Intercourse (book)

Last updated

Intercourse
Intercourse, first edition.jpg
Cover of the first edition
Author Andrea Dworkin
CountryUnited States
LanguageEnglish
Subject Sexual intercourse
Publisher Free Press
Publication date
1987
Media typePrint (hardcover and paperback)
Pages257
ISBN 0-684-83239-9
OCLC 37625851
306.7
LC Class HQ

Intercourse is the fifth nonfiction book by American radical feminist writer and activist Andrea Dworkin. It was first published in 1987 by Free Press. In Intercourse, Dworkin presents a radical feminist analysis of sexual intercourse in literature and society.

Contents

She is often said to argue that "all heterosexual sex is rape", based on the line from the book that says, "Violation is a synonym for intercourse." However, Dworkin has denied this interpretation, stating, "What I think is that sex must not put women in a subordinate position. It must be reciprocal and not an act of aggression from a man looking only to satisfy himself. That's my point." [1]

Thesis

In Intercourse, Dworkin extended her earlier analysis of pornography to a discussion of heterosexual intercourse itself. In works such as Woman Hating (1974) and Pornography: Men Possessing Women (1981), Dworkin had argued that pornography (this includes erotic literature) in patriarchal societies consistently eroticized women's sexual subordination to men, and often overt acts of exploitation or violence. In Intercourse, she went on to argue that that sort of sexual subordination was central to men and women's experiences of sexual intercourse in a male supremacist society, and reinforced throughout mainstream culture, including not only pornography but also in classic works of male-centric literature.

Extensively discussing works such as The Kreutzer Sonata (1889), Madame Bovary (1856), and Dracula (1897), and citing from religious texts, legal commentary, and pornography, Dworkin argued that the depictions of intercourse in mainstream art and culture consistently emphasized heterosexual intercourse as the only or the most genuine form of "real" sex; that they portrayed intercourse in violent or invasive terms; that they portrayed the violence or invasiveness as central to its eroticism; and that they often united it with male contempt for, revulsion towards, or even murder of the "carnal" woman. She argued that this kind of depiction enforced a male-centric and coercive view of sexuality, and that, when the cultural attitudes combine with the material conditions of women's lives in a sexist society, the experience of heterosexual intercourse itself becomes a central part of men's subordination of women, experienced as a form of "occupation" [2] that is nevertheless expected to be pleasurable for women and to define their very status as women.:122–124

In the 1998 book, Without Apology: Andrea Dworkin's Art and Politics, in chapter 6, titled "Intercourse: An Institution of Male Power", author Cindy Jenefsky states, "As in her analysis of pornography's sexual subordination, the key to understanding Dworkin's analysis of sexual intercourse rests on recognizing how she integrates the individual act of sexual intercourse within its larger social context. She produces a materialist analysis that examines sexual intercourse as an institutionalized practice." [3]

Controversy

It is frequently claimed by Dworkin's critics, citing Intercourse, that she wrote, "All heterosexual intercourse is rape." Supporters point out that this statement is not found in the book. Furthermore, the comparisons of intercourse to "occupation", "possession", "collaboration", etc. are made in the context of discussions of the way in which intercourse is depicted "the discourse of male truth—literature, science, philosophy, pornography", [4] and the enforcement of those terms through men's social power over women.

Dworkin's rejection of the interpretation that "All heterosexual intercourse is rape" is regarded by many observers as a grave misunderstanding or misrepresentation of her work. [5] Her followers cite an interview with editor, critic, and writer Michael Moorcock for the New Statesman & Society , in which Dworkin claimed, "In Intercourse I decided to approach the subject as a social practice, material reality. This may be my history, but I think the social explanation of the 'all sex is rape' slander is different and probably simple. Most men and a good number of women experience sexual pleasure in inequality. Since the paradigm for sex has been one of conquest, possession, and violation, I think many men believe they need an unfair advantage, which at its extreme would be called rape. I don't think they need it. I think both intercourse and sexual pleasure can and will survive equality." [6]

Journalist Cathy Young wrote that she found Dworkin's explanation hard to square with what Young described as Dworkin's frequent willingness to criticize ordinary heterosexual practices as violent or coercive. Young wrote, "whatever her defenders say, Dworkin was anti-sex." [7]

Following Dworkin's death in 2005, Katharine Viner interviewed Dworkin's friend, art critic, writer, and painter John Berger. The article, published in The Guardian , was titled "'She Never Hated Men'":

John Berger once called Dworkin 'the most misrepresented writer in the western world'. She has always been seen as the woman who said that all men are rapists, and that all sex is rape. In fact, she said neither of these things. Here's what she told me in 1997: 'If you believe that what people call normal sex is an act of dominance, where a man desires a woman so much that he will use force against her to express his desire, if you believe that's romantic, that's the truth about sexual desire, then if someone denounces force in sex it sounds like they're denouncing sex.'" [8]

Reviews

Related Research Articles

Radical feminism is a perspective within feminism that calls for a radical re-ordering of society in which male supremacy is eliminated in all social and economic contexts, while recognizing that women's experiences are also affected by other social divisions such as in race, class, and sexual orientation. The ideology and movement emerged in the 1960s.

