I Walk Alone | |
---|---|
Directed by | Byron Haskin |
Screenplay by | Charles Schnee Robert Smith (adaptation) John Bright (adaptation) |
Based on | the play Beggars Are Coming to Town by Theodore Reeves |
Produced by | Hal B. Wallis |
Starring | Burt Lancaster Lizabeth Scott Kirk Douglas Wendell Corey |
Cinematography | Leo Tover |
Edited by | Arthur P. Schmidt |
Music by | Victor Young |
Production company | Hal Wallis Productions |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 97 minutes |
Country | United States |
Language | English |
Box office | $2.1 million (US rentals) [1] |
I Walk Alone is a 1947 film noir released by Paramount Pictures starring Burt Lancaster and Lizabeth Scott, with a supporting cast featuring Wendell Corey, Kirk Douglas, and Kristine Miller. [2] The film was produced by Hal B. Wallis, and directed by Byron Haskin.
Frankie Madison and Noll "Dink" Turner were bootlegging partners during Prohibition. They were involved in a shootout with thieves attempting to hijack their liquor, attracting the attention of the police. Frankie and Noll parted ways with an agreement that if one of them should be caught he will still receive an equal share of their combined business after serving his prison sentence. Noll escapes cleanly but Frankie ends up getting 14 years. When he is set free, he goes straight to Noll - who never even once came to visit him - to settle up.
Noll now runs a swanky nightclub, the Regency. When Frankie goes there, Noll stalls, fobbing him off to dinner with his sultry girlfriend, singer Kay Lawrence. Instructed to draw out what Frankie is after, she learns that he merely expects Noll to honor their old bargain. Noll explains to Frankie that their deal only applied to their former nightclub, which he had closed years earlier. Dave, Noll's bookkeeper and a partner in another business the trio had run, is the only one whom Frankie had trusted. Unwisely it turns out, as Dave had gotten him to sign legal papers while in prison without reading them, leaving him swindled with no legal grounds to challenge Noll's doublecross.
Noll informs Frankie that his share of their defunct club is not even worth $3,000. Tearing up Noll's check, Frankie slugs him and leaves to recruit henchmen to take by force what he has been cheated out of. Returning, he is confused by Dave's explanation of how Noll had him divide ownership of the nightclub between a tangle of three interrelated corporations; their bylaws were set up to prevent Noll from surrendering anything meaningful. Frankie seeks to press his hand, but his goons actually work for Noll. Noll has them give Frankie a severe beating, then dump him in an alley outside the club.
Noll informs Kay that he intends to marry wealthy socialite Alexis Richardson in order to ensure the Regency's success among the carriage trade. Repulsed, and strongly attracted to Frankie, Kay quits and is able to overcome Frankie's bitter suspicions about her.
Dave, aghast at how Frankie has been treated, tells him that he is willing to spill what he knows about the club's crooked books, which will devastate Noll. Brazenly telling Noll what he intends to do, he is promptly murdered by one of Noll's henchman, which Noll pins on Frankie.
Evading a police manhunt, Frankie and Kay go to Noll's mansion. Noll is waiting with a gun, which Frankie wrests away and takes him to the nightclub. Frankie first collects only the $2900 and change he is owed, then threatens Noll into writing a confession that he ordered Dave's murder. When the police arrive after being summoned by Kay at Frankie's request, Noll turns the tables and the police seek to arrest Frankie. He proves to be unarmed, and convinces them that Noll's confession is legitimate. Noll is arrested, but escapes his escort and heads toward Frankie with a gun. Before he can reach him, he is shot dead by a policeman. Frankie proclaims he never intends to touch a gun again, and he and Kay leave to build a future together.
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I Walk Alone was the first of six films that Burt Lancaster and Kirk Douglas made together over the decades, including Gunfight at the O.K. Corral (1957) with Lancaster as Wyatt Earp and Douglas as Doc Holliday, The Devil's Disciple (1959) with Laurence Olivier, The List of Adrian Messenger (1963) with George C. Scott and John Merivale, Seven Days in May (1964) with Fredric March and Ava Gardner, and Tough Guys (1986).
Lizbeth Scott's vocals on the original song "Don't Call It Love", by Ned Washington and Allie Wrubel, was dubbed by an uncredited Trudy Stevens. The same composing team contributed a song "I'll Walk Alone", heard as an instrumental. [3]
Instrumental versions of "Isn't It Romantic?" and Heart and Soul, both performed by The Regency Three, [4] are featured as during the dinner scene. Kay requests the first of the trio's leader Jimmy, after Frankie indicates he prefers older songs, one of the building hints that he's been away. Then after dinner Frankie requests the latter, for the couple to dance to.
