Jan Hoynck van Papendrecht | |
|---|---|
 | |
| Born | 18 September 1858 |
| Died | 11 December 1933 (aged 75) |
| Education | Royal Academy of Fine Arts, Antwerp |
| Known for | Military art |
Jan Hoynck van Papendrecht (18 September 1858, Amsterdam - 11 December 1933, The Hague) was a Dutch painter and illustrator, famed for his military art.
The artist's father, John Cornelis Hoynck van Papendrecht, was an accomplished student of drawing and painting, a skill that manifested itself in him from an early age. He completed his studies at the Amsterdam Handelsschool at commerce. At the urging of Charles Rochussen, a friend of his father's and a doyen of Dutch art, joined the winter programme at the Royal Academy of Fine Arts in Antwerp. After two years in Antwerp, Van Papendrecht lived in Munich for four years to continue his training. [1]
In 1884, Van Papendrecht returned to Amsterdam. In 1889, he married a clergyman's daughter, Johanna Philippa van Gorkom. [2] In 1892, the couple moved to Amstelveen and then to Rheden near Arnhem where they remained till 1902. The artist's final residence was in The Hague where he continued to live till his death in 1933.
The total oeuvre of Van Papendrecht is impressive in quantity. In 1885, Van Papendrecht's drawings appeared in the popular illustrated magazine Eigen Haard. Five years later, he joined the editorial board of the Elsevier illustrated magazine. His fame as an illustrator was definitively established in 1893 following his contributions to a series of books that recorded the history of the Dutch Horse Artillery Corps (The Yellow Riders). [1]
Besides being a gifted illustrator, Van Papendrecht was also a master of watercolour. Several hundred watercolours are extant in his name.
Jan Hoynck van Papendrecht's oil paintings were famous, especially after his participation in the 1884 Exhibition of Living Masters in Amsterdam, and garnered prestigious prizes. Some of his awards include:
Hoynck van Papendrecht was created a Knight of the Order of Orange-Nassau on his seventieth birthday. [3] He was a fellow of the Arti et Amicitiae society, as well as the Pulchri Studio.
Hoynck van Papendrecht's major fame stemmed from his vibrant paintings of military life. Until well into the 19th century, ideas of patriotism and military heroism played a major role in Dutch military art, and Van Papendrecht was attracted to army scenes from early in his career. Leading painters of this innovative direction in the patriotic painting were the young painters George Hendrik Breitner and Isaac Israëls, but especially Hoynck van Papendrecht. In 1875, he created romanticised heroic paintings based on the Battle of Waterloo (1815) and the Belgian Revolution (1830-1839). [4] Along with his teacher Charles Rochussen, he collaborated with the officers Willem Constantijn Staring and Nicolaas van Es to create realistic illustrations for newsmagazines such as Elsevier and Eigen Haard, thereby vastly increasing the audience for military art.
Alongside his interest in military art, Hoynck van Papendrecht was deeply involved in landscape painting as well as portraiture. Owing to his careful study of his subjects and an acute eye for detail, his works are often treated as historical sources of information. He was recruited by the British art weekly The Graphic to make sketches of delegates to the Hague Conventions, in addition to the portraits of soldiers that he already published in it. [5]
In 1900, the famous book The Uniforms of the Dutch Navy and Army appeared in two parts, in which many of the illustrations were contributed by Van Papendrecht. [6]
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
Wolter Robert Baron van Hoëvell was a Dutch minister, politician, reformer, and writer. Born into nobility and trained in the Dutch Reformed Church, he worked for eleven years as a minister in the Dutch East Indies. He led a Malay-speaking congregation, engaged in scholarly research and cultural activities, and became an outspoken critic of Dutch colonialism. His activism culminated when he acted as one of the leaders of a short-lived protest in 1848. During the event, a multi-ethnic group of Batavian inhabitants presented their grievances to the local government. As a result of his leadership in the protest, van Hoëvell was forced to resign his position in the Indies.
Hermanus (Herman) Berserik was a Dutch painter and print maker. He was a member of the Pulchri Studio in The Hague. He studied art at that city's Royal Academy of Art, where his teachers included Willem Schrofer, Willem Jacob Rozendaal, and Rein Draijer.