<span class="mw-page-title-main">Eroticism</span> Quality that causes sexual feelings

Eroticism is a quality that causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love. That quality may be found in any form of artwork, including painting, sculpture, photography, drama, film, music, or literature. It may also be found in advertising. The term may also refer to a state of sexual arousal or anticipation of such – an insistent sexual impulse, desire, or pattern of thoughts.

<span class="mw-page-title-main">Facial (sexual act)</span> Sexual activity involving ejaculating on the face of another

A facial is a sexual activity in which a man ejaculates semen onto the face of one or more sexual partners. A facial is a form of non-penetrative sex, though it is generally performed after some other means of sexual stimulation, such as vaginal sex, anal sex, oral sex or masturbation. Facials are regularly portrayed in pornographic films and videos, often as a way to close a scene.

Sex-positive feminism, also known as pro-sex feminism, sex-radical feminism, or sexually liberal feminism, is a feminist movement centering on the idea that sexual freedom is an essential component of women's freedom. They oppose legal or social efforts to control sexual activities between consenting adults, whether they are initiated by the government, other feminists, opponents of feminism, or any other institution. They embrace sexual minority groups, endorsing the value of coalition-building with marginalized groups. Sex-positive feminism is connected with the sex-positive movement. Sex-positive feminism brings together anti-censorship activists, LGBT activists, feminist scholars, producers of pornography and erotica, among others. Sex-positive feminists generally agree that prostitutes themselves should not be criminalized.

<span class="mw-page-title-main">Catharine A. MacKinnon</span> American feminist and legal activist

Catharine Alice MacKinnon is an American radical feminist legal scholar, activist, and author. She is the Elizabeth A. Long Professor of Law at the University of Michigan Law School, where she has been tenured since 1990, and the James Barr Ames Visiting Professor of Law at Harvard Law School. From 2008 to 2012, she was the special gender adviser to the Prosecutor of the International Criminal Court.

John Stoltenberg is an American author, activist, magazine editor, college lecturer, playwright, and theater reviewer who identifies his political perspective as radical feminist. For several years he has worked for DC Metro Theater Arts and as of 2019 is its executive editor. He has written three books, two collections of his essays and a novel. He was the life partner of Andrea Dworkin for 30 years and has lived with his husband, Joe Hamilton, for over 15 years.

<span class="mw-page-title-main">Lesbian erotica</span> Visual art depiction of female-female sexuality

Lesbian erotica deals with depictions in the visual arts of lesbianism, which is the expression of female-on-female sexuality. Lesbianism has been a theme in erotic art since at least the time of ancient Rome, and many regard depictions of lesbianism to be erotic.

The Antipornography Civil Rights Ordinance is a name for several proposed local ordinances in the United States and that was closely associated with the anti-pornography radical feminists Andrea Dworkin and Catharine A. MacKinnon. It proposed to treat pornography as a violation of women's civil rights and to allow women harmed by pornography to seek damages through lawsuits in civil courts. The approach was distinguished from traditional obscenity law, which attempts to suppress pornography through the use of prior restraint and criminal penalties.

The feminist sex wars, also known as the lesbian sex wars, sex wars or porn wars, are terms used to refer to collective debates amongst feminists regarding a number of issues broadly relating to sexuality and sexual activity. Differences of opinion on matters of sexuality deeply polarized the feminist movement, particularly leading feminist thinkers, in the late 1970s and early 1980s and continue to influence debate amongst feminists to this day.

<span class="mw-page-title-main">Andrea Dworkin</span> American feminist writer and activist (1946–2005)

Andrea Rita Dworkin was an American radical feminist writer and activist best known for her analysis of pornography. Her feminist writings, beginning in 1974, span 30 years. They are found in a dozen solo works: nine books of non-fiction, two novels, and a collection of short stories. Another three volumes were co-written or co-edited with US constitutional law professor and feminist activist, Catharine A. MacKinnon.

