JamFactory (formerly spelt Jam Factory) is a not-for-profit arts organisation which includes training facilities, galleries and shops, located in the West End precinct of Adelaide and on the Seppeltsfield Estate in the Barossa Valley, north of Adelaide. It is supported by the South Australian Government, University of South Australia, and private donors. It was founded in 1973 in an old jam factory in the suburb of St Peters. It runs training courses and specialises in high quality craft and design objects, including furniture, jewellery, ceramics, glass, and metal ware.
JamFactory was established as a craft training workshop by the Dunstan government, housed in an old jam factory on Payneham Road, in the suburb of St Peters. [1] It was officially opened in November 1974. It was created as a not-for-profit undertaking, and included areas for making glass, jewellery, textiles, and leather work. It also had a gallery and shop. In the early days, ceramicist Margaret Dodd created her series This woman is not a car at the studios at the back, which used to flood during heavy rain. [2]
The ceramics studio opened in 1979, with Jeff Mincham as creative director (1979-1982), followed by Bronwyn Kemp (1983-1988), Peter Anderson (1989-1990), Stephen Bowers (1990-1999), Neville Assad-Salha (1999-2003), Philip Hart (2006-2008), Robin Best (2008-2010) and Damon Moon (2014-2018). [3]
In 1992 JamFactory moved to a purpose-built building in the West End creative precinct of Adelaide city, [1] on Morphett Street in close proximity to the Lion Arts Centre and Mercury Cinema. At the same time it shifted its focus slightly, with the closure of the textile and leather workshops, and the expansion of the jewellery workshop into a metal design studio. A space for making furniture was created, and wider commercial opportunities pursued. [2]
In 2009 the retail area was refurbished to designs by Khai Liew, and a second shop was opened at Seppeltsfield winery in the Barossa Valley. [2] As part of a major interior refurbishment in 2014, the Adelaide Casino commissioned hand-crafted glass light pendants from a team of 12 artists at the JamFactory, which would be hung from the ceiling of the A$5 million plus SKYroom. Each pendant, worth nearly A$2,000, weighs about 5 kilograms (11 lb). [4]
In July 2017 it received public funding of A$490,000 towards a new retail store and increased production capacity at its West End studios, after having increased its turnover by 55% in the previous five years at both locations. They had increased their staff and also been hiring out the studios to independent artists. The planned purchase of a new 450 kilograms (990 lb) furnace for the glass studio, would increase its capacity by a third. It was also planning to open a new retail store in the North Terrace cultural precinct. [5]
Between 1993 and 2018, JamFactory's funding was managed by Arts South Australia, but under the Marshall government, its governance was moved in 2018 to the Department of Innovation and Skills. [6] [7]
Designers Daniel To and Emma Aiston, who had previously run an arts studio known as "Daniel Emma" together since 2008, took over as creative directors of JamFactory at the beginning of 2019. At the same time, a collaboration between JamFactory and the National Gallery of Victoria’s Melbourne NGV Design store was begun, to retail the "Good Morning" collection of designer homewares. [8] [9]
JamFactory has been known by a series of names: [10]
The city location is at 19 Morphett Street, next door to the Mercury Cinema and Lion Arts Centre. Four studios provide programs in ceramics, jewellery-making and fine metalwork, glass-making and furniture-making. There are also independent studio spaces for emerging artists, a shop specialising in high quality craft and design objects. JamFactory also collaborates with other organisations, architects and designers on specially commissioned work and projects. [1] It commissions work, functions as a publisher and runs workshops. [11]
The Seppeltsfield studio and shop opened in 2013 as a regional extension, to support local craftspeople and as a tourism offering. It is housed in an historic 1850s stables building, which has been extensively renovated. [12]
Directors To and Aiston describe JamFactory as "an institution is not only iconic but is a unique place where skilled traditional craftspeople mix their expertise within a curated and design focussed environment which can’t be compared to anything else in the country”. [8]
The JamFactory's Associate Training Program provides training in ceramics, glass, furniture or metal. It comprises a foundation year, with the option to apply for a second year working semi-independently. [13] The course teaches the relevant technical skills necessary for their craft as well as the essential business skills required to run a creative practice. Many alumni, such as Clare Belfrage, creative director of the Canberra Glassworks from 2009 and 2013, [14] have become internationally-known and influential designer-makers. [11]
Since 2010 [11] and as of September 2023 [update] , the CEO is Brian Parkes. Under his tenure, the number of staff has doubled, from around 40 to over 80 people. [2]
