I'm Alabama Bound

Last updated
"I'm Alabama Bound"
Song
Published1909
Genre Ragtime
Composer(s) Robert Hoffman

"I'm Alabama Bound" is a ragtime melody composed by Robert Hoffman in 1909. Hoffman dedicated it to an M. T. Scarlata. [1] The cover of its first edition, published by Robert Ebberman, New Orleans, 1909, advertises the music as "Also Known As The Alabama Blues" which has led some to suspect it of being one of the first blues songs. However, as written, it is an up-tempo rag (Rag Time Two Step) with no associated lyrics. The song has been recorded numerous times in different stylesboth written and in sound recordingswith a number of different sets of lyrics.

Contents

Two recording artists claimed composing credits for the tune under two different titles and both with differing lyrics: Trixie Smith for "Railroad Blues" (Paramount 12262, 1925) and Ferdinand "Jelly Roll" Morton for "Don't You Leave Me Here" (Bluebird 10450, 1939). [2] In addition, Lead Belly also recorded another well-known version of "I'm Alabama Bound", in 1940.

History

Chorus of Pike's "I Hab Leff Alabama", 1849. Play LeffAlabama1849p4.jpg
Chorus of Pike's "I Hab Leff Alabama", 1849. Play

The earliest lyrics expressing the sentiment found in some of the later songs are found in a minstrel song, "I Hab Leff Alabama", written by Marshall S. Pike and published in 1849. The chorus did not have the same melody, and was written in dialect. [3]

The first lyrics actually recorded to the music were by Prince's Band (Columbia A-901) in November, 1909. The music was attributed to Hoffman and words to John J. Puderer, owners of a New Orleans sheet music publishing company. Charles Adams Prince was a popular march band leader of the day, performing cake-walks and military marches. Puderer was the proprietor of The Music Shop in New Orleans, who published Hoffman's sheet music. The verses, in rag-time, were pretty much the same as those found in later versions. The actual source of the lyrics is unclear, but they may have come out of a folk tradition.

John W. "Blind" Boone included a short section of "I'm Alabama Bound" in his "Southern Rag Medley No. Two (Strains from Flat Branch)." The sheet music, published by Allen Music Co., Columbia, Missouri, (copyright 1913), was transcribed from Boone's piano roll which he recorded for the QRS company in 1912. [4]

Alan Lomax attested to words found in his 1934 collection of "Alabama Bound" as being found in Newman I. White's Negro Folk-Songs (1915–1916). [5] White's fragments were not set to music. [6] Alan Lomax's "Alabama Bound", collected from prisoners in Texas, Louisiana, and Mississippi, contains verses including the words "Alabama bound". [5]

Trixie Smith's 1925 "Railroad Blues" contains lyrics with "I'm Alabama bound". [7]

The Tennessee Ramblers' 1928 recording "Preacher Got Drunk and Laid His Bible Down" contains the chorus with the words "Alabama bound". The Ramblers' banjo player, James "Mack" Sievers, claimed to have learned the song from an African-American blues musician in Knoxville, Tennessee. [8]

Jelly Roll Morton's 1939 "Don't You Leave Me Here" has verses including "Alabama bound".

Lead Belly recorded perhaps the best-known version of "I'm Alabama Bound" ("Alabama Bound", Victor 27268, 1940). In the 1960s, the Charlatans recorded a version of "Alabama Bound" based on Lead Belly's in their San Francisco psychedelic style. Lonnie Donegan released a version of "I'm Alabamy Bound" on the 1956 Pye 10" LP Showcase, which reached no. 26 in the UK Singles Chart. [9] The chorus, which featured a rare echoing vocal by guitarist Denny Wright, included the words "Alabamy bound".[ citation needed ]

Odetta released a version of "Alabama Bound" on the 1956 Tradition label Odetta Sings Ballads and Blues , featuring folk songs, spirituals and blues.

Recorded versions

DateArtistTitleLabel
1909Prince's Band"I'm Alabama Bound" (instr.)Columbia A-0901
1924 Paul Whiteman & His Orchestra "Alabamy Bound" (instr.)Victor 19557
1925 Charlie Jackson "I'm Alabama Bound"Paramount 12289
1925 Trixie Smith "Railroad Blues" †Paramount 12262
1927 Charlie Johnson's Original Paradise Ten "Don't You Leave Me Here" (instr.)Victor 20653
1929 Henry Thomas "Don’t Leave Me Here" †Vocalion 1443
1938 Delmore Brothers "I'm Alabama Bound"Bluebird 8264
1939 Jelly Roll Morton "Don't You Leave Me Here" †Bluebird 10450
1940 Louis Jordan & His Tympani 5 "I'm Alabama Bound"Decca 7723
1940 Lead Belly & The Golden Gate Quartet "Alabama Bound"Victor 27268
† These songs only partially have "I'm Alabama bound" lyrics.

