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Carved elephant tusk depicting Buddha life stories is an intricately carved complete single tusk now exhibited at the Decorative Arts gallery, [1] National Museum, New Delhi, India. This tusk was donated to the Museum. This tusk, which is nearly five foot long, illustrates forty three events in the life of the Buddha and is thought to have been made by early 20th century craftsmen from the Delhi region. [2]
The use of the complete ivory tusks for carving was popular in 18th and 19th century India, particularly in the Delhi region apart from Burma. Similar whole tusk carvings are also found in the Ivory Coast, Congo [3] and Benin but made from the tusks of African elephants.
The art of ivory carving in India is very ancient with references found in Kalidasa's Meghadūta. The earliest ivory carving from the Indian region is comb dating to the 2nd century CE found at Taxila. Ivory carving flourished in Assam and Mysore where elephants were available and the art of ivory carving had royal patronage. Ivory was an object of trade between kingdoms and they found their way into areas where the art of carving had patronage. [4]
This ivory tusk illustrates important life events of Buddha in 43 circular roundel, first 25 referring to the story of Buddha's birth to his enlightenment followed by 18 depicting his life events from enlightenment to Mahaparinirvana. Similar scenes have been presented in sculptures and paintings many a times but this ivory tusk shows few new scenes of Buddha's life such as Siddharatha's fight for a bird, his move against animal sacrifice and realization of death. As the thickness of the tusk reduces upwards, one can see at the tip three well-known postures depicting Bhumisparsha mudra, Abhayamudra and Dharmachakrapravatan mudra besides the roundels. There is also an intricately carved floral creeper banding around the roundels enhancing its beauty.
The story runs from bottom to top and is arranged clockwise. [5]
A mudra is a symbolic or ritual gesture or pose in Hinduism, Jainism and Buddhism. While some mudras involve the entire body, most are performed with the hands and fingers.
The four sights are four events described in the legendary account of Gautama Buddha's life which led to his realization of the impermanence and the ultimate dissatisfaction of conditioned existence. According to this legend, before these encounters Gautama Siddhartha had been confined to his palace by his father, who feared that he would become an ascetic if he came into contact with sufferings of life according to a prediction. However, his first venture out of the palace affected him deeply and made him realize the sufferings of all, and compelled him to begin his spiritual journey as a wandering ascetic, which eventually led to his enlightenment. The spiritual feeling of urgency experienced by Siddhārtha Gautama is referred to as saṃvega.
Rāhula was the only son of the Siddhārtha Gautama, and his wife, princess Yaśodharā. He is mentioned in numerous Buddhist texts, from the early period onward. Accounts about Rāhula indicate a mutual impact between Prince Siddhārtha's life and the lives of his family members. According to the Pāli tradition, Rāhula was born on the day of Prince Siddhārtha's renunciation, and was therefore named Rāhula, meaning a fetter on the path to enlightenment. According to the Mūlasarvāstivāda tradition, and numerous other later sources, however, Rāhula was only conceived on the day of Prince Siddhartha's renunciation, and was born six years later, when Prince Siddhārtha became enlightened as the Buddha. This long gestation period was explained by bad karma from previous lives of both Yaśodharā and of Rāhula himself, although more naturalistic reasons are also given. As a result of the late birth, Yaśodharā needed to prove that Rāhula was really Prince Siddhārtha's son, which she eventually did successfully by an act of truth. Historian H.W. Schumann has argued that Prince Siddhārtha conceived Rāhula and waited for his birth, to be able to leave the palace with the king and queen's permission, but Orientalist Noël Péri considered it more likely that Rāhula was born after Prince Siddhārtha left his palace.
Śuddhodana, meaning "he who grows pure rice," was the father of Siddhartha Gautama, better known as the Buddha. He was a leader of the Shakya, who lived in an oligarchic republic, with their capital at Kapilavastu.
Queen Māyā of Shakya was the birth mother of Gautama Buddha, the sage on whose teachings Buddhism was founded. She was sister of Mahāpajāpatī Gotamī, the first Buddhist nun ordained by the Buddha.
Yaśodharā was the wife of Prince Siddhartha — until he left his home to become a śramaṇa— the mother of Rāhula, and the sister of Devadatta. She later became a Buddhist Nun and is considered an arahatā.
Kaundinya, also known as Ājñātakauṇḍinya, Pali: Añña Koṇḍañña), was one of the first five Buddhist monks (Pancavaggiya), disciple of Gautama Buddha and the first to attain the fruit of Arahant. He lived during the 5th century BCE in what are now Uttar Pradesh and Bihar, India. According to traditional accounts, at the time of Gautama Buddha's birth, he predicted his future destination as an enlightened teacher.
According to Buddhist legend, Kanthaka was a favourite white horse of length eighteen cubits that was a royal servant of Prince Siddhartha, who later became Gautama Buddha. Siddhartha used Kanthaka in all major events described in Buddhist texts prior to his renunciation of the world. Following the departure of Siddhartha, Kanthaka died of a broken heart.
