Travelling Without Moving | ||||
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Released | 28 August 1996 | |||
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Length | 67:22 | |||
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Jamiroquai chronology | ||||
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Jamiroquai studio album chronology | ||||
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Singles from Travelling Without Moving | ||||
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Travelling Without Moving is the third studio album by English funk and acid jazz band Jamiroquai,released on 28 August 1996 in Japan,then on 9 September 1996 in the United Kingdom under Sony Soho Square. Front-man Jay Kay intended for the album to have a more universal style,revolving around "cars,life and love". [1] Critics have generally praised the album for being more focused and refined than the band's previous work,while others panned its lyrics and found the album too derivative. Its visual concept of sports cars received backlash from press,as it contradicted Kay's professed environmental beliefs.
The album was Jamiroquai's American breakthrough. It marked the band's first entry in the US Billboard 200 chart at number 24. In the UK,it peaked at number two. Its singles "Virtual Insanity","Cosmic Girl" and "Alright" entered the top-ten in the UK singles chart. In the US,"Alright" entered the Billboard Hot 100 at number 78,while "Cosmic Girl" and "High Times" were in the top-ten in the Dance Club Songs charts. The music video for "Virtual Insanity" contributed to the album's success. Travelling Without Moving sold over 8 million copies worldwide,holding the Guinness World Records as the best-selling funk album in history. The album was reissued in 2013 in remastered form with bonus material.
This is the final release for Stuart Zender with the band,as he quit 2 years later in 1998 for various reasons.
After experiencing a stressful period while recording The Return of the Space Cowboy ,Kay sought to make the next album more focused and universal. He also did not want to remain as a semi-underground act "that stuck to its little niche and sold one and a half million albums every time. I wanted to breakout and be something bigger,more international." [2] Speaking of the album's general mood,Kay said:"[With Emergency on Planet Earth ],people weren't cheering in the streets or anything,and [The Return of the Space Cowboy] was quite sad. With [Travelling Without Moving],I decided it was important to show people we could enjoy ourselves. That's why it's cars,life and love". [1] Kay booked the band into the residential studio Great Linford Manor so that they could work at their own pace. [2] [3]
The first song composed for the album was "Virtual Insanity". It was recorded as a rough demo and was not fully realised until the album's final recording stage. [2] The song has a piano opening with "buoyant keyboards and soaring strings." [4] [5] Its lyrics are about the prevalence of technology and the replication and simulation of life. [1] The second track "Cosmic Girl" is a disco song with "spacey" lyrics,based on rhythmic "looped beats" "to give it an off-center,otherworldly" sound. [6] For the next track "Use The Force" the group channels "that real vintage football vibe", [2] filled with horns,wah-wah guitar and a rippling barrage of Latin percussion". [7] The fourth track "Everyday" is described "as seductive as any Maxwell ballad" and has "over aching strings and a come-hither bass line". [8] The fifth song,"Alright",was described as an "easy-going disco-funk" track. [7]
"High Times",a song with "razor-edged funky guitars", [9] references Kay's drug use during the recording of The Return of the Space Cowboy:"'High Times' was admitting the truth of the matter,of where I'd been and how lucky I was to be coming out of the other side." [2] This is followed by the reggae track,"Drifting Along". [9] The tracks "Didjerama" and "Didjital Vibrations" are instrumental tracks containing ambient didgeridoo. [10] [7] The title track is next on the album and samples Kay's purple Lamborghini in the intro. [11] It features a "driving groove" and after two minutes,it "transitions into a bassline-paced,heavy workout". [12] The album ends with the dance track,"You Are My Love",and the soul ballad,"Spend A Lifetime". [13] [7]
