written by Reggie Calloway, Vincent Calloway, and Boaz Watson. It was released as a single, reaching number 4 on the Billboard R&B chart, number 59 on the Billboard Hot 100 chart and peaked at number 22 on the Billboard Hot Dance Club Play chart.
"The Men All Pause" is a hit single recorded by Klymaxx for the MCA label. Written by Bernadette Cooper and Joyce Irby, this song was recorded and released as the first single off their fourth album, Meeting in the Ladies Room. This song reached number 5 on the Billboard R&B chart, number 80 on the Billboard Hot 100, and number 9 on the Billboard Hot Dance Club Play chart. The success of this song helped the group's Meeting in the Ladies Room album reach Platinum status.
"The Tip of My Fingers," also titled "The Tips of My Fingers," is a song written and originally recorded by American country music singer Bill Anderson. First included on his 1962 album Bill Anderson Sings Country Heart Songs, the song was a Top Ten country single for him in 1960. In the UK the song was recorded in 1966 by Karl Denver but didnt chart however it was recorded in 1970 by Des O'Connor reaching number 15 in the UK singles chart.
"Sweet Music Man" is a song written and recorded by American musician Kenny Rogers. It appears on his 1977 album Daytime Friends, from which it was released as the final single.
Play Me Out is the thirteenth studio album by Australian-American pop singer Helen Reddy that was released in 1981 by MCA Records. Having recorded 12 studio albums at Capitol Records over a 10-year period, she felt the move was "'long overdue... For the last three years I didn't feel I was getting the support from them.'" Whatever support she received from the new label was not enough to get the album onto Billboard magazine's Top LPs & Tape chart.
