| Ignition | ||||
|---|---|---|---|---|
 | ||||
| Compilation album by The Music Machine | ||||
| Released | June 27, 2000 | |||
| Recorded | 1965 - 1969, RCA Recording Studios, Los Angeles California | |||
| Genre | ||||
| Length | 46:35 | |||
| Label | Sundazed | |||
| Producer | Tim Livingston, Sean Bonniwell | |||
| The Music Machine chronology | ||||
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Ignition is a compilation album by the American garage rock band, The Music Machine, and was released on June 27, 2000 on Sundazed Records (see 2000 in music). It includes an assortment of rare singles, outtakes, and previously unreleased material spanning from when the group went under the moniker, the Raggamuffins, in 1965, to their disbandment in 1969. The Raggamuffins were a folk rock trio led by Sean Bonniwell, and the prototype group that developed an experimental hard-edge sound, before recruiting two additional members and becoming the Music Machine. [1] By 1969, all the original members, except Bonniwell, departed the group, which was then known as the Bonniwell Music Machine. Though the band would no longer produce hits, such as "Talk Talk" and "The People In Me", it was Bonniwell's most ambitious recording period as he incorporated elements of psychedelia and pop rock into the group's music. [2]
A compilation album comprises tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology.
Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced various revivals since then. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instruments, such as the jazz quartet or the orchestra. Some music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds and percussion instruments, or the concert band, which uses brass, woodwinds and percussion.
Contents
The four songs "Two Much", "Push Don't Pull", "Talk Me Down", and "Chances", were all composed and recorded in 1965, when the group was known as the Raggamuffins, and were previously unreleased. They featured a mixture of the band's folk rock roots and the protopunk better assimilated with the Music Machine. Among other songs was "Black Snow", which later appeared on Bonniwell's solo album, Close in 1969, and "Smoke & Water", a rehearsal song that was demoed. In addition, the commercially unsuccessful single "Advice and Consent", the outtake "Dark White", and "Citizen Fear" were some of the latest recordings by The Music Machine before their disbandment. The remaining material was rare and obscure tracks by the group, with the majority being penned by Bonniwell. [3]
An album is a collection of audio recordings issued as a collection on compact disc (CD), vinyl, audio tape, or another medium. Albums of recorded music were developed in the early 20th century as individual 78-rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The audio cassette was a format used alongside vinyl from the 1970s into the first decade of the 2000s.
Close is a solo album by American rock musician Sean Bonniwell, credited under the moniker T. S. Bonniwell, who had been the creative force behind the innovative garage rock band The Music Machine. The album was released on August 4, 1969, by Capitol Records. It marked a total departure from Bonniwell's rebellious protopunk period with The Music Machine, to a soft rock crooning style. In addition, the album blended folk rock and orchestrated influences, and was inspired by Bonniwell's stints in the pre-Music Machine groups, the Wayfarers and the Ragamuffins, along with his desire to be more poetically inclined. The song,"Where Am I to Go", was released as a single ahead of the album, but failed to chart. Like its attendant single, Close was also somewhat commercially unsuccessful, and was the last recording by Bonniwell for the next 20 years.