Travelling Without Moving was first released on 28 August 1996 in Japan, [14] then on 9 September 1996 in the United Kingdom on Sony Soho Square. [15] Released on the Work record label in January 1997, [16] it was the band's first US Billboard 200 entry, [17] where it reached number 24 and it sold 1,400,000 shipments. [18] The album peaked at number 2 in the UK chart and sold 1,219,197 copies. [19] [20] In Japan,it reached number 6, [21] and in the year end charts there, [22] it ranked number 87 in 1996 and number 58 in 1997. [23] It peaked at number 2 in the French SNEP Album charts and number 6 in the year end chart in 1996. [24] [25] In Switzerland,it reached number 3 in the Swiss Albums Charts, [26] and number 37 in the year end chart in 1996. [27] It ranked number 9 in the German Media Control Albums Chart, [28] and It ranked at number 69 in 1996 and number 38 in 1997 in the German year end charts. [29] In the Netherlands,in peaked at 16 in the album chart, [30] and number 48 in the year end chart in 1997. [31] In the Australian ARIA Albums chart, [32] it ranked at 6 and in 1997 47 at the end of the year. [33] The album was certified platinum in these countries, [34] [35] [36] [37] [38] [39] [40] except in Germany where it was certified gold. [41] It was also triple Platinum in Europe by the IFPI denoting sales of 3,000,000 copies. [42] The album has overall sold more than 8 million copies worldwide. [43] In 2013,Travelling Without Moving was one of the first three albums to be re-issued on the band's 20th anniversary campaign,also containing a bonus disc of remixes,demos,live performances and B-sides. [44] [45]
"Do U Know Where You're Coming From" was the first single to be released on 20 May 1996, [46] where it peaked at number 12 in the UK. [47] It is a drum and bass song by M-Beat which features vocals by Kay. [48] [49] The second single "Virtual Insanity" was released on 19 August 1996, [50] reached number 3 in the single and number 1 the R&B charts in the UK. [47] [51] Its music video,directed by Jonathan Glazer,played heavily on MTV, [52] which depicted Kay "perform[ing] in a room where the floors,walls and furniture all moved simultaneously." [53] "Cosmic Girl" was released as its third single on 20 November 1996, [54] reaching number 6 in the UK and number 7 in the US Dance Club Songs charts. [47] [55] Its music video features a Ferrari F355 Berlinetta,a red Ferrari F40 and a purple Lamborghini Diablo SE30 "on mountain roads and across a desert." [56] "Alright" was issued on 28 April 1997, [57] ranking number 6 in the UK and number 78 in their only Billboard Hot 100 appearance. [47] [58] "High Times" was the final single,released on 1 December 1997, [59] and peaked at number 9 the US Dance Club charts. [55]
After the album was released,Kay received backlash from the press for his interest in sports cars,because it contradicted his environmental beliefs on Emergency on Planet Earth. [60] [61] The album's visual concept revolved around sports cars,with the Ferrari logo being recreated within the band's Buffalo Man logo. [11] Paper magazine also pointed out this contradiction with the music video for "Alright","when Kay rolls up in his purple Lamborghini to party on the dance floor with a bevy of bodacious babes,concerns about seals,whales,rain forests and the revolution are checked at the door." [11] He said that he was hesitant to release the album as he expected the backlash,but added "Just because I love to drive a fast car,that doesn't mean I believe in chopping trees down. It doesn't mean I think they should build more roads for my car". [62] Keyboardist Toby Smith also said,"We all want to be an ecologically conscious band,but we like cars […] We're hypocrites like the rest of the world. But then again,you can only drive one car at a time. [63]
"Even when the band seems to be playing off an existing hit, it doesn't borrow the past so much as jog the listener's memory. So when the bassline in "Alright" slips into a pattern reminiscent of the Yarbrough and Peoples oldie "Don't Stop the Music," the reference comes across less as theft than as a 'gosh, that sounds familiar' reminder."
