Isadora is a ballet created for the Royal Ballet by Kenneth MacMillan to music by Richard Rodney Bennett with a scenario by Gillian Freeman, based on the life and dance of Isadora Duncan.
In following the life of Isadora Duncan, the title role is taken jointly by a ballerina and by an actress, whose spoken text is drawn from sections of the memoirs of Duncan. Following the initial run at Covent Garden and performances New York, the ballet was not seen until revised in consultation with MacMillan's widow, and revived by the company in 2009. The scenario in the ballet concentrates on the dramatic events in Duncan's personal life and her relationships with four of her partners. [1] Set in the United States, France, and Russia, events covered in the ballet include her relationships with Paris Singer and Edward Gordon Craig in the first two decades of the 20th century, and the tragic drowning of her three children fathered by those men in the River Seine in 1913, as well as her marriage to Sergei Yesenin in 1922-1923.
The first performance of Isadora was at the Royal Opera House, Covent Garden on 30 April 1981 with Merle Park in the title role. Designs were by Barry Kay. [1]
The ballet was featured in the 50th anniversary BBC programme 'Right Royal Company', in May 1981 [2] and was filmed by Granada Television with the original cast and broadcast in 1982, subsequently being issued on DVD in 2011 by Odeon Entertainment, as the accompaniment to the 1968 feature film Isadora . [3]
The original score by Bennett was conducted by Barry Wordsworth. [4]
Sir Frederick William Mallandaine Ashton was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue.
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Sir Kenneth MacMillan was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992.
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Dame Merle Park is a British ballet dancer and teacher, now retired. As a prima ballerina with the Royal Ballet during the 1960s and 1970s, she was known for "brilliance of execution and virtuoso technique" as well as for her ebullience and charm. Also admired for her dramatic abilities, she was praised as an actress who "textured her vivacity with emotional details."
Lynn Seymour was a Canadian-born ballerina, mostly associated with the Royal Ballet in London. She was a muse of choreographer Kenneth MacMillan, creating lead roles in Romeo and Juliet, The Invitation, Concerto, Anastasia and Mayerling, among others. She originated lead roles for several ballets by Frederick Ashton, including The Two Pigeons, Five Brahms Waltzes in the Manner of Isadora Duncan and A Month in the Country. She also guested with various ballet companies throughout her life.
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A Month in the Country is a narrative ballet created in 1976 with choreography by Frederick Ashton, to the music of Frédéric Chopin arranged by John Lanchbery. It is based on the play by Ivan Turgenev of the same name, and lasts for about 40 minutes.
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Five Brahms Waltzes in the Manner of Isadora Duncan is a ballet solo choreographed by Frederick Ashton to music by Johannes Brahms, inspired by Isadora Duncan and created for Lynn Seymour. The first version, under the title Brahms Waltz, used only Brahms' Op. 39, No. 15, and premiered on 22 June 1975, at the Hamburg State Opera. The expanded version, which featured more Brahms waltzes, premiered on 15 June 1976, during Ballet Rambert's 50th anniversary gala, at the Sadler's Wells Theatre, London, and is dedicated to Marie Rambert.