It's Beginning To And Back Again | ||||
---|---|---|---|---|
Studio album by | ||||
Released | May 1989 [1] | |||
Recorded | June–December 1988 | |||
Studio | Kitsch Studios, Brussels, Belgium Terminal 24 Studios, London, UK | |||
Genre | ||||
Length | 47:37 (LP) 59:43 (CD) | |||
Label | ||||
Producer | ||||
Wire studio album chronology | ||||
| ||||
Singles from It's Beginning To And Back Again | ||||
It's Beginning To And Back Again, also known by its acronym IBTABA, is the sixth studio album by the British post-punk group Wire, released in May 1989 by Mute Records.
The title of the album derives from the lyrics of the third song, "German Shepherds". Half of the album consists of reinterpretations of live performances of material from the band's previous record, A Bell Is a Cup...Until It Is Struck . The recordings are "based on performances in Chicago, Portugal and London." Live tracks were deconstructed in the studio and remixed by Wire. The album contains the single "Eardrum Buzz", which was the band's most successful single in their history, charting at #2 on the Billboard Modern Rock Tracks chart and #68 in the UK. [4]
Wire started recording It's Beginning To And Back Again in November 1988 at Kitsch Studios in Brussels, Belgium. The sessions would last one month [5] and included live recordings from June and October 1988, taped at the Metro in Chicago and Pavilhão do Belenenses in Lisbon. [6] [7] Instead of cleaning up the live recordings for release, Wire started from scratch, overdubbing new instruments and removing crowd noise. The exercise was to explore the 'live album' form. Wire's Colin Newman has explained that the band "took the recordings from the Metro in Chicago and Lisbon and took off everything but the drums and vocals, and played along to it, playing everything else again. The concept was that it was a band doing 'a remix-by-playing'." [8]
The album includes alternate versions of five tracks originally released on Wire's previous two albums; plus "German Shepherds", which had been released in June 1988 as the B-side to the "Silk Skin Paws" single; and the previously unreleased "Eardrum Buzz" and "Illuminated". [6] Since the project was unlikely to produce any chart-bound tracks, Mute Records' Daniel Miller had asked the band to record some potential singles, separately from the recording of the album. "Eardrum Buzz" (12" version), "In Vivo" and "The Offer" were therefore recorded at Terminal 24 Studios in London prior to the Brussels sessions and appeared as bonus tracks on the CD release of the album. [4] [9]
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Robert Christgau | B− [10] |
New Musical Express | 7/10 [11] |
AllMusic retrospectively gave the album 4 out of 5 stars, writing, "while the record is respectable on its own terms, it's impossible to discern its relevance – neither a true live album nor a remix collection, its original intentions remain lost in the translation." [1] Trouser Press felt that "the studio trickery was more inspired than the music." [12]
Stereogum ranked it 8th (out of 15) in their 2015 "Wire Albums from Worst to Best" list, writing, "As the centerpiece of Wire's second act, IBTABA reaches neither zenith nor nadir, as the band seemingly opts for having fun rather than breaking ground. [13]
All tracks written by Bruce Gilbert, Robert Gotobed, Graham Lewis and Colin Newman.
No. | Title | Length |
---|---|---|
1. | "Finest Drops" | 4:28 |
2. | "Eardrum Buzz" | 4:16 |
3. | "German Shepherds" | 4:39 |
4. | "Public Place" | 6:05 |
5. | "It's a Boy" | 3:59 |
6. | "Illuminated" | 6:51 |
7. | "Boiling Boy" | 8:17 |
8. | "Over Theirs" | 9:24 |
No. | Title | Length |
---|---|---|
9. | "Eardrum Buzz" (12" version) | 4:15 |
10. | "The Offer" | 2:55 |
11. | "In Vivo" | 4:34 |
Adapted from the album liner notes. [14]
Wire are an English rock band, formed in London in October 1976 by Colin Newman, Graham Lewis, Bruce Gilbert (guitar), George Gill and Robert Grey. They were originally associated with the punk rock scene, appearing on The Roxy London WC2 album, and were instrumental to the development of post-punk, while their debut album Pink Flag was influential for hardcore punk.
Pink Flag is the debut studio album by English rock band Wire. It was released in November 1977 by Harvest Records. The album gained Wire a cult following within independent and post-punk music upon its initial release, later growing to be highly influential on many other musicians.
A Bell Is a Cup... Until It Is Struck is the fifth studio album by the British post-punk group Wire.
The Ideal Copy is the fourth studio album by the English rock group Wire, released in April 1987 by Mute Records. It was the first full-length recording following the band's hiatus of 1980–1985. The Ideal Copy peaked at number 87 in the UK albums chart.
