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The Jan Martense Schenck house was built by Dutch settler Jan Martense Schenck (1631-1687), within what is now the Mill Basin section of Brooklyn, New York City. Believed to be one of New York City's oldest houses, the structure was later moved to the Brooklyn Museum, where it is used as a public exhibit.
Schenck was born in Amersfoort in the Dutch Republic. In 1675, Schenck bought a parcel of land on Molen Eylandt (Mill Island) in the Dutch town of Nieuw Amersfoort (now Flatlands), and his family owned the house for over a century. The area around the old house started to become heavily developed in the 1920s. In 1952, the Brooklyn Museum made a commitment to save the house, dismantled it, and stored it for about ten years until plans to install it in the Brooklyn Museum were finalized. The house was opened to the public in 1964.
The Jan Martense Schenck house is believed to be one of the oldest houses in New York City. [1] : 19 According to Schenck family tradition, its namesake arrived in New Netherland in 1650. He is first documented in Flatlands in 1660. On December 29, 1675, he purchased the land on which he built the house, along with a half interest in a nearby grist mill. [2] : 12 [3] The gristmill was purchased from Elbert Elbertse Stoothoff who had arrived in Nieuw Amsterdam in 1637 aboard the Vrede (Peace). The land was half of a tract Stoothoff purchased from Englishmen John Tilton Jr. and Samuel Spicer, who in turn had bought the land from the Canarsee Native Americans in 1664. [4] [5] Schenck built a pier so he could load and unload cargo to or from the Netherlands. [6] A tide mill had been built on the land by the time Schenck bought the land, [7] [5] but the exact date of the mill's construction is not known; sources give dates between 1660 and 1675. [2] : 12
The Schenck family owned the house for three generations, finally selling it in 1784. Beginning in the 1920s, as real-estate development increased, a number of preservation plans that might have maintained the house on site were put forward but were never realized. Finally in 1952, the Brooklyn Museum made a commitment to save the house, dismantled it, and stored it for about ten years until plans to install it in the Brooklyn Museum were finalized. The house was opened to the public in 1964.
The house originally stood in the town of Flatlands, one of six rural towns that were to become the borough of Brooklyn. Established under the Dutch colony of New Netherland, which became the English colony of New York in 1664, Flatlands was first called New Amersfoort, after Amersfoort in the Netherlands. The area was originally inhabited by the Carnarsie Indians.
The house is a simple two-room structure with a central chimney. Its framework is composed of a dozen heavy so-called H-bents, visible on the interior of the house, that resemble goal posts with diagonal braces. This is an ancient northern European method of construction that contrasts with the boxlike house frames that evolved in England. The house had a high-pitched roof that created a large loft for storage. The roof was covered with shingles, and the exterior walls were clad with horizontal wood clapboard siding. A section of the clapboard has been removed at one corner to expose a reconstruction of the brick nogging used as insulation. The interior walls were stuccoed between the upright supports of the H-bents. [8]
A kitchen was added at a right angle to the house probably in the late 1790s. In the early nineteenth century a porch with four columns was also added. Finally, sometime about 1900, dormer windows were installed above the porch. The interior of the house was also changed. The large central chimney was removed, probably about the same time as the kitchen wing was added, and new chimneys and fireplaces were built on the outer walls. Old photographs of the interior of the house on site in Flatlands show it with early twentieth century wallpapers and an assortment of nineteenth-century furniture, all of which was discarded when the house went to the Brooklyn Museum. [9]
During the 275 years that the house stood in its original location, it underwent many changes to accommodate the needs and tastes of new generations. The Brooklyn Museum’s curators might have chosen to exhibit and interpret the house to any point in its long history, but they wanted to add an early Dutch colonial house to the series of existing period rooms. This necessitated stripping away later additions and changes, such as the kitchen wing and porch, to rediscover the original two-room structure. The present reconstruction is based on careful analysis of surviving original elements and other surviving Dutch colonial houses. About 1730, when Martin Schenck, Jan’s eldest son, owned the house, it underwent several changes to accommodate his growing family. For a long period after about 1730, the two-room core of the house changed very little, and therefore the curators chose this moment in the early eighteenth century to which to interpret the house.
