"I'm in the Mood for Love" | |
---|---|
Song by Frances Langford | |
Published | 1935 by Robbins Music |
Composer(s) | Jimmy McHugh |
Lyricist(s) | Dorothy Fields |
"I'm in the Mood for Love" is a popular song published in 1935. The music was written by Jimmy McHugh, with the lyrics by Dorothy Fields. The song was introduced by Frances Langford in the movie Every Night at Eight released that year. [1]
It became Langford's signature song. Bob Hope, who frequently worked with Langford entertaining troops in World War II, later wrote that her performance of the song was often a show-stopper. [2]
"Can Anyone Explain? " is a popular song written by Bennie Benjamin and George David Weiss and published in 1950.
"The Breeze and I" is a popular song.
"If (They Made Me a King)" is a popular song with music written by Tolchard Evans and the lyrics written by Robert Hargreaves and Stanley J. Damerell. The song was written in 1934, but the most popular versions were recorded in 1950–1951. Perry Como's version, recorded November 28, 1950, was a number-one hit on the Billboard charts for eight weeks. The Como version was released under the following labels and catalog numbers:
"On the Sunny Side of the Street" is a 1930 song composed by Jimmy McHugh with lyrics by Dorothy Fields. Some authors say that Fats Waller was the composer, but he sold the rights to the song. It was introduced in the Broadway musical Lew Leslie's International Revue starring Harry Richman and Gertrude Lawrence.
"Prisoner of Love" is a 1931 popular song, with music by Russ Columbo and Clarence Gaskill and lyrics by Leo Robin.
"Nevertheless I'm in Love with You" is a popular song written by Harry Ruby with lyrics by Bert Kalmar, first published in 1931. The song was a hit for Jack Denny in 1931, and was revisited in 1950 by The Mills Brothers, Paul Weston, Ray Anthony, Ralph Flanagan, Frankie Laine and Frank Sinatra, with perhaps the most compelling version being that of the McGuire Sisters.
Shine is a popular song with lyrics by Cecil Mack and Tin Pan Alley songwriter Lew Brown and music by Ford Dabney. It was published in 1910 by the Gotham-Attucks Music Publishing Company and used by Aida Overton Walker in His Honor the Barber, an African-American road show. According to Perry Bradford, himself a songster and publisher, the song was written about an actual man named Shine who was with George Walker when they were badly beaten during the New York City race riot of 1900.
"Pennies from Heaven" is a 1936 American popular song with music by Arthur Johnston and lyrics by Johnny Burke. It was introduced by Bing Crosby with Georgie Stoll and his Orchestra in the 1936 film of the same name.
"I'm Sitting on Top of the World" is a popular song with music written by Ray Henderson and lyrics by Sam M. Lewis and Joe Young. It was published in 1925. This composition is not to be confused with, "Sitting on Top of the World" written by Walter Vinson and notably performed by Taj Mahal and Corey Harris.
"Almost Like Being in Love" is a show tune with music by Frederick Loewe and lyrics by Alan Jay Lerner. It was written for the score of their 1947 musical Brigadoon. The song was first sung by David Brooks and Marion Bell, in the Broadway production. It was later performed in the 1954 film version by Gene Kelly.
"Let's Fall in Love" is a song written by Harold Arlen (music) and Ted Koehler (lyrics) for the film Let's Fall in Love and published in 1933. In the film, it is heard during the opening credits and later sung by Art Jarrett and chorus, and by Ann Sothern.
"Everything I Have Is Yours" is a popular song. The music was written by Burton Lane, the lyrics by Harold Adamson. The song was published in 1933. It was first sung by Art Jarrett in the 1933 film Dancing Lady.
"Dinah" is a popular song published in 1925 and introduced by Ethel Waters at the Plantation Club on Broadway. It was integrated into the show Kid Boots. The music was written by Harry Akst and the lyrics by Sam M. Lewis and Joe Young. Hit versions in 1926 were by Ethel Waters, The Revelers, Cliff Edwards, and Fletcher Henderson.
"I Wonder Who's Kissing Her Now" is a popular song. The music was written by Harold Orlob, the lyrics by Will M. Hough and Frank R. Adams. Orlob worked for Joseph E. Howard generating songs for Howard's productions and Howard presented the song as his own work for several years. The song was published in 1909 and was first introduced in the 1909 musical The Prince of To-Night when it was performed by Henry Woodruff.
Joseph Abraham Gordon, better known as Lord Tanamo, was a Jamaican-Canadian singer and songwriter best known for his mento and ska work.
"I've Got My Love to Keep Me Warm" is a popular song copyrighted in 1937 by its composer, Irving Berlin, and first recorded by (i) Ray Noble, Howard Barrie, vocalist; (ii) Red Norvo, Mildred Bailey, vocalist; (iii) and Billie Holiday with her orchestra. The song – sung by Dick Powell and Alice Faye – debuted on film February 12, 1937, in the musical, On the Avenue.
"There's No You" is a popular song written by Harold S. Hopper better known as Hal Hopper with lyrics by Tom Adair. The song was first published in 1944.
"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday. The song was published in 1928.
"What's New?" is a 1939 popular song composed by Bob Haggart, with lyrics by Johnny Burke. It was originally an instrumental tune titled "I'm Free" by Haggart in 1938, when Haggart was a member of Bob Crosby and His Orchestra. The tune was written with a trumpet solo, meant to showcase the talents of band-mate Billy Butterfield. Crosby's orchestra recorded "I'm Free" the same day it was written.
Danny Boy and Other Songs I Love to Sing is the eighth studio album by American pop singer Andy Williams. It was released in early 1962 by Columbia Records. This was his first project after leaving Cadence Records, where his albums each had a specific theme. Additionally, it was his first in a series of LPs that covered songs established on stage, screen, and other hits from the pop chart and the Great American Songbook. This trend would not be interrupted until his 1966 album, The Shadow of Your Smile, hinted at a shift toward contemporary material with its inclusion of songs first recorded by the Beatles.