See also

Related Research Articles

"Scarborough Fair" is a traditional English ballad. The song lists a number of impossible tasks given to a former lover who lives in Scarborough, North Yorkshire. The "Scarborough/Whittingham Fair" variant was most common in Yorkshire and Northumbria, where it was sung to various melodies, often using Dorian mode, with refrains resembling "parsley, sage, rosemary and thyme" and "Then she'll be a true love of mine." It appears in Traditional Tunes by Frank Kidson published in 1891, who claims to have collected it from Whitby.

<span class="mw-page-title-main">American folk music</span> Roots and traditional music from the United States

The term American folk music encompasses numerous music genres, variously known as traditional music, traditional folk music, contemporary folk music, vernacular music, or roots music. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks."

<span class="mw-page-title-main">Old Dan Tucker</span> Traditional song performed by Virginia Minstrels

"Old Dan Tucker," also known as "Ole Dan Tucker," "Dan Tucker," and other variants, is an American popular song. Its origins remain obscure; the tune may have come from oral tradition, and the words may have been written by songwriter and performer Dan Emmett. The blackface troupe the Virginia Minstrels popularized "Old Dan Tucker" in 1843, and it quickly became a minstrel hit, behind only "Miss Lucy Long" and "Mary Blane" in popularity during the antebellum period. "Old Dan Tucker" entered the folk vernacular around the same time. Today it is a bluegrass and country music standard. It is no. 390 in the Roud Folk Song Index.

"Streets of Laredo", also known as "The Dying Cowboy", is a famous American cowboy ballad in which a dying ranger tells his story to another cowboy. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.

"Hesitation Blues" is a popular song adapted from a traditional tune. One version was published by Billy Smythe, Scott Middleton, and Art Gillham. Another was published by W.C. Handy as "Hesitating Blues". Because the tune is traditional, many artists have taken credit as writer, frequently adapting the lyrics of one of the two published versions. Adaptations of the lyrics vary widely, though typically the refrain is recognizably consistent. The song is a jug band standard and is also played as blues and sometimes as Western swing. It is cataloged as Roud Folk Song Index No. 11765. Composer William Grant Still arranged a version of the song in 1916 while working with Handy.

"Man of Constant Sorrow" is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. It was titled "Farewell Song" in a songbook by Burnett dated to around 1913. A version recorded by Emry Arthur in 1928 gave the song its current titles.

"Midnight Special" is a traditional folk song thought to have originated among prisoners in the American South. The song refers to the passenger train Midnight Special and its "ever-loving light."

The Farmer's Curst Wife is a traditional English language folk song listed as Child ballad number 278 and number 160 in the Roud Folk Song Index.

"Cindy" is a popular American folk song. According to John Lomax, the song originated in North Carolina. In the early and middle 20th century, "Cindy" was included in the songbooks used in many elementary school music programs as an example of folk music. One of the earliest versions of "Cindy" is found in Anne Virginia Culbertson's collection of Negro folktales where one of her characters, Tim, "sang a plantation song named 'Cindy Ann'," the first verse and refrain of which are:

<span class="mw-page-title-main">The Moonshiner</span>

"The Moonshiner" is a folk song with unknown origins. In Ireland and America, it is sung with similar lyrics but different melodies. It is catalogued as Roud Folk Song Index No. 4301. The song's structure is very similar to The Wild Rover, but instead extolling the virtues of moonshining.

Jack of Diamonds (a.k.a. Jack o' Diamonds and Jack of Diamonds (Is a Hard Card to Play)) is a traditional folk song. It is a Texas gambling song that was popularized by Blind Lemon Jefferson. It was sung from the point of view of a railroad man who had lost money playing conquian. At least twelve artists recorded the tune before World War II. It has been recorded under various titles such as "A Corn Licker Still in Georgia" (Riley Puckett) and "Rye Whiskey" (Tex Ritter).