Review scores | |
---|---|
Source | Rating |
AllMusic | [65] |
Encyclopedia of Popular Music | [61] |
Entertainment Weekly | C+ [66] |
The Guardian | [67] |
Music Week | [15] |
NME | 6/10 [68] |
Pitchfork | 7.2/10 [13] |
Q | [69] |
The Rolling Stone Album Guide | [70] |
Uncut | 6/10 [45] |
Critics have generally praised Travelling Without Moving for its focused and refined sound, as it deepened the acid-jazz and soul styles that were informed from their first two albums. [65] [69] [71] Linton Chiswick of Q magazine said that this resulted in "a fat, squishy disco feel." [69] Parry Gettelman also wrote that Kay had "evolved into quite a writer." [5] The Source also gave the album 4 out of 5: "Travelling is essentially about the metaphysics of having a good time… Jamiroquai have a thousand musical tricks up their sleeves; edgy horns laced with jazz intricacies, energetic bass lines and disco rhythms, and a wider variety of tempos than usual in British funk." [9] Tom Moon remarked that: "There are no digital samples on Traveling Without Moving. In fact, just about every sound comes from a vintage analog instrument." [72]
Stephen Thompson of The A.V. Club said that the album "sounds an awful lot like its predecessor", but he concluded: "It's a tribute to Jamiroquai that more of the same still sounds pretty damned good." [73] A Music Week reviewer wrote: "Jamiroquai still wear their influences firmly on their sleeve but this is their most accomplished and satisfying offering yet." [15] Matt Diehl of Entertainment Weekly writes, "when it comes to Stevie Wonder, frontman Jason Kay still gets imitation confused with homage." [66] In a 2004 discography review by Ben Sisario, Travelling Without Moving is the only Jamiroquai album rated slightly higher than others, with Sisario singling out "Virtual Insanity" and "Cosmic Girl" for being radio-friendly, but criticising the album's use of the didgeridoo. [70] David Bennun of Muzik considered it "tepid funk" in an unfavorable review. [60] The album's lyrics have also been criticised, [8] [67] [68] with Matt Diehl writing they "ultimately strip away the soul." [66]
For their music video for "Virtual Insanity", it won Video of the Year and Breakthrough Video at the Video Music Awards; [74] additionally, it won Alternative/Modern Rock Clip of the Year and the Maximum Vision at the Billboard Music Awards. [75] The song also earned the band a Grammy Award for Best Performance by a Duo Or Group and the album was nominated for Best Pop Vocal Album. [76] [77] Travelling Without Moving has won three best album awards at the MOBO and Japan Gold Disc Awards in 1997, and at the Hungarian Music Awards in 1998. [78] [79] [80] Fnac listed the album in its 2008 list The 1000 Best Albums of All Time, in no order.[ citation needed ]Pause & Play ranked the album at number 11 in The 90s Top 100 Essential Albums in 1999. [81] Studio Brussel included it in The 500 Greatest Albums of All Time in 2015.[ citation needed ] Vibe called Travelling Without Moving "the most infectious dance record since the 70’s disco revolution", and ranked it at number 42 in its 2013 list The 50 Greatest Albums Since '93. [12]
The high album sales of Travelling Without Moving earned the band a Guinness World Record for the best-selling funk album in history. [82] Paul Sexton of Billboard magazine credits this period of Jamiroquai as their American breakthrough: "Long a European success story for the Sony S2 label, the group once accused of being a mere Stevie Wonder soundalike has grown into its own style and added a substantial American audience in the process." [83] However, the band were unable to replicate their success in America since then. [84] The music video of "Virtual Insanity" was described as "one of the most famous music videos ever", making them "icons of the music-video format", according to Spencer Kornhaber from The Atlantic . [85] The song also led to the climax of "1970s soul and funk that early acid jazz artists had initiated", according to writer Kennith Prouty. [52] The Lamborghini Diablo SE30 was also considered a "Nineties icon" in part of the "Cosmic Girl" music video, according to The Daily Telegraph . [56]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Virtual Insanity" | Jay Kay, Toby Smith | 5:40 |
