J.R. Uretsky | |
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| Born | Jamie Uretsky 1985 (age 37–38) |
| Nationality | American |
| Occupation(s) | artist, musician, museum curator |
| Known for | puppetry, performance art, textile art, sound art, video art, queer punk music |
| Spouse | Cartoonist Penina Gal |
| Website | https://jruretsky.com |
J. R. Uretsky is an artist, performer, musician and art curator living in Providence, Rhode Island.
Uretsky earned her bachelor's degree in studio art at Biola University, her master's degree in fine arts in sculpture at the University of Connecticut, [1] and her graduate certificate in Museum Studies at Harvard University.
Uretsky uses puppetry, textile art, sound, video and performance to create "expressive confessions," evoking emotions in the audience. [2] Her work has been exhibited nationally and internationally. Her work was included in the 2013 DeCordova Biennial at The DeCordova Sculpture Park and Museum. She has also performed and exhibited at Art Basel in Miami, Florida, the Carpenter Center for the Visual Arts at Harvard University, the Rhode Island School of Design Museum as well as the Museum of Art and Design in New York. Uretsky's work has been published by print, online and video journals such as Headmaster Magazine, Gaga Stigmata, Big Red & Shiny and ASPECT: The Chronicle of New Media Art.
Uretsky performs in queer punk band, Bed Death and J.R. and the Worship Band. [3] Her musical influences include Bad Brains, Pedro the Lion and David Bazan. Her other collaborations include an art band called Feminist Conference with drummer and visual artist Rachel Blumberg and cellist Emily Dix Thomas.
In addition to being the curator at the New Bedford Art Museum, Uretsky has curated exhibits at Artspace in New Haven, Connecticut, AS220 and the Wedding Cake House (Dirt Palace) in Providence, Rhode Island, and the Distillery Gallery in Boston, Massachusetts. [4]
An active member of the Providence creative community, Uretsky sits on the Dirt Palace Public Projects Board of Trustees.
Katherine Porter (1941) is an American artist. Born in Cedar Rapids, Iowa in 1941, Porter is considered one of the most important contemporary artists associated with Maine. She resists categorization. Through the medium of painting and drawing her visually stunning canvases convey the conflict inherent in life. She expresses her ideas with a visual vocabulary that is "geometric and gestural, abstract and figurative, decorative and raw, lyric and muscular."
The DeCordova Sculpture Park and Museum is a sculpture park and contemporary art museum on the southern shore of Flint's Pond in Lincoln, Massachusetts, 20 miles northwest of Boston. It was established in 1950, and is the largest park of its kind in New England, encompassing 30 acres.
Nancy Elizabeth Prophet was an American artist of African-American and Native American ancestry, known for her sculpture. She was the first African-American graduate from the Rhode Island School of Design in 1918 and later studied at L'Ecole des Beaux-Arts in Paris during the early 1920s. She became noted for her work in Paris in the 1920s and 1930s. In 1934, Prophet began teaching at Spelman College, expanding the curriculum to include modeling and history of art and architecture. Prophet died in 1960 at the age of 70.
Esther Geller was an American painter mainly associated with the abstract expressionist movement in Boston in the 1940s and 1950s. She was one of the foremost authorities on encaustic painting techniques.
David Aronson was a painter and Professor of Art at Boston University.
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Rachel Perry is an American artist. She is known for conceptual works using drawing, photography, video, collage, sculpture and performance, which address “the fleeting nature of experience, the elusiveness of desire, and the persistence of objects in a throwaway culture.” Art critic Jerry Saltz has written that her work "not only grappl[es] with consumerism but [she is] just about swallowed whole by it.” Her work also considers themes of gender identity, narcissism, privacy and information overload.
Nicole Cherubini is an American visual artist and sculptor. She lives and works in New York.
Barbara Swan (1922–2003), also known by her married name, Barbara Swan Fink, was an American painter, illustrator, and lithographer. Her early work is associated with the Boston Expressionist school; later she became known for her still-life paintings in which light is refracted through glass and water, and for her portraits. She is also known for her collaboration with the poets Anne Sexton and Maxine Kumin, and for her archived correspondence with various artists and writers.
Cindy Bernard is a Los-Angeles based artist whose artistic practice comprises photography, video, performance, and activism. In 2002, Cindy Bernard founded the Society for the Activation of Social Space through Art and Sound, which presents site-relational experimental music. Her numerous Hitchcock references have been discussed in Dan Auiler's Vertigo: The Making of a Hitchcock Classic (1998), essays by Douglas Cunningham and Christine Spengler in The San Francisco of Alfred Hitchcock’s Vertigo: Place, Pilgrimage and Commemoration (2012) and Spengler's Hitchcock and Contemporary Art (2014).
Lynne Harlow is an artist who creates sculptural installations of color, light and space.
Jenelle Porter is an American art curator and author of numerous exhibition catalogs and essays about contemporary art and craft. She has curated important exhibitions that have helped studio craft to gain acceptance as fine arts. These include the exhibitions Dirt on Delight: Impulses That Form Clay at the Institute of Contemporary Art, Philadelphia in 2009 and Fiber: Sculpture 1960–Present at the Institute of Contemporary Art, Boston in 2014.
John B. Ravenal is an art historian, writer, and museum curator. Before 1998, he was the Associate Curator of 20th-Century Art at the Philadelphia Museum of Art. From 1998 to 2015 he was curator of contemporary art at the Virginia Museum of Fine Arts in Richmond, Virginia, where he organized exhibitions of Ryan McGinness: Studio Visit (2014); Xu Bing: Tobacco Project(2011), and Sally Mann: The Flesh and The Spirit (2010). He was curator of the VMFA's Jasper Johns and Edvard Munch exhibition, Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life. His lecture about the exhibition took place in the Leslie Cheek Theater in the Virginia Museum of Fine Arts. The show opened in November 2016 in partnership with the Munch Museum in Oslo. He is the author of the exhibition catalogue Jasper Johns and Edvard Munch: Inspiration and Transformation.
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Sarah Workneh is an arts administrator and currently serves as the co-director of Skowhegan School of Painting & Sculpture in Madison, Maine. She has lectured on her work as a residency director, including at Hauser & Wirth in partnership with BFAMFAPhD, the 2009 Alliance of Artist Communities conference, the International Studio & Curatorial Program, Wassaic Projects, and others.
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