Kim Carnes is an American singer and songwriter born and raised in Los Angeles. She began her career as a songwriter in the 1960s, writing for other artists while performing in local clubs and working as a session background singer with the famed Water Sisters. After she signed her first publishing deal with Jimmy Bowen, she released her debut album Rest on Me in 1971. Carnes' self-titled second album primarily contained self-penned songs, including her first charting single "You're a Part of Me", which reached No. 35 on the Billboard Adult Contemporary chart in 1975. In the following year, Carnes released Sailin', which featured "Love Comes from Unexpected Places". The song won the American Song Festival and the award for Best Composition at the Tokyo Song Festival in 1976.
James Edward Ingram was an American singer, songwriter and record producer. He was a two-time Grammy Award-winner and a two-time Academy Award nominee for Best Original Song. After beginning his career in 1973, Ingram charted eight top 40 hits on the U.S. Billboard Hot 100 chart from the early 1980s until the early 1990s, as well as thirteen top 40 hits on the Hot R&B/Hip-Hop Songs chart. In addition, he charted 20 hits on the Adult Contemporary chart. He had two number-one singles on the Hot 100: the first, a duet with fellow R&B artist Patti Austin, 1982's "Baby, Come to Me" topped the U.S. pop chart in 1983; "I Don't Have the Heart", which became his second number-one in 1990 was his only number-one as a solo artist.
Ambrosia is an American rock band formed in Los Angeles, California in 1970. Ambrosia had five top 40 hit singles released between 1975 and 1980, including the top 5 hits "How Much I Feel" and "Biggest Part of Me", and top 20 hits "You're the Only Woman " and "Holdin' on to Yesterday". Most of the original band members have been active with the group continuously for over thirty years to the present day, with the notable exception of original guitarist and lead vocalist David Pack since 2000.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song - written and produced by regular Gaye/Terrell collaborators Ashford & Simpson - became a hit within weeks of release eventually peaking at number 8 on the Billboard Hot 100 and number 1 on the Hot Soul Singles chart, the first of the duo's two number 1 R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"Can't Let Go" is a song by American singer-songwriter Mariah Carey from her second studio album, Emotions (1991). It was released as the album's second single on October 23, 1991, by Columbia Records in the United States and the first quarter of 1992 elsewhere. It was written and produced by Carey and Walter Afanasieff. The protagonist of this synthesizer-heavy ballad laments an ex-lover who has moved on, and though she tries she "can't let go."
David Robert Pack is an American singer and musician who co-founded the rock band Ambrosia in the 1970s.
"I Just Can't Stop Loving You" is a 1987 duet ballad by American singers Michael Jackson and Siedah Garrett, and was released as the first single on July 20, 1987, by Epic Records from his seventh album, Bad. The song was written by Jackson, and co-produced by Jackson and Quincy Jones. The presence of Garrett on the track was a last-minute decision by Jackson and Jones, after Jackson's first two choices for the duet both decided against participating. Garrett, a protégé of Jones's who co-wrote another song on Bad, "Man in the Mirror", did not know that she would be singing the song until the day of the recording session. It became her first hit since Dennis Edwards' 1984 song "Don't Look Any Further".
"I Can't Tell You Why" is a song by the American rock band Eagles that appeared on their 1979 album The Long Run. It was written by band members Timothy B. Schmit, Glenn Frey and Don Henley. Recorded in March 1978, it was the first song finished for the album and the first Eagles song to feature Schmit on lead vocals. Released as a single in February 1980, it became a Billboard top 10 hit in April, reaching number eight on the Billboard Hot 100 and number three on the Adult Contemporary chart. It was the group's last top ten hit on the Billboard Hot 100.
"Baby, Come to Me", a love ballad from Patti Austin's 1981 album Every Home Should Have One, was her duet with James Ingram. It was written by Rod Temperton. The song was released as a single in April 1982, peaking at No. 73 on the Billboard Hot 100. Several months later, American soap opera General Hospital began to feature the song heavily as the love theme for character Luke Spencer. It was re-released in October and reached No. 1 on the chart in February 1983.
"I Can't Make You Love Me" is a song written by Mike Reid and Allen Shamblin and recorded by American singer Bonnie Raitt for her eleventh studio album, Luck of the Draw (1991). Released as the album's second single in 1991, "I Can't Make You Love Me" became one of Raitt's most successful singles, reaching the top-20 on the Billboard Hot 100 chart and the top-10 on the Adult Contemporary chart.
Amy Celeste Boersma, known professionally as Amy Holland, is an American pop rock singer, songwriter, and composer.
Anywhere You Go is the first full-length recording from David Pack, the lead singer for the band Ambrosia. The LP was released in November 1985. Pack wrote five songs himself and co-wrote the other five.
No Lookin' Back is the second solo studio album by American musician Michael McDonald. It was released on July 30, 1985 by Warner Bros. Records, three years after his debut studio album, If That's What It Takes (1982); this was his last album to be released by Warner Bros. For the first time, he co-produced and wrote or co-wrote all of the tracks. It features contributions from guitarists Joe Walsh, Robben Ford and David Pack from Ambrosia, Jeff Porcaro on drums, plus the former Doobie Brothers member Willie Weeks on bass, and Cornelius Bumpus providing horns.
"How Much I Feel" is a 1978 song by American rock band Ambrosia. The song, written by the band's guitarist/vocalist David Pack, was released in the summer of 1978 as the lead single from their third album, Life Beyond L.A., peaking at position three on the Billboard Hot 100 chart and number two for three weeks on the Cash Box Top 100.
"You're the Only Woman " is a song by American soft rock band Ambrosia, released in 1980 as the second single from the album One Eighty.
"Biggest Part of Me" is a song by American band Ambrosia, from the album One Eighty. Released as a single in 1980, the song reached number one on the Radio & Records chart and number 3 on both the US Billboard Hot 100 and Adult Contemporary charts. The song was written by band member David Pack. Pack re-recorded the song for his 2005 album, The Secret of Movin' On.
Clifton “Clif” Magness is an American singer, songwriter, record producer, and multi-instrumentalist, best known for co-writing and producing several tracks on Avril Lavigne’s 2002 debut album, Let Go including the song "Losing Grip".
"Holdin' On to Yesterday" is the debut single by American rock band Ambrosia. It was written by David Pack and Joe Puerta.
Anthology is a compilation album by Ambrosia, released in 1997 on Warner Bros. Records. The album includes three new recordings, including a re-recording of the David Pack solo "I Just Can't Let Go", which was released as a single. The two new recorded tracks are "Mama Don't Understand" and "Sky Is Falling".
"Can't Let Go" is a song written by American singer-songwriter Randy Weeks, made famous by Lucinda Williams in 1998–1999. Williams released "Can't Let Go" as a single from her album Car Wheels on a Gravel Road, and the song entered the Billboard Adult Alternative Airplay chart in December 1998, peaking at number 14 in March 1999, staying on the chart for 13 weeks. Williams earned a Grammy nomination for the song in the category Best Female Rock Vocal Performance. Weeks released his own version of the song in 2000, on his album Madeline.