2. | "Cosmic Girl" | Kay, Derrick McKenzie | 4:03 |
3. | "Use the Force" | Kay, Smith, McKenzie, Sola Akingbola | 4:00 |
4. | "Everyday" | Kay, Smith, Stuart Zender | 4:28 |
5. | "Alright" | Kay, Smith | 4:25 |
6. | "High Times" | Kay, Smith, McKenzie, Zender | 5:58 |
7. | "Drifting Along" | Kay, McKenzie, Simon Katz, Zender | 4:06 |
8. | "Didjerama" (Instrumental) | Kay, Wallis Buchanan, McKenzie, Zender | 3:50 |
9. | "Didjital Vibrations" (Instrumental) | Kay, Buchanan, Zender | 5:49 |
10. | "Travelling Without Moving" | Kay | 3:40 |
11. | "You Are My Love" | Kay | 3:55 |
12. | "Spend a Lifetime" | Kay, Smith | 4:14 |
13. | "Do You Know Where You're Coming From" (M-Beat featuring Jamiroquai, bonus track) | Kay, Smith, M-Beat | 5:02 |
14. | "Funktion" (Hidden track) | Kay, Smith, Buchanan, McKenzie, Zender, David Paich, David Foster, Cheryl Lynn | 8:28 |
Total length: | 67:07 |
No. | Title | Length |
---|---|---|
1. | "Alright" (Radio Mix) | |
2. | "Alright" (Tee's Radio Jay) | |
3. | "Alright" (Tee's in House Mix) | |
4. | "Alright" (DJ Version Excursion) | |
5. | "Alright" (Tee's Digital Club) | |
6. | "Alright" (D&C Human Mix) | |
7. | "Alright" (D&C Electro Groove Mix) |
No. | Title | Writer(s) | Length |
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1. | "Virtual Insanity" (Single Edit) | Kay, Smith | 4:07 |
2. | "Virtual Insanity" (Unreality Mix) | Kay, Smith | 3:57 |
3. | "High Times" (Sanchez Radio Edit) | Kay, Smith, Zender, McKenzie, Wheeler | 3:53 |
4. | "Space Cowboy" (Classic Club) | Kay | 7:51 |
5. | "Alright" (Tee's in House Mix) | Kay, Smith, Harris | 7:20 |
6. | "Cosmic Girl" (Classic Mix) | Kay, McKenzie | 9:23 |
Total length: | 36:29 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Virtual Insanity" (Salaam Remi Remix) | Kay, Smith | |
2. | "Cosmic Girl" (Quasar Mix) | Kay, McKenzie | |
3. | "Alright" (Alan Braxe and Fred Falke Remix) | Kay, Smith | |
4. | "High Times" (Sanchez Radio Edit) | Kay, Smith, Zender, McKenzie | |
5. | "Do U Know Where You're Coming From" | Kay, Smith, M-Beat | |
6. | "Bullet" | Kay | |
7. | "Slipin' N' Slidin'" | Kay, McKenzie | |
8. | "Hollywood Swinging" (Live on the Chicago Riviera) | Robert "Kool" Bell, Ronald Bell, George M. Brown, Robert "Spike" Mickens, Claydes Charles Smith, Dennis R. Thomas, Rick A. Westfield. | |
9. | "Alright" (Live at the Verona Amphitheatre) | Kay, Smith | |
10. | "Virtual Insanity" (Live at the Verona Amphitheatre) | Kay, Smith |
No. | Title | Length |
---|---|---|
15. | "Cosmic Girl" (Dimitri from Paris Remix Radio Edit) | 4:28 |
Total length: | 71:35 |
Credits adapted from album liner notes. [3]
Jamiroquai
Additional musicians
Production
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF) [103] | Platinum | 60,000^ |
Australia (ARIA) [34] | Platinum | 70,000^ |
Austria (IFPI Austria) [104] | Gold | 25,000* |
Belgium (BEA) [105] | Platinum | 50,000* |
Canada (Music Canada) [106] | 3× Platinum | 300,000^ |
France (SNEP) [35] | 2× Platinum | 600,000* |
Germany (BVMI) [41] | Gold | 250,000^ |
Italy (FIMI) [107] | 2× Platinum | 200,000* |
Japan (RIAJ) [36] | 3× Platinum | 600,000^ |
Netherlands (NVPI) [37] | Platinum | 100,000^ |
Poland (ZPAV) [108] | Gold | 50,000* |
Spain (PROMUSICAE) [109] | Gold | 50,000^ |
Switzerland (IFPI Switzerland) [38] | Platinum | 50,000^ |
United Kingdom (BPI) [39] | 4× Platinum | 1,219,197 [20] |
United States (RIAA) [40] | Platinum | 1,400,000 [18] |
Summaries | ||
Europe (IFPI) [42] | 3× Platinum | 3,000,000* |
Worldwide | — | 8,000,000 [43] |
* Sales figures based on certification alone. |
Jamiroquai are an English acid jazz and funk band from London. Formed in 1992, they are fronted by vocalist Jay Kay, and were prominent in the London-based funk and acid jazz movement of the 1990s. They built on their acid jazz sound in their early releases and later drew from rock, disco, electronic and Latin music genres. Lyrically, the group has addressed social and environmental justice. Kay has remained as the only original member through several line-up changes.