Devdaha is a municipality in Rupandehi District of Nepal, the ancient capital of Koliya Kingdom, located 7 km east of Lumbini and east of Butwal and shares a border with Nawalparasi district on the east side. It is identified as the maternal home of Queen Mayadevi, Prajapati Gautami and Princess Yasodhara. There are many places to visit in Devdaha. It is believed that Prince Siddhartha had spent some years of his childhood with his step-mother/aunt Prajapati Gautami in Devdaha.
Anuruddha was one of the ten principal disciples and a cousin of Gautama Buddha.
Princess Sundarī Nandā of Shakya, also known simply a Sundarī, was the daughter of King Suddhodana and Queen Mahapajapati Gotami.She was the half-sister of Siddhartha Gautama, who later became a Buddha. She became a nun after the enlightenment of her half-brother and became an arhat. She was the foremost among bhikkhunis in the practice of jhana. She lived during the 6th century BCE in what is now Bihar and Uttar Pradesh in India.
The Buddha was born into a noble family in Lumbini in 563 BCE as per historical events and 624 BCE according to Buddhist tradition. He was called Siddhartha Gautama in his childhood. His father was king Śuddhodana, leader of the Shakya clan in what was the growing state of Kosala, and his mother was queen Maya. According to Buddhist legends, the baby exhibited the marks of a great man. A prophecy indicated that, if the child stayed at home, he was destined to become a world ruler. If the child left home, however, he would become a universal spiritual leader. To make sure the boy would be a great king and world ruler, his father isolated him in his palace and he was raised by his mother's younger sister, Mahapajapati Gotami, after his mother died just seven days after childbirth.
Asita or Kaladevala or Kanhasiri was a hermit ascetic depicted in Buddhist sources as having lived in ancient India. He was a teacher and advisor of Suddhodana, the father of the Buddha, and is best known for having predicted that prince Siddhartha of Kapilavastu would either become a great chakravartin or become a supreme religious leader; Siddhartha was later known as Gautama Buddha.
The many different varieties of Buddhist art often show buddhas and bodhisattvas, as well as depictions of the historical Buddha, known as Gautama Buddha.
The Legend of Buddha is a 2004 Indian animated film directed by Shamboo Falke, produced by Stalin Saravanan and written by Caarthick Raju and Ramesh Karthikeyan. The film tells the story of Prince Siddhartha Gautama, who leaves his kingdom to become the spiritual leader, Buddha. The film was submitted for the Academy Award for Best Animated Feature at the 77th Academy Awards but was not nominated.
Buddha — Rajaon Ka Raja is an Indian classical drama on Zee TV and DD National, produced by Bhupendra Kumar Modi, under the banner Spice Global. The creative producer of the show is Shetall Singh. The show first aired on Sunday, 8 September 2013 on Zee TV and Doordarshan. The programme stars Kabir Bedi in a cameo role as Asita Muni, the sage who announces the coming of Gautama Buddha. The story of the serial is based on the life of Gautama Buddha that shows how a prince, Siddhartha, became a Buddha. The role of Mayadevi - scheduled to be played by Sameksha Singh - was replaced with Deepika Upadhyay. Himanshu Soni played the lead role of Buddha, while 2010 Miss India top ten finalist, Kajal Jain played Siddhartha Gautama's wife Yaśodharā. Earlier, Ashutosh Gowariker wanted to collaborate with Shekhar Kapur for a television series on Buddha.
Buddhavanam is a tourism project in Nagarjuna Sagar, Telangana created by the Telangana State Tourism Development Corporation. The project was sanctioned by the Government of India viz., Integrated Development of Nagarjunasagar as part of Lower Krishna valley Buddhist circuit with a view to attract large number of domestic and foreign tourists particularly from the South-East Asian countries.
The Great Renunciation or Great Departure is the traditional term for the departure of Gautama Buddha from his palace at Kapilavastu to live a life as an ascetic. It is called the Great Renunciation because it is regarded as a great sacrifice. Most accounts of this event can be found in post-canonical Buddhist texts from several Buddhist traditions, which are the most complete. These are, however, of a more mythological nature than the early texts. They exist in Pāli, Sanskrit and Chinese language.
The Eight Great Events (ashtammaha-pratharya) are a set of episodes in the life of Gautama Buddha that by the time of the Pala Empire of North India around the 9th century had become established as the standard group of narrative scenes to encapsulate the Buddha's life and teachings. As such they were frequently represented in Buddhist art, either individually or as a group, and recounted and interpreted in Buddhist discourses.
Narrative images of episodes from the life of Gautama Buddha in art have been intermittently an important part of Buddhist art, often grouped into cycles, sometimes rather large ones. However, at many times and places, images of the Buddha in art have been very largely single devotional images without narrative content from his life on Earth.
Romantic legends of sakya buddha.