In a Minor Groove | ||||
---|---|---|---|---|
Studio album by Dorothy Ashby with Frank Wess | ||||
Released | 1958 | |||
Recorded | September 19, 1958 | |||
Studio | Van Gelder Studio, Hackensack, New Jersey | |||
Genre | Jazz | |||
Length | 39:16 | |||
Label | New Jazz NJLP 8209 | |||
Producer | Bob Weinstock | |||
Dorothy Ashby chronology | ||||
|
In a Minor Groove (also released as Dorothy Ashby Plays for Beautiful People) is an album by jazz harpist Dorothy Ashby recorded in 1958 and released on the New Jazz label. [1]
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
Allmusic reviewed the album awarding it 4½ stars stating "This is a delightful package that deserves further recognition as a project unique to jazz and modern music, perfectly showcasing Dorothy Ashby as an individualist for the ages". [2]
All compositions by Dorothy Ashby except where noted
Domination is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances by Adderley with an orchestra conducted by Oliver Nelson. The CD release added the bonus track "Experience in E" composed by Joe Zawinul and originally released on the 1970 album The Cannonball Adderley Quintet & Orchestra.
Devil May Care is the debut album by American jazz vocalist Teri Thornton featuring tracks recorded in late 1960 and early 1961 for the Riverside label.
Fancy Dancer is the fifth studio album by American jazz flautist Bobbi Humphrey, recorded in 1975 and released on the Blue Note label.
Tone Tantrum is an album by American jazz pianist Gene Harris recorded in 1977 and released on the Blue Note label.
Mainstream of Jazz is an album led by American jazz baritone saxophonist Gerry Mulligan with tracks recorded in 1956 which were released by EmArcy.
Groovin' with Jug is a live album by organist Richard Holmes and saxophonist Gene Ammons recorded in 1961 and released on the Pacific Jazz label.
Hip Harp is an album by jazz harpist Dorothy Ashby recorded in 1958 and released on the Prestige label.
The Jazz Harpist is the debut studio album by American jazz harpist Dorothy Ashby released in 1957 by the Regent label.
Afro-Harping is an album by jazz harpist Dorothy Ashby recorded in 1968 and released on the Cadet label.
The Rubaiyat of Dorothy Ashby is an album by jazz harpist Dorothy Ashby recorded in late 1969 and early 1970 and released on the Cadet label. On this album, Ashby plays the Japanese musical instrument, the koto, demonstrating her abilities to successfully integrate another instrument into jazz.
The Fantastic Jazz Harp of Dorothy Ashby is an album by jazz harpist Dorothy Ashby recorded in 1965 and released on the Atlantic label.
Soft Winds is an album by jazz harpist Dorothy Ashby recorded in 1961 and released on the Jazzland label. The album takes its name from Goodman's 1940 standard "Soft Winds" which features as the first track.
Dorothy Ashby is a self-titled album by jazz harpist Dorothy Ashby, released on the Argo label in 1962.
On the Sunny Side is an album by American jazz tenor saxophonist Paul Quinichette featuring tracks recorded in May 1957 and released on the Prestige label.
West Coast Live is a live album by trumpeter Chet Baker and saxophonist Stan Getz which was recorded in California in 1953 but not released until 1997, on the Pacific Jazz label.
Central Avenue Reunion is a live album by Art Farmer and Frank Morgan recorded in Emeryville, CA in 1989 and originally released on the Contemporary label.
Stan "The Man" Turrentine is the debut album recorded in 1960 by jazz saxophonist Stanley Turrentine originally released on the Time label in 1963, and subsequently re-released on Mainstream as Tiger Tail.
Everybody Come On Out is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by Wade Marcus. The album consists of Turrentine's versions of many current pop hits.
Dorothy's Harp is a studio album by jazz harpist Dorothy Ashby released in 1969 via the Cadet label. A few years after releasing Dorothy’s Harp, she started working with Stevie Wonder. The record includes two Brazilian-touched compositions: "Reza" and "Canto de Ossanha". The album was re-released as a CD in 2006.
The Pepper-Knepper Quintet is an album led by baritone saxophonist Pepper Adams and trombonist Jimmy Knepper which was recorded in 1958 and originally released on the MetroJazz label.