Jay Kay is a British singer and songwriter. In 1992 he co-founded the acid jazz and funk band Jamiroquai and still serves as their lead vocalist. As of 2017, the band had sold more than 26 million albums worldwide.
A Funk Odyssey is the fifth studio album by English funk band Jamiroquai. The album was released on 3 September 2001 in the United Kingdom by Sony Soho Square and 11 September 2001 by Epic Records in the United States.
Emergency on Planet Earth is the debut studio album by English funk and acid jazz band Jamiroquai, released on 14 June 1993 under Sony Soho Square. Prior its release, the band debuted in 1992 with "When You Gonna Learn" under Acid Jazz Records, and front-man Jay Kay was given a major-label deal with Sony Music. The album was produced as Toby, Stuart and Kay formed the band and is characterised by its acid jazz foundations, layers of instrumentation and socially charged lyrics.
The Return of the Space Cowboy is the second album by English funk and acid jazz band Jamiroquai. The album was released on 17 October 1994 under Sony Soho Square. The album continues the musical direction of their debut, Emergency on Planet Earth (1993), and is characterised by its complex songwriting as a result of Jay Kay's creative block mid-production. Its lyrics addressed street life, hope, loss, Kay's drug use, and social matters regarding Native Americans and youth protests.
Synkronized is the fourth studio album by English funk and acid jazz band Jamiroquai. It was released on 8 June 1999 by Work Group in the United States, and on 14 June 1999 by S2 Records in the United Kingdom. Bassist Stuart Zender left the band during recording, and Nick Fyffe was hired as a replacement. The album contains funk, acid jazz and disco elements.
Dynamite is the sixth studio album by English funk and acid jazz band Jamiroquai. It was released on 15 June 2005 in Japan, 20 June 2005 in the United Kingdom, 21 July 2005 in Australia and 20 September 2005 in the United States.
"Deeper Underground" is a single by British funk and acid jazz band Jamiroquai from the soundtrack to the 1998 film Godzilla. The song was also included as a bonus track on the group's fourth studio album, Synkronized, as well as on the special edition of the group's fifth album, A Funk Odyssey (2001). Released in Japan in May 1998 and in the United Kingdom two months later, "Deeper Underground" became a hit in several countries, giving Jamiroquai their only number-one single on the UK Singles Chart, selling over 339,100 copies in the UK as of March 2017. This song was one of the last to feature founding bassist Stuart Zender, before his departure during the recording of Synkronized.
"Virtual Insanity" is a song by British funk and acid jazz band Jamiroquai, released on 19 August 1996 by Sony Soho Square as the second single from their third studio album, Travelling Without Moving (1996). The song was written by Jay Kay and Toby Smith, and produced by Al Stone. Its music video, directed by Jonathan Glazer, was released in September 1996, garnering ten nominations and winning four, including for Video of the Year, at the 1997 MTV Video Music Awards. The music video has since become an Internet meme.
"Cosmic Girl" is the second single from British funk and acid jazz band Jamiroquai's third studio album, Travelling Without Moving (1996). The song was released in the United Kingdom on 25 November 1996 via Sony Soho Square and in the United States in 1997 via Work Group. It was written by Jay Kay and Derrick McKenzie, and produced by Rick Pope, achieving great chart success, peaking at No. 6 on the UK Singles Chart. The song also reached No. 3 in Italy, No. 4 in Iceland, and No. 10 in Finland. The accompanying music video was directed by Adrian Moat and filmed in Spain. The B-side to the single is an instrumental, "Slipin' 'N' Slidin'", a song originating from another Jamiroquai track called "Mr Boogie", which was a live-only song. "Slipin 'N' Slidin'", just like "Mr Boogie", also has a vocal version.