In a contemporary review for The New York Times , critic Bosley Crowther wrote: "It's a mighty low class of people that you will meet in the Paramount's 'I Walk Alone'—and a mighty low grade of melodrama, if you want the honest truth—in spite of a very swanky setting and an air of great elegance." Crowther found Kirk Douglas' performance "fairly effective" but panned the other leads: "Burt Lancaster plays the would-be 'muscler' with the blank-faced aplomb of Tarzan. ... Lizabeth Scott has no more personality than a model in the window of a department store." [5]
The Chicago Tribune was not impressed: "A dreary dissertation on the art of the double cross in the gang world, this film inches along through numerous complications, and when the happy lovers finally disappear in the mist, they leave the spectators in a bit of fog....Lavish settings and strenuous work by most members of the cast succeed only in giving the film a complete air of unreality and occasionally producing giggles from the audience with scenes intended to elicit gasps." [6]
James Agee, writing in The Nation , opined that the film should be made to "walk alone, tinkle a little bell, and cry, 'Unclean, unclean.'" [7]
Variety called I Walk Alone "a tight, hard-boiled melodrama." [8]
A restoration of the film played at the Noir City festival at the Castro Theatre in February 2018. [9] [10]
The movie was officially released on home video for the first time on July 24, 2018. [11] [12] [13]
Burton Stephen Lancaster was an American actor. Initially known for playing tough guys with a tender heart, he went on to achieve success with more complex and challenging roles over a 45-year career in films and television series. He was a four-time nominee for the Academy Award for Best Actor, and he also won two BAFTA Awards and one Golden Globe Award for Best Lead Actor. The American Film Institute ranks Lancaster as #19 of the greatest male stars of classic Hollywood cinema.
Kirk Douglas was an American actor and filmmaker. After an impoverished childhood, he made his film debut in The Strange Love of Martha Ivers (1946) with Barbara Stanwyck. Douglas soon developed into a leading box-office star throughout the 1950s, known for serious dramas, including westerns and war films. During his career, he appeared in more than 90 films and was known for his explosive acting style. He was named by the American Film Institute the 17th-greatest male star of Classic Hollywood cinema.
Gunfight at the O.K. Corral is a 1957 American Western film starring Burt Lancaster as Wyatt Earp and Kirk Douglas as Doc Holliday, and loosely based on the actual event in 1881. The film was directed by John Sturges from a screenplay written by novelist Leon Uris. It was a remake of the 1939 film Frontier Marshall starring Randolph Scott and of John Ford's 1946 film My Darling Clementine.
Criss Cross is a 1949 American film noir crime tragedy film starring Burt Lancaster, Yvonne De Carlo and Dan Duryea, directed by Robert Siodmak and written by Daniel Fuchs based on Don Tracy's 1934 novel of the same name. This black-and-white film was shot partly on location in the Bunker Hill section of Los Angeles. Miklós Rózsa scored the film's soundtrack.
Lizabeth Virginia Scott was an American actress, singer and model for the Walter Thornton Model Agency, known for her "smoky voice" and being "the most beautiful face of film noir during the 1940s and 1950s". After understudying the role of Sabina in the original Broadway and Boston stage productions of The Skin of Our Teeth, she emerged in such films as The Strange Love of Martha Ivers (1946), Dead Reckoning (1947), Desert Fury (1947), and Too Late for Tears (1949). Of her 22 films, she was the leading lady in all but three. In addition to stage and radio, she appeared on television from the late 1940s to early 1970s.
The Killers is a 1946 American film noir directed by Robert Siodmak and starring Burt Lancaster in his film debut, along with Ava Gardner, Edmond O'Brien and Sam Levene. Based in part on the 1927 short story of the same name by Ernest Hemingway, it focuses on an insurance detective's investigation into the execution by two professional killers of a former boxer who was unresistant to his own murder. The screenplay was written by Anthony Veiller, with uncredited contributions by John Huston and Richard Brooks.
Dead Reckoning is a 1947 American film noir directed by John Cromwell and starring Humphrey Bogart, Lizabeth Scott, Morris Carnovsky, and William Prince. It was written by Steve Fisher and Oliver H.P. Garrett, based on a story by Gerald Drayson Adams and Sidney Biddell, adapted by Allen Rivkin. Its plot follows a war hero, Warren Murdock (Bogart) who begins investigating the death of his friend and fellow soldier, Johnny Drake (Prince). The investigation leads Murdock to his friend's mistress, a mysterious woman whose husband Drake was accused of murdering.