Alumni and artists who have worked at the JamFactory include:
After the demise of the Ranamok Glass Prize after 20 years in 2014, supporters Jim and Helen Carreker collaborated with JamFactory to create a new award for glass artists. In 2016 the FUSE Glass Prize was established, funded by the Carrekers, along with Diana Laidlaw and other private donors. It continues to be supported by them, along with new private donors. [15]
JamFactory presents the biennial FUSE Glass Prize, a non-acquisitive prize worth A$20,000 open to Australian and New Zealand glass artists. It also awards the David Henshall Emerging Artist Prize, worth A$5,000 in cash and also offering professional development at JamFactory worth around the same. Twelve established artists and six emerging artists are selected as finalists, with their work exhibited at JamFactory, the ANU School of Art & Design Gallery in Canberra, and the Australian Design Centre in Sydney. [15] [16]
Winners of the main FUSE Glass Prize include: [17]
Winners of the emerging artist prize (named David Henshall Emerging Artist Prize from 2020):
JamFactory hosts an annual solo exhibition in a series known as Icon exhibitions. These exhibitions celebrate the most influential South Australian artists who work in crafts-based media. These exhibitions include: [29]
Studio glass is the modern use of glass as an artistic medium to produce sculptures or three-dimensional artworks in the fine arts. The glass objects created are intended to make a sculptural or decorative statement, and typically serve no useful function. Though usage varies, the term is properly restricted to glass made as art in small workshops, typically with the personal involvement of the artist who designed the piece. This is in contrast to art glass, made by craftsmen in factories, and glass art, covering the whole range of glass with artistic interest made throughout history. Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking.
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The Art Gallery of South Australia (AGSA), established as the National Gallery of South Australia in 1881, is located in Adelaide. It is the most significant visual arts museum in the Australian state of South Australia. It has a collection of almost 45,000 works of art, making it the second largest state art collection in Australia. As part of North Terrace cultural precinct, the gallery is flanked by the South Australian Museum to the west and the University of Adelaide to the east.
The South Australian Living Artists Festival is a statewide, open-access visual arts festival which takes place throughout August in South Australia each year.
Founded in 1885, the Prague Museum of Decorative Arts is housed in a Neo-Renaissance edifice built from 1897 to 1899 after the designs of architect Josef Schulz. It opened in 1900 with exhibitions on the first floor. The museum's rich collections include decorative and applied arts and design work ranging from Late Antiquity to the present day with focus on European objects, particularly arts and crafts created in the Bohemian lands. The impressive interior of the permanent exhibition, "Stories of Materials," offers visitors an excursion into the history and development of decorative arts in the disciplines of glass, ceramics, graphic art, design, metal, wood and other materials, as well as objects such as jewellery, clocks and watches, textiles, fashion, toys and furniture.
Seppeltsfield, one of Australia's oldest wineries, was founded in 1851 by Joseph Ernst Seppelt. The Seppeltsfield winery is well known for its signature wine, the 100-year-old Para Tawny.
Sam Herman was contemporary glass artist, sculptor and painter. One of Harvey Littleton's first students, Herman is credited as one of the founders of the Studio Glass movement in Great Britain. He was seminal in spreading the idea of the movement through his teaching positions in England,, and Australia and through the exhibition of his own sculpture in glass. Through the years the artist has resided and established his personal studio in London, England (1979–90), South Australia (1974–79). From 1993 to his final years he maintained studios in Spain, London and Gloucestershire. Sam was represented by The Frestonian Gallery (London).
The Ranamok Glass Prize, formerly RFC Glass Prize, was an annual award given to glass artists who live in Australia or New Zealand. The award was established in 1994 by Andy Plummer and Maureen Cahill in order to promote glass art to the public. Plummer and Cahill announced that 2014 would be the final year of the prize.
Karl Fritsch is a German-born contemporary jeweller who has since 2009 been based in New Zealand.
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Anne Dybka (1921–2007) was an English Australian artist and glass engraver. After training and study in painting, drawing, glass engraving and graphic arts, Dybka went on to create works which are on display in Australian public collections. Dybka's works are privately owned by Hua Guofeng, the former Chinese premier, Lord Snowdon, Sir Roden Cutler and Neville Wran.
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originally published in Inside, issue 76: The 'Out of Town' issue