Chairs Missing is the second studio album by English rock band Wire. It was released on 8 September 1978 by Harvest Records. The album peaked at number 48 in the UK Albums Chart.
Manscape is the seventh studio album by the British post-punk group Wire, released in May 1990 by Mute Records. It was produced by David M. Allen, mostly recorded and mixed at RAK Studios, engineered by Roy Spong, and published by Dying Art Ltd.
Snakedrill is an EP by English rock band Wire, released in November 1986 by Mute Records. It was the first release after the band's five-year hiatus (1980–1985), and foreshadows their extensive use of electronic instrumentation on following albums, particularly on "A Serious of Snakes", which contains multiple layered synth and keyboard parts.
The First Letter is the ninth studio album and the last album released by Wire before their second extended hiatus. It was released in October 1991 by Mute Records. It was one of only three releases credited to "Wir", the others being the "So and Slow It Grows" single, and a limited edition two-song EP entitled Vien. The band changed their name to "Wir" after drummer Robert Gotobed's departure; he quit the band because the musical direction increasingly relied on drum machines and loops. Other than an Erasure remix in 1995, the band would not reform until 1999, and not release any new material until 2002's Read & Burn 01 and Read & Burn 02 EPs and 2003's subsequent Send album. The First Letter produced the single "So and Slow It Grows."
Document and Eyewitness is the first live album by the post-punk band Wire, released in July 1981 by Rough Trade Records. It marked the end of the first period of Wire's activity (1977–1980) and the end of their association with EMI. Recorded in February 1980 at the Electric Ballroom in London – at the final gig of Wire's first period – the original release came with a 45 rpm 12" EP that featured recordings from a July 1979 show at the Notre Dame Hall in London, along with one track from a March 1979 gig at Le Pavillon in Montreux, Switzerland.
Send is the tenth studio album by the English rock group Wire, released in May 2003 through their own Pinkflag label. It was their first recording as a four-piece since Manscape (1990) and the first full-length release by any incarnation of the group since 1991. The album contains seven songs previously released in 2002 on the EPs Read & Burn 01 and Read & Burn 02, and four songs exclusive to this release.
The Drill is the eighth studio album by the British post-punk group Wire, released in April 1991 by Mute Records. The album comprises rerecorded and remixed versions of the same song, "Drill", with some versions featuring new lyrics. It is officially listed as an EP rather than an album despite its length of almost one hour.
Object 47 is the eleventh studio album by the English post punk band Wire, named so because it is the 47th item in the Wire discography – a methodology harking back to the name of their 1979 album, 154, which was named after the number of concerts they had played to that point. It is the first Wire album without the participation of guitarist Bruce Gilbert. It was released on 7 July 2008 in the UK and on 15 July in the US through the band's own Pinkflag label.
A–Z is the debut studio album by Colin Newman, lead singer of post-punk band Wire. It was released in October 1980, through record label Beggars Banquet. "A-Z was planned as the fourth Wire album, but EMI [Wire's label] cancelled studio time in the wake of failed negotiations with the band."
Red Barked Tree is the twelfth studio album by the English post-punk band Wire--digitally released on 20 December 2010, and as a CD on 10 January 2011 on the Pinkflag label. Featuring eleven tracks covering a diverse range of musical styles, the record was well received by critics, who found the record "representing the essence of their best work" and covering "virtually all aspects of Wire's varied history to create a stylistic best-of new material".
Live at the Roxy, London – April 1st & 2nd 1977/Live at CBGB Theatre, New York – July 18th 1978 is a live double album by English rock band Wire. It was released in 2006. It comprises 1 and 2 April 1977 performances at The Roxy, London, England and an 18 July 1978 performance at CBGB, New York City, United States.
1985–1990: The A List is a compilation album by Wire. It was released on 18 May 1993 by Mute Records. It comprises recordings by the band from 1985 to 1990 and is seen as the band's second "best of", complementing 1989's On Returning (1977–1979), the "best of" album for the first era of the band.
10:20 is a compilation album by English art punk band Wire, released on 19 June 2020 through their own Pinkflag label.
Provisionally Entitled the Singing Fish is the second studio album by Colin Newman, lead singer of post-punk band Wire. It was released in 1981, through record labels Beggars Banquet and 4AD.
Not To is the third studio album by Colin Newman, lead singer of post-punk band Wire. It was released in 1982, through record labels Beggars Banquet and 4AD.
It Seems is the fifth studio album by Colin Newman, lead singer of post-punk band Wire. It was released in 1988 by Crammed Discs.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)