| INDO LIVE | ||||
|---|---|---|---|---|
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| Live album by | ||||
| Released | 1997 | |||
| Genre | New wave | |||
| Indochine chronology | ||||
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INDO LIVE is the third live album by French new wave band Indochine. It was released in 1997.
| INDO LIVE | ||||
|---|---|---|---|---|
| | ||||
| Live album by | ||||
| Released | 1997 | |||
| Genre | New wave | |||
| Indochine chronology | ||||
| ||||
INDO LIVE is the third live album by French new wave band Indochine. It was released in 1997.
| No. | Title | Length |
|---|---|---|
| 1. | "Ouverture" | 1:49 |
| 2. | "Mire-Live" | 4:58 |
| 3. | "Unisexe" | 5:31 |
| 4. | "Les tzars" | 4:53 |
| 5. | "3 nuits par semaine" | 7:10 |
| 6. | "La main sur vous" | 4:51 |
| 7. | "Les silences de Juliette" | 5:43 |
| 8. | "Kissing My Song" | 4:25 |
| 9. | "Satellite" | 5:26 |
| 10. | "Punishment Park" | 4:06 |
| 11. | "Echo-Ruby" | 4:03 |
| 12. | "Je n'embrasse pas" | 6:05 |
| 13. | "Drugstar" | 5:26 |
| No. | Title | Length |
|---|---|---|
| 1. | "Révolution" | 5:35 |
| 2. | "Des fleurs pour Salinger" | 6:24 |
| 3. | "Canary Bay" | 6:13 |
| 4. | "Monte Cristo" | 4:56 |
| 5. | "Mes regrets - 3e sexe" | 6:37 |
| 6. | "Tes yeux noirs" | 5:23 |
| 7. | "L'aventurier" | 7:04 |
Indian or Indians may refer to something or someone of, from, or associated with the nation of India or with the indigenous people of the Americas.
The Indo-European languages are a language family native to the overwhelming majority of Europe, the Iranian plateau, and the northern Indian subcontinent. Some European languages of this family—English, French, Portuguese, Russian, Dutch, and Spanish—have expanded through colonialism in the modern period and are now spoken across several continents. The Indo-European family is divided into several branches or sub-families, of which there are eight groups with languages still alive today: Albanian, Armenian, Balto-Slavic, Celtic, Germanic, Hellenic, Indo-Iranian, and Italic; another nine subdivisions are now extinct.
The Proto-Indo-Europeans are a hypothetical prehistoric ethnolinguistic group of Eurasia who spoke Proto-Indo-European (PIE), the reconstructed common ancestor of the Indo-European language family.
The Aryan race is an obsolete historical race concept that emerged in the late-19th century to describe people who descend from the Proto-Indo-Europeans as a racial grouping. The terminology derives from the historical usage of Aryan, used by modern Indo-Iranians as an epithet of "noble". Anthropological, historical, and archaeological evidence does not support the validity of this concept.
The Indo-Aryan languages are a branch of the Indo-Iranian languages in the Indo-European language family. As of the early 21st century, they have more than 800 million speakers, primarily concentrated in India, Pakistan, Sri Lanka, Bangladesh, Nepal and Maldives. Moreover, apart from the Indian subcontinent, large immigrant and expatriate Indo-Aryan–speaking communities live in Northwestern Europe, Western Asia, North America, the Caribbean, Southeast Africa, Polynesia and Australia, along with several million speakers of Romani languages primarily concentrated in Southeastern Europe. There are over 200 known Indo-Aryan languages.
Chutney music is a fusion genre of Indian folk music, specifically Bhojpuri folk music, with Caribbean calypso and soca music, and later with Bollywood music. This genre of music that developed in Trinidad and Tobago is popular in Trinidad and Tobago, Guyana, Suriname, Jamaica, other parts of the Caribbean, Fiji, Mauritius, and South Africa. Chutney music emerged mid-20th century and reached a peak of popularity during the 1980s. Several sub-genres have developed.
The music of Suriname is known for kaseko music, and for having an Indo-Caribbean tradition.
Angel dust may refer to:
Augment or augmentation may refer to:
Joseph Arthurlin Harriott was a Jamaican jazz musician and composer, whose principal instrument was the alto saxophone.
Indo-Caribbean Americans or Indian-Caribbean Americans, are Americans who trace their ancestry ultimately to India, though whose recent ancestors lived in the Caribbean, where they migrated beginning in 1838 as indentured laborers. There are large populations of Indo-Trinidadian and Tobagonians and Indo-Guyanese along with a smaller population of Indo-Surinamese, Indo-Jamaicans and other Indo-Caribbeans in the United States, especially in the New York metropolitan area and Florida. The Washington metropolitan area, Texas, and Minnesota also have small numbers of Indo-Guyanese and Indo-Trinidadians. Indo-Caribbean Americans are a subgroup of Caribbean Americans as well as Indian Americans, which are a subgroup of South Asian Americans, which itself is a subgroup of Asian Americans.
South Asian ethnic groups are an ethnolinguistic grouping of the diverse populations of South Asia, including the nations of Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka. While Afghanistan is variously considered to be a part of both Central Asia and South Asia, Afghans are generally not included among South Asians.
Indo jazz is a musical genre consisting of jazz, classical and Indian influences. Its structure and patterns are based on Indian music with typical jazz improvisation overlaid. While the term itself may be comparatively recent, the concept dates at least to the mid-1950s. Musicians including John Coltrane, Yusef Lateef and others reflect Indian influences.
Javindo, also known by the pejorative name Krontjong, is a Dutch-based creole language spoken on Java, Indonesia. The name Javindo is a portmanteau of Java and Indo, the Dutch word for a person of mixed Indonesian and Dutch descent. This contact language developed from communication between Javanese-speaking mothers and Dutch-speaking fathers in Indo families. Its main speakers were Indo-Eurasian people. Its grammar was based on Javanese, and its vocabulary was based on the Dutch lexicon but pronounced in a Javanese manner.
Keshav Sathe was an Indian tabla player, best known for his contributions to the Indo-jazz fusion genre. Among his significant collaborations are the ones with Joe Harriott and John Mayer in 1965–70; Irene Schweizer trio, Barney Wilen and Manfred Schoof in 1967; and later work with John Martyn, John Renbourn, Danny Thompson and Julie Felix.
Hanoï is the sixth live album by French new wave band Indochine. It was released in February 2007. It is a recording of a performance that took place on 6 June 2006. The album takes its name from the location of the concert, Hanoi, Vietnam.
Live and Learn may refer to:
Tobian Tools, also known as Indo G is an American rapper from Memphis, Tennessee. First hitting the Memphis rap scene with fellow Memphian, Lil' Blunt, in the mid-1990s, they released two albums on Luke Records, Up In Smoke (1995) and The Antidote (1995). Soon after, Indo G became affiliated with Three 6 Mafia and released Angel Dust in 1998. However, the relationship between Three 6 and Indo deteriorated, and they no longer work together.
John Henry Basil Mayer was an Indian composer known primarily for his fusions of jazz with Indian music in the British-based group Indo-Jazz Fusions with the Jamaican-born saxophonist Joe Harriott.
Robert Cooper Phillips, better known by his stage name Koopsta Knicca or simply Koopsta, was an American rapper. He was best known as one of the members of the Memphis rap group Three 6 Mafia and its related Hypnotize Camp Posse and Prophet Posse. He was also a member of the subgroup collective Da Mafia 6ix.