Dark City is a 1950 American film noir crime film starring Charlton Heston in his Hollywood debut, and featuring Lizabeth Scott, Viveca Lindfors, Dean Jagger, Don DeFore, Ed Begley, Jack Webb and Harry Morgan. It was produced by Hal B. Wallis and directed by William Dieterle.
The Racket is a 1951 black-and-white film noir drama directed by John Cromwell with uncredited directing help from Nicholas Ray, Tay Garnett, and Mel Ferrer. The production features Robert Mitchum, Lizabeth Scott, Robert Ryan, and William Conrad. Future Perry Mason regular cast members William Talman and Ray Collins appear in key roles.
Too Late for Tears is a 1949 American film noir starring Lizabeth Scott, Don DeFore, and Dan Duryea. Directed by Byron Haskin, its plot follows a ruthless woman who resorts to multiple murders in an attempt to retain a suitcase containing US$60,000 that does not belong to her. The screenplay was written by Roy Huggins, developed from a serial he wrote for The Saturday Evening Post. Arthur Kennedy, Kristine Miller, and Barry Kelley appear in support.
The Strange Love of Martha Ivers is a 1946 American noir tragedy film directed by Lewis Milestone and starring Barbara Stanwyck, Van Heflin and Lizabeth Scott. Kirk Douglas appears in his film debut. It follows a man who is reunited with his childhood friend and her husband; both the childhood friend and her husband believe that the man knows the truth about the mysterious death of the woman's wealthy aunt years prior. The screenplay was written by Robert Rossen, adapted from the short story "Love Lies Bleeding" by playwright John Patrick.
Tough Guys is a 1986 American action comedy film directed by Jeff Kanew and starring Burt Lancaster, Kirk Douglas, Eli Wallach, Charles Durning, Dana Carvey, and Darlanne Fluegel. It is the eighth film of Touchstone Pictures, and the final film to be released from Douglas's Bryna Productions.
Byron Conrad Haskin was an American film and television director, special effects creator and cinematographer. He is best known for directing The War of the Worlds (1953), one of many films where he teamed with producer George Pal.
Kiss the Blood Off My Hands is a 1948 American noir-thriller film directed by Norman Foster. Based on the best-selling novel of the same name by Gerald Butler, it stars Joan Fontaine, Burt Lancaster, and Robert Newton. The film faced minor opposition from fundamentalist groups in the United States and the Commonwealth, with regard to its gory title. In some markets, the film was released under the alternate titles The Unafraid or Blood on My Hands.
A Child Is Waiting is a 1963 American drama film written by Abby Mann based on his 1957 Westinghouse Studio One teleplay of the same name. The film was produced by Stanley Kramer and directed by John Cassavetes. Burt Lancaster portrays the director of a state institution for intellectually disabled and emotionally disturbed children, and Judy Garland is a new teacher who challenges his methods.
The Devil's Disciple is a 1959 British-American film adaptation of the 1897 George Bernard Shaw play The Devil's Disciple. The Anglo-American film was directed by Guy Hamilton, who replaced Alexander Mackendrick, and starred Burt Lancaster, Kirk Douglas and Laurence Olivier. Mary Grant designed the film's costumes.
You Came Along is a 1945 romantic comedy-drama film set in World War II, directed by John Farrow. The original Robert Smith screenplay was rewritten by Ayn Rand. You Came Along stars Robert Cummings and in her film debut, Lizabeth Scott.
Kristine Miller was an American film actress. She appeared in film noir and Westerns. A discovery of Paramount producer Hal Wallis, she appeared in I Walk Alone (1948), Jungle Patrol (1948), Too Late for Tears (1949), Shadow on the Wall (1950), and the TV series Stories of the Century (1954–55).
Desert Fury is a 1947 American film noir crime film directed by Lewis Allen, and starring Lizabeth Scott, John Hodiak and Burt Lancaster. Its plot follows the daughter of a casino owner in a small Nevada town who becomes involved with a racketeer who was once suspected of murdering his wife. The screenplay was written by Robert Rossen and A. I. Bezzerides (uncredited), adapted from the 1947 novel of the same name by Ramona Stewart. The picture was produced by Hal Wallis, with music by Miklós Rózsa and cinematography in Technicolor by Edward Cronjager and Charles Lang.
Lizabeth Scott (1922–2015) appeared in 22 feature films from 1945 to 1972. In addition to stage and radio, she appeared on television from the late 1940s to early 1970s.
Long unavailable on any home video format, Kino's new disc of I Walk Alone is a quality release.