"Stagger Lee", also known as "Stagolee" and other variants, is a popular American folk song about the murder of Billy Lyons by "Stag" Lee Shelton, in St. Louis, Missouri, at Christmas 1895. The song was first published in 1911 and first recorded in 1923, by Fred Waring's Pennsylvanians, titled "Stack O' Lee Blues". A version by Lloyd Price reached number one on the Billboard Hot 100 in 1959.

"The Ballad of Casey Jones", also known as "Casey Jones, the Brave Engineer" or simply "Casey Jones", is a traditional American folk song about railroad engineer Casey Jones and his death at the controls of the train he was driving. It tells of how Jones and his fireman Sim Webb raced their locomotive to make up for lost time, but discovered another train ahead of them on the line, and how Jones remained on board to try to stop the train as Webb jumped to safety. It is song number 3247 in the Roud Folk Song Index.

"Take This Hammer" is a prison, logging, and railroad work song, which has the same Roud number as another song, "Nine Pound Hammer", with which it shares verses. "Swannanoa Tunnel" and "Asheville Junction" are similar. Together, this group of songs are referred to as "hammer songs" or "roll songs". Numerous bluegrass bands and singers like Scott McGill and Mississippi John Hurt also recorded commercial versions of this song, nearly all of them containing verses about the legendary railroad worker, John Henry; and even when they do not, writes folklorist Kip Lornell, "one feels his strong and valorous presence in the song".

"Poor Paddy Works on the Railway" is a popular Irish folk and American folk song. Historically, it was often sung as a sea shanty. The song portrays an Irish worker working on a railroad.

"Make Me a Pallet on the Floor" is a blues/jazz/folk song. It is considered a standard. As Jelly Roll Morton explained, "A pallet is something that – you get some quilts – in other words, it's a bed that's made on a floor without any four posters on 'em."

"This Train", also known as "This Train Is Bound for Glory", is a traditional African-American gospel song first recorded in 1922. Although its origins are unknown, the song was relatively popular during the 1920s as a religious tune, and it became a gospel hit in the late 1930s for singer-guitarist Sister Rosetta Tharpe. After switching from acoustic to electric guitar, Tharpe released a more secular version of the song in the early 1950s.

"One Morning in May" is an English folk song which has been collected from traditional singers in England and the USA and has also been recorded by revival singers. Through the use of double-entendre, at least in the English versions, it tells of an encounter between a grenadier and a lady.

"The Farmer's Boy" is a traditional English folk song or ballad, listed as number 408 in the Roud Folk Song Index. It has been arranged as a military march.

"The Rambling Gambler" is a traditional folk song of the American West. It was first recorded in print by John A. & Alan Lomax in their jointly authored 1938 edition of Cowboy Songs and Other Frontier Ballads. Like many folk songs, it is known by a variety of titles, such as "Rambler, Gambler," and "I'm a Rambler, I'm a Gambler"

References

  1. Hoffman, Robert. "I'm Alabama Bound". Robert Ebberman, 1909. (Charles H. Templeton, Sr. Sheet Music CollectionMississippi State University)
  2. Giles Oakley (1997). The Devil's Music . Da Capo Press. p.  61. ISBN   978-0-306-80743-5.
  3. Pike, Marshall S. "I Hab Leff Alabama". The Harmoneons: New and Original Melodies Sung by Them at Their Principal Concerts, pp. 3–5. A & J.P. Ordway, 1849. (Library of Congress)
  4. Boone, John W. "Blind Boone's Southern Rag Medley No. Two: Strains From The Flat Branch". Allen Music Co., 1913. (Sheet music)
  5. 1 2 Lomax, American Ballads and Folk Songs, p. 206: "We include in this version stanzas from Professor White's Folk Songs of the American Negro, from a collection made twenty years ago, and from the singing of prisoners in Texas, Louisiana, and Mississippi."
  6. Cohen, Norm. Long Steel Rail: The Railroad in American Folksong. p. 451. University of Illinois Press, 2000. ISBN   0-252-06881-5
  7. Cohen, Norm. Long Steel Rail: The Railroad in American Folksong. p. 450. University of Illinois Press, 2000. ISBN   0-252-06881-5
  8. Wolfe, Charles K. Notes to Rural String Bands of Tennessee (p. 7) [CD liner notes]. County Records, 1997.
  9. "LONNIEDONEGANONVINYL - LP'S 1956 - 1969". Freewebs.com. Retrieved 2017-07-22.

Bibliography