In Our Time | |
---|---|
Directed by | Vincent Sherman |
Screenplay by | Elias St. Joseph Howard Koch |
Produced by | Jerry Wald |
Starring | Ida Lupino Paul Henreid Nancy Coleman Mary Boland Victor Francen Nazimova |
Cinematography | Carl E. Guthrie |
Edited by | Rudi Fehr |
Music by | Franz Waxman |
Production company | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 110 minutes |
Country | United States |
Language | English |
In Our Time is a 1944 American romantic drama film set in the days leading up to World War II. It stars Ida Lupino and Paul Henreid.
In March 1939, English antiques dealer Mrs. Bromley and her assistant Jennifer "Jenny" Whittredge travel through Poland making purchases. In Warsaw, Jenny meets Count Stefan Orwid and, after a whirlwind courtship, he asks her to marry him.
However, Stefan's aristocratic family, particularly his sister Janina and his wealthy, diplomat uncle Count Pawel Orwid, is less than welcoming to the English commoner. His mother Zofyia merely wants to keep peace in the family. Only his other uncle, the ineffectual Leopold Baruta, welcomes her. Nonetheless, the wedding takes place.
Afterwards, Jenny encourages Stefan to break his family's dependence on Count Pawel's financial aid by persuading his peasant tenants to adopt more modern and efficient farming methods. It works; the harvest is bountiful, and Stefan accepts Jenny's suggestion that they invite the workers to a celebration party in his mansion. Count Pawel makes a surprise visit to express his strong disapproval of Jenny's democratic ideas. However, they are interrupted by the bombing of nearby Warsaw. War has broken out, despite Count Pawel's desperate attempts to placate Nazi Germany.
Stefan joins his Polish Army cavalry regiment, leaving Jenny to supervise the rest of the harvest. Days go by with conflicting radio reports. Finally, a dazed, wounded Stefan returns to the estate. His regiment was wiped out after charging tanks. He gathers the peasants and asks them to burn the crop and anything else that could be of use to the invaders. They patriotically agree. Count Pawel shows up to take the family to Romania. Stefan, Jenny, and Leopold remain behind to fight.
The movie presents a vision of Poland before and during the September 1939 campaign that was a propagandistic assault on the country. Mieczysław B. Biskupski describes it as a "piece of historical rubbish", which claims that despite everything the West had done, the war is essentially Poland's fault. The country is presented as being based on "meaningless symbols based on a distant past" with questionable patriotism; serfdom is still present (in reality, it was abolished in the 19th century), and the majority of Poles are depicted as pro-German, pro-Nazi, and sinister. The film also follows the myth that Polish cavalry had conducted charges on German tanks. [1]
In the first versions of script, the opening montage was to present a map of the Poland from 16th century, which then would be burned down; afterwards, the map with the Second Polish Republic was planned to appear. In Biskupski's words, this was supposed to show that the previous downfall of Poland was solely the fault of the Polish nation, while carefully omitting Russia's role. [2]
There are also doubts about the crew. Screewriter Howard Koch had close ties with CPSU, and was probably its member in the 1930s. Director Vincent Sherman claimed that he had read about Polish history, but described it as the "South before the Civil War", thinking that peasants were supporting the landed gentry and large estates. [3] Biskupski also notes, that the Daily Worker praised the movie, calling all the forces loyal to the Polish government-in-exile "reactionary". [4]
Paul Henreid was an Austrian-American actor, director, producer, and writer. He is best remembered for two film roles: Victor Laszlo in Casablanca and Jerry Durrance in Now, Voyager, both released between 1942 and 1943.
The Polish Underground State was a single political and military entity formed by the union of resistance organizations in occupied Poland that were loyal to the Government of the Republic of Poland in exile in London. The first elements of the Underground State were established in the final days of the German and Soviet invasion of Poland, in late September 1939. The Underground State was perceived by supporters as a legal continuation of the pre-war Republic of Poland that waged an armed struggle against the country's occupying powers: Nazi Germany and the Soviet Union. The Underground State encompassed not only military resistance, one of the largest in the world, but also civilian structures, such as justice, education, culture and social services.
The Polish Legions was a name of the Polish military force established in August 1914 in Galicia soon after World War I erupted between the opposing alliances of the Triple Entente on one side and the Central Powers on the other side, comprising the German Empire and Austria-Hungary. The Legions became "a founding myth for the creation of modern Poland" in spite of their considerably short existence; they were replaced by the Polish Auxiliary Corps formation on 20 September 1916, merged with Polish II Corps in Russia on 19 February 1918 for the Battle of Rarańcza against Austria-Hungary, and disbanded following the military defeat at the Battle of Kaniów in May 1918, against Imperial Germany. General Haller escaped to France to form the Polish army in the West against the anti-Polish German-Bolshevik treaty.
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General Leopold Okulicki was a general of the Polish Army and the last commander of the anti-Nazi underground Home Army during World War II and German occupation in Poland (1939–1945). He was arrested after the war by the Soviet NKVD and died while imprisoned at Butyrka prison in Moscow.
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Mieczysław B. Biskupski is a Polish-American historian and political scientist, with focus on Central European history and international relations.
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A cult of personality developed around the figure of Józef Piłsudski, a Polish military commander and politician, in the interwar period and has continued ever since despite his death in 1935. At first, it was propagated by the Polish state's propaganda, describing Piłsudski as a masterful strategist and political visionary. It survived decades of repression during the communist rule of Poland. In modern Poland, Piłsudski is recognized as an important and a largely-positive figure in Polish history.
Doughboys in Ireland is a 1943 American musical war film directed by Lew Landers and starring Kenny Baker, Jeff Donnell and Lynn Merrick. The film offered an early role for future star Robert Mitchum, who appeared in many films that year.
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