Feminist views on pornography range from total condemnation of the medium as an inherent form of violence against women to an embracing of some forms as a medium of feminist expression. This debate reflects larger concerns surrounding feminist views on sexuality, and is closely related to those on prostitution, BDSM, and other issues. Pornography has been one of the most divisive issues in feminism, particularly in Anglophone (English-speaking) countries. This division was exemplified in the feminist sex wars of the 1980s, which pitted anti-pornography activists against pro-pornography ones.

Feminists Fighting Pornography was a political activist organization against pornography. It advocated for United States Federal legislation to allow lawsuits against the porn industry by women whose attackers were inspired by pornography. FFP was based in New York, N.Y., was founded in 1983 or 1984, and dissolved in 1997.

Feminism has affected culture in many ways, and has famously been theorized in relation to culture by Angela McRobbie, Laura Mulvey and others. Timothy Laurie and Jessica Kean have argued that "one of [feminism's] most important innovations has been to seriously examine the ways women receive popular culture, given that so much pop culture is made by and for men." This is reflected in a variety of forms, including literature, music, film and other screen cultures.

<i>Toward a Feminist Theory of the State</i> 1989 book by Catharine MacKinnon

Toward a Feminist Theory of the State is a 1989 book about feminist political theory by the legal scholar Catharine MacKinnon.

<i>Only Words</i> (book)

Only Words is a 1993 book by Catharine MacKinnon. In this work of feminist legal theory, MacKinnon contends that the U.S. legal system has used a First Amendment basis to protect intimidation, subordination, terrorism, and discrimination as enacted through pornography, violating the equal protection guarantee of the Fourteenth Amendment.

<i>The Evolution of Human Sexuality</i> 1979 book by Donald Symons

The Evolution of Human Sexuality is a 1979 book about human sexuality by the anthropologist Donald Symons, in which the author discusses topics such as human sexual anatomy, ovulation, orgasm, homosexuality, sexual promiscuity, and rape, attempting to show how evolutionary concepts can be applied to humans. Symons argues that the female orgasm is not an adaptive trait and that women have the capacity for it only because orgasm is adaptive for men, and that differences between the sexual behavior of male and female homosexuals help to show underlying differences between male and female sexuality. In his view, homosexual men tend to be sexually promiscuous because of the tendency of men in general to desire sex with a large number of partners, a tendency that in heterosexual men is usually restrained by women's typical lack of interest in promiscuous sex. Symons also argues that rape can be explained in evolutionary terms and feminist claims that it is not sexually motivated are incorrect.

Feminist pornography is a genre of film developed by or for those within the sex-positive feminist movement. It was created for the purpose of promoting gender equality by portraying more bodily movements and sexual fantasies of women and members of the LGBT community.

Feminist views on sexuality widely vary. Many feminists, particularly radical feminists, are highly critical of what they see as sexual objectification and sexual exploitation in the media and society. Radical feminists are often opposed to the sex industry, including opposition to prostitution and pornography. Other feminists define themselves as sex-positive feminists and believe that a wide variety of expressions of female sexuality can be empowering to women when they are freely chosen. Some feminists support efforts to reform the sex industry to become less sexist, such as the feminist pornography movement.

<i>Pornography: Men Possessing Women</i> 1981 book by Andrea Dworkin

Pornography: Men Possessing Women is the third nonfiction book by American radical feminist writer and activist Andrea Dworkin. It was published in 1981 by Putnam. An anti-pornography feminist, Dworkin argued that pornography dehumanizes women and that the pornography industry is implicated in violence against women.

References

  1. Mikkelson, Barbara (September 28, 2007). "Rape Seeded". Snopes.com. Retrieved June 25, 2015.
  2. Dworkin, Andrea (1987). Chapter 7, "Occupation/Collaboration".{{cite book}}: |work= ignored (help)
  3. Jenefsky, Cindy (1998). Without Apology: Andrea Dworkin's Art and Politics. Westview Press, a division of Harper Collins Publishers, Inc. p. 99. ISBN   978-0813318264.
  4. Dworkin, Andrea (1987). Intercourse. New York, NY: Basic Books. p. 154. ISBN   978-0465017522.
  5. "The Lie Detector: The Andrea Dworkin Online Library". Pushing Buttons/ACLU. Retrieved June 25, 2015.
  6. Dworkin, Andrea (April 21, 1995). "FIGHTING TALK". No Status Quo.
  7. Young, Cathy (April 17, 2005). "The Dworkin Whitewash". Hit & Run blog. Reason.com. Archived from the original on March 12, 2009. Retrieved November 24, 2019.
  8. Viner, Katharine (April 12, 2005). "'She never hated men'". The Guardian. Retrieved November 24, 2019.