Abraham Hulk Senior was an Anglo-Dutch painter, draughtsman and lithographer. He initially trained as a portraitist, but became a well-known as a marine-painter and the patriarch of a whole family of Anglo-Dutch artists.
John Ricus Couperus was a Dutch lawyer, member of the Council of Justice in Padang, member of the High Military Court of the Dutch East Indies and the landheer of Tjikopo. He was also the father of the Dutch writer Louis Couperus and knight in the Order of the Netherlands Lion.
Jacob Jan van der Maaten was a Dutch painter and etcher. Van der Maaten was a pupil of Hendrikus van de Sande Bakhuyzen and studied at the Royal Academy of Art, The Hague. In 1852 he became a member of the Royal Academy of Fine Arts in Amsterdam. Later, Van der Maaten became teacher at the so-called King's School in Apeldoorn (1866–1879).
Pieter Abramsen was a Dutch sculptor, and visiting professor at the Delft University of Technology, known for his work in which abstraction and realism are joined.
Jan Hillebrand Wijsmuller was a Dutch painter. He belongs to The 2. Golden Age of Dutch Painting.
Willink van Collenprijs is a former Dutch art award, which was awarded for the first time in 1880 by the Sociëteit Arti et Amicitiae. It was intended as an encouragement award for young artists, and was considered as a national counterpart to the Paris Salon. Its existence of more than 71 years proves the success of Amsterdam's art policy. For many of its winners, it was a valuable boost to their careers in the Dutch art world. Some of the prize winners were also recognized abroad and remain well known today.
Teunis (Teun) Jacob was a Dutch wall painter and sculptor, who lived and worked in Rotterdam since the early 1950s. He made both figure and nonrepresentational art.
Franz Wilhelm Maria Deutmann was a Dutch painter and photographer. He was a member of Arti et Amicitiae and is considered to be part of the Laren School, an offshoot of the Hague School, which is an independent part of the international movement of impressionism.
Hermanus Willem Koekkoek was a Dutch painter, illustrator and watercolorist. He worked in several genres, but is best known for his military art.
Van Maanen is the name of a Dutch patrician family, originating in the Duchy of Guelders. The family takes its name from the town of Manen, situated south of the city of Ede in the province of Gelderland.
Constant Cornelis Huijsmans was a Dutch art teacher and painter, whose roots go back to the seventeenth-century Antwerp of the landscape painter Cornelis Huysmans (1648–1727). Paintings of the latter are to be found at the Louvre in Paris and at the Hermitage Museum in Saint Petersburg, Russia. Earlier generations of the Huijsmans family used to spell their family name slightly differently, as Huysmans.
Judith Maria Ten Bosch is a Dutch painter and illustrator.
Jos Croin was a Dutch painter. His work was part of the painting event in the art competition at the 1924 Summer Olympics. Croin's work was included in the 1939 exhibition and sale Onze Kunst van Heden at the Rijksmuseum in Amsterdam.
Johanna Berhardina Midderigh-Bokhorst (1880–1972) was a Dutch illustrator.
The Exhibition of Living Masters was the name given to a series of exhibitions of contemporary art, held in various cities in the Netherlands, from 1808 to 1917.
Nicolaas Pieneman was a Dutch artist.
Hendrik Manfried Haus was a Dutch painter. Little is known about his life. According to his baptismal record from 1803, Hendrik was born with his twin sister Maria to Frans Joseph Haus and Barbara Fehr. They had two daughters in succession; the first died shortly after birth and the second when she was three years old. There is a letter from 1840 by him in the archive of the Rijksmuseum in which he reports that he and his wife have been under medical treatment for some time, and he offers a painting in the hope that the recipient will buy it. The Dutch art dealer and writer Pieter A. Scheen wrote about him: He received his education in The Hague, where he appears in the population registers in 1823 and 1830, and moved to Utrecht around 1835. He primarily worked in small formats using oil on panel, canvas, and copper with winter and summer landscapes in the style of Andreas Schelfhout. His works were exhibited in The Hague in 1837, Amsterdam in 1841, and Rotterdam in 1840 and 1848.
| International | |
|---|---|
| National | |
| Artists | |
| People | |
