Lars von Trier is a Danish film director and screenwriter.
George Kuchar was an American underground film director and video artist, known for his "low-fi" aesthetic.
An underground film is a film that is out of the mainstream either in its style, genre or financing.
Breaking The Waves is a 1996 psychological romantic melodrama film directed and co-written by Lars von Trier and starring Emily Watson in her feature film acting debut, and with Stellan Skarsgård, a frequent collaborator with von Trier.
Scorpio Rising is a 1963 American experimental short film shot, edited, co-written and directed by Kenneth Anger, and starring Bruce Byron as Scorpio. Loosely structured around a prominent soundtrack of 1960s pop music, it follows a group of bikers preparing for a night out.
The Idiots is a 1998 Danish black comedy drama film written and directed by Lars von Trier. It is his first film made in compliance with the Dogme 95 Manifesto, and is also known as Dogme #2. It is the second film in von Trier's Golden Heart Trilogy, preceded by Breaking the Waves (1996) and succeeded by Dancer in the Dark (2000). It is among the first films to be shot entirely with digital cameras.
Europa is a 1991 experimental psychological drama period film directed and co-written by Lars von Trier. An international co-production between Denmark and five other European countries, this is von Trier's third theatrical feature film, and the third and final installment in his Europa trilogy, following The Element of Crime (1984) and Epidemic (1987).
Mary Vivian Pearce is an American actress. She has worked primarily in the films of John Waters.
The term midnight movie is rooted in the practice that emerged in the 1950s of local television stations around the United States airing low-budget genre films as late-night programming, often with a host delivering ironic asides. As a cinematic phenomenon, the midnight screening of offbeat movies began in the early 1970s in a few urban centers, particularly in New York City with screenings of El Topo at the Elgin Theater, eventually spreading across the country. The screening of non-mainstream pictures at midnight was aimed at building a cult film audience, encouraging repeat viewing and social interaction in what was originally a countercultural setting.
Denmark has been producing films since 1897 and since the 1980s has maintained a steady stream of product due largely to funding by the state-supported Danish Film Institute. Historically, Danish films have been noted for their realism, religious and moral themes, sexual frankness and technical innovation.
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music movement in its raw and rapid style.
Benjamin Christensen was a Danish film director, screenwriter and an actor, both in film and on the stage. As a director, he was best known for his 1922 film Häxan. His most memorable and acclaimed acting performance was in the film Michael (1924), where he played Claude Zoret, the male lover of the film's title character in a landmark gay film.
The Boss of It All is a 2006 experimental comedy film written and directed by Lars von Trier. The film uses a cinematic technique invented by von Trier himself called Automavision, which automatically determines framing by randomly tilting, panning or zooming the camera without being actively operated by the cinematographer.
Anthony Dod Mantle, DFF, BSC, ASC is a British cinematographer and still photographer.
Zentropa, or Zentropa Entertainments, is a Danish film company started in 1992 by director Lars von Trier and producer Peter Aalbæk Jensen. Zentropa is named after the train company Zentropa in the film Europa (1991), which started the collaboration between von Trier and Jensen.
Danish television dramas have come to represent an important and popular aspect of TV broadcasting in Denmark, especially since the 1970s.
Mike Kuchar is an American underground filmmaker, actor, and artist. Kuchar is notable for his low-budget and camp films such as Sins of the Fleshapoids and The Craven Sluck.
Dogme 95 is a 1995 avant-garde filmmaking movement founded by the Danish directors Lars von Trier and Thomas Vinterberg, who created the "Dogme 95 Manifesto" and the "Vows of Chastity". These were rules to create films based on the traditional values of story, acting, and theme, and excluding the use of elaborate special effects or technology. It was supposedly created as an attempt to "take back power for the directors as artists", as opposed to the studio. They were later joined by fellow Danish directors Kristian Levring and Søren Kragh-Jacobsen, forming the Dogme 95 Collective or the Dogme Brethren. Dogme is the Danish word for dogma.
Dennis Nyback was an American independent film archivist, found footage filmmaker, historian and writer.
The House That Jack Built is a 2018 psychological horror art film written and directed by Lars von Trier. It stars Matt Dillon, Bruno Ganz, Uma Thurman, Siobhan Fallon Hogan, Sofie Gråbøl, Riley Keough, and Jeremy Davies. Its plot follows Jack (Dillon), a serial killer who, over a 12-year period from the late 1970s into 1980s, commits numerous murders in the U.S. state of Washington. Utilizing Dante's Inferno as a metatext, the film is structured as a series of flashback vignettes relayed by Jack to the Roman poet Virgil, during which Jack attempts to make an argument for his crimes.