"Space Cowboy" is the international lead single from British funk and acid jazz band Jamiroquai's second studio album, The Return of the Space Cowboy (1994). Released on 26 September 1994 by Sony Soho Square, the single peaked at number 17 on the UK Singles Chart, number six in Italy, and number three in Iceland. In the United States, it gave the band their first number one on the Billboard Hot Dance Club Play chart. In June 2006, it re-entered the UK Dance Chart at number one. Its music video was directed by Vaughan Arnell and Anthea Benton. The single contains remixes by David Morales, which further put the single in club circulation.
"Little L" is the lead single from British funk and acid jazz band Jamiroquai's fifth studio album, A Funk Odyssey (2001). The song was written by Jay Kay and Toby Smith and was inspired by the break-up between Kay and his former girlfriend Denise van Outen, which occurred due to conflicting work commitments and which led to Kay's cocaine problem. Kay quit his habit in 2003.
Jamiroquai are a British funk and acid jazz band formed in 1992. Fronted by lead singer Jay Kay, Jamiroquai were initially the most prominent component in the early 1990s London-based acid jazz movement. Subsequent albums have explored other musical directions such as pop, rock, disco and electronica. Their best-known track is "Virtual Insanity", which won four awards at the 1997 MTV Video Music Awards. Jamiroquai have sold more than 26 million albums worldwide and won a Grammy Award in 1998.
"High Times" is a song by British funk/acid jazz band Jamiroquai, released as the fourth and final single from their third studio album, Travelling Without Moving (1996). Released on 1 December 1997, the song peaked at number 20 on the UK Singles Chart, and reached the top 10 on both the American and Canadian dance charts.
"Love Foolosophy" is the third single from British funk and acid jazz band Jamiroquai's fifth studio album, A Funk Odyssey (2001). The song was written by Jason Kay and Toby Smith. The song's title is a play on words, using a made-up portmanteau of "fool" and "philosophy" to express how he is a fool for love.
"You Give Me Something" is a song from British funk and acid jazz band Jamiroquai's fifth studio album, A Funk Odyssey (2001). Written by Jay Kay, Rob Harris, and Nick Fyffe, the song was released in November 2001 as the second single from the album. The track peaked at 16 on the UK Singles Chart, number 17 in Spain, and number 30 in France. The song was the group's first single to be released on the DVD single format.
"Alright" is a song by British funk and acid jazz band Jamiroquai, released as the third single from their third studio album, Travelling Without Moving (1996). The song, written by Jamiroquai, contains samples from Eddie Harris' "It's All Right Now" and Idris Muhammad's "Could Heaven Ever Be Like This". "Alright" was released on 28 April 1997 via Sony Soho Square in the United Kingdom, peaking at number six on the UK Singles Chart and at number two in Iceland. It is the group's only single to chart on the US Billboard Hot 100, peaking at number 78, becoming their biggest US hit. The music video, directed by Vaughan Arnell, features the band performing the song at a party.
"Light Years" is a song by the British funk and acid jazz band Jamiroquai, originally released in 1994 as a song from their second studio album, The Return of the Space Cowboy (1994). It was released as a single on 12 February 1995 by Sony Soho Square and Work, but failed to chart on the UK Singles Chart due to the release being cancelled at the eleventh hour.
Rock Dust Light Star is the seventh studio album by English band Jamiroquai. It was released on 1 November 2010 in the United Kingdom by Universal Music/Mercury Records and on 24 April 2012 in the United States by Executive Music Group.
Automaton is the eighth studio album by English funk band Jamiroquai, released on 31 March 2017 through Virgin EMI. It is the band's first album in seven years, following Rock Dust Light Star (2010). It was a number-one album in Italy and peaked at number two in Switzerland, number three in France and number four in the UK.
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