Jane Weinstock is an American film director and writer. Her films have been shown at the Toronto International Film Festival, the Venice Film Festival, the Sundance Film Festival the Berlin International Film Festival, and the Tribeca Film Festival. Her writings have been published in Art in America , Camera Obscura, m/f and October.
Weinstock graduated from Princeton University and attended graduate programs at the Paris Film Program and the Slade School of Fine Art in London. She received a masters from NYU in Cinema Studies. [1] [2]
Before Weinstock became a filmmaker, she was an academic, who taught at NYU, UCLA, and CalArts. [1] [2] She regularly published writing on film theory through lenses of feminism and psychoanalysis in academic journals such as Camera Obscura, Screen, m/f, and October. She continues to publish art writing, and has written on the artists Suzanne Bocanegra, Jeff Wall, Barbara Kruger, John Cassavetes, Sally Potter, Martha Rosler, Anthony McCall and Andrew Tyndall, Barbara Bloom, Mary Kelly, and Christian Boltanski. [2]
Weinstock has written and directed two feature length films. The first, Easy, centers around a woman, played by Marguerite Moreau, and her romantic life. "I wanted to make a movie about relationships, about women who didn't have very good ones." [1] Released in 2003, Easy was shown at Sundance and Toronto and was reviewed in the New York times and the Los Angeles Times. [3] [4]
Weinstock's second feature film, a psychological thriller, The Moment, was released in 2013, starring Jennifer Jason Leigh, Martin Henderson, Alia Shawkat, Mariane Jean-Baptiste and Meatloaf. The Moment premiered at the Tribeca Film Festival. [5] [6] [7]
Earlier in her career, while working towards a PhD in film studies and psychoanalytic theory that she did not finish, Weinstock co-wrote and co-directed a short film, Sigmund Freud's Dora, with Anthony McCall, Claire Pajaczkowska, Andrew Tyndall and Ivan Ward. [8] The film screened at the Berlin International Film Festival, the Whitney Museum, the Collective for Living Cinema and the Whitechapel Gallery. Weinstock had a change of heart and pivoted her career towards actually making films. [1] Weinstock went on to make Voices of Silence for German television. [2] She then made The Clean Up, which played at the Sundance Film Festival, the Toronto International Film Festival, and the Venice Film Festival.
She served as film and video curator for an exhibition entitled, Difference: On Representation and Sexuality, at the New Museum in New York in 1984-85 and at the Institute of Contemporary Arts in London. [2]
Weinstock lives in New York City with her husband, artist James Welling.
Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by second-wave feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back to analyse films past. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings.
Sigmund Freud was an Austrian neurologist and the founder of psychoanalysis, a clinical method for evaluating and treating pathologies seen as originating from conflicts in the psyche, through dialogue between patient and psychoanalyst, and the distinctive theory of mind and human agency derived from it.
Sally Mann is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
Gradiva, or "She who steps along", is a mythic figure created by Wilhelm Jensen as a central character in his novella Gradiva (1902). The character was inspired by an existing Roman relief. She later became a prominent subject in Surrealist art after Sigmund Freud published an essay on Jensen's work.
Martha Rosler is an American artist. She is a conceptual artist who works in photography and photo text, video, installation, sculpture, and performance, as well as writing about art and culture. Rosler's work is centered on everyday life and the public sphere, often with an eye to women's experience. Recurrent concerns are the media and war, as well as architecture and the built environment, from housing and homelessness to places of passage and systems of transport.
Barbara Kruger is an American conceptual artist and collagist associated with the Pictures Generation. She is most known for her collage style that consists of black-and-white photographs, overlaid with declarative captions, stated in white-on-red Futura Bold Oblique or Helvetica Ultra Condensed text. The phrases in her works often include pronouns such as "you", "your", "I", "we", and "they", addressing cultural constructions of power, identity, consumerism, and sexuality. Kruger's artistic mediums include photography, sculpture, graphic design, architecture, as well as video and audio installations.
Barbara Jean Hammer was an American feminist film director, producer, writer, and cinematographer. She is known for being one of the pioneers of the lesbian film genre, and her career spanned over 50 years. Hammer is known for having created experimental films dealing with women's issues such as gender roles, lesbian relationships, coping with aging, and family life. She resided in New York City and Kerhonkson, New York, and taught each summer at the European Graduate School.
Dora is the pseudonym given by Sigmund Freud to a patient whom he diagnosed with hysteria, and treated for about eleven weeks in 1900. Her most manifest hysterical symptom was aphonia, or loss of voice. The patient's real name was Ida Bauer (1882–1945); her brother Otto Bauer was a leading member of the Austro-Marxist movement.
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Janine Burke is an Australian author, art historian, biographer, novelist and photographer. She also curates exhibitions of historical and contemporary art. She is Honorary Senior Fellow, Faculty of Fine Arts and Music, University of Melbourne. She was born in Melbourne in 1952.
Freud: The Secret Passion, or simply Freud, is a 1962 American biographical drama film directed by John Huston and produced by Wolfgang Reinhardt. Based on the life of Austrian neurologist Sigmund Freud, it stars Montgomery Clift as Freud and Susannah York as his patient Cecily Koertner. Other cast members include Larry Parks, Susan Kohner, Eileen Herlie, Eric Portman, and David McCallum. The screenplay was by Charles Kaufman and Reinhardt, with some elements from a script by Jean-Paul Sartre, who withdrew his name from the film.
Barbara Creed is a professor of cinema studies in the School of Culture and Communication at the University of Melbourne. She is the author of six books on gender, feminist film theory, and the horror genre. Creed is a graduate of Monash and La Trobe universities where she completed doctoral research using the framework of psychoanalysis and feminist theory to examine horror films. She is known for her cultural criticism.
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Aurora Guerrero is a writer-director from California.
The Moment is a 2013 American psychological thriller film directed by Jane Weinstock, written by Gloria Norris and Weinstock, and starring Jennifer Jason Leigh, Martin Henderson, Alia Shawkat, and Meat Loaf. Leigh plays a war photographer who, suffering from PTSD, becomes unsure whether she is responsible for her ex-boyfriend's disappearance.
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Abigail Solomon-Godeau is an American art critic, exhibition curator, art historian, and Professor Emerita in art history, University of California, Santa Barbara.