Many conjectural decisions were made, such as the precise locations of the exterior doors and the size and locations of the windows. On the interior, the location of the staircase to the loft and the form of the large open hearths and built-in bed box also involved conjecture, but were based on historical precedent. In the original Brooklyn Museum installation, there were two box-beds on the exterior wall of the north room. When the house was moved to its present location in 2006, it was decided that if the house did have a bed box it more logically was on an interior wall next to the hearth.
None of the original Dutch colonial furniture owned by the Schencks is known to have survived. The curators have assembled the interior-decorating scheme utilizing objects from the collection to typify an interior of a prosperous family of Dutch descent living in colonial English Flatlands. There are, therefore, both Dutch and English objects and furniture.
The curators use many clues to assemble an accurate interior. Wills and inventories of possessions of families of a similar economic level inform us about what might be found in a similar household. Period paintings help answer questions concerning the disposition of furniture about the room, possible color schemes, and the sort of textiles that might have been used. Through paintings, for example, visitors learn that mid-Eastern carpets were too valuable to place on the floor but rather were displayed on tabletops and then in turn covered with white linen cloths during meals.
For many years the house was painted gray. Recent analysis of the exterior paint layers on the original clapboard surviving in the corner at the short end of the building revealed that the house was originally white and then red. Since the interior of the house is interpreted to the first decades of the eighteenth century, the Brooklyn Museum decided that the house might have received its second coat of paint, the red layer, by that time. [10]
In 1672, Schenck married Jannetjie Stephens van Voorheis with whom he had eight children; [11] His house (ca. 1675) was constructed around this time.
Named in will of Jan Martense Schenck; dated 28 Jan 1688/9; (*);
On April 20, 1688, Roelof bought one half interest in the mill and half of the land of Mollen Eyelandt from his brother Jan Martense.
Marten married Cornelia Wesselen, widow of Domine Lupardus on December 2, 1703. On December 13, 1705, their son John was born.
John, who married Femmetie Hegeman on November 15, 1728, inherited the property from his father. On April 15, 1784, his heirs sold it for £2300 to Joris Martense of Flatbush, who rented out the mill and house.
Joris Martense's daughter Susan, wife of Patrick Caton, inherited the house and mill. She left it to her daughter Margaret who married General Philip S. Crooke. The property became known as Crooke's Mill and Crooke's Island. The mill eventually fell into disuse. The house and a small parcel of land it sat on was eventually inherited by Franklin Crooke who sold to the Atlantic, Gulf and Pacific Company in 1909.
During the American Revolution, the house was occupied by British Major James Moncrief, an engineer with the 7th Regiment of Foot. On June 18, 1778 an American raiding party under Captain William Marriner formerly a private in the Continental Army, who became a privateer, along with Lieutenant John Schenck of the New Jersey Militia landed on the shore of New Utrecht with 28 militia-men from Middletown Point, N. J. in two whaleboats as part of the informal Whaleboat War. They marched to New Utrecht were William Marriner stopped by the Van Pelt Manor house to inform his friend Peter van Pelt of is intentions, they then marched to Flatlands and took Moncrief prisoner while he was at the house. Moncrief was taken across Raritan Bay and up the Raritan River to New Brunswick, New Jersey where Marriner had a tavern. Lieutenant Schenck was familiar with the location as he had visited often and was a close relative. [12] [13] [14]
After the Brooklyn Museum's purchase of the house, its site became the location of elementary school P.S. 236. The house was still extant after the school was built; it was located behind the school. [15]
From the (1939) WPA Guide to New York City:
Schenck-Crooke House, Avenue U between East Sixty-third and sixty-fourth Streets, is considered one of the oldest houses in New York City, the original section having been built in 1656. A white house with green shutters and red brick chimneys, it stands in a little hollow back of Public School 236, surrounded by old pine trees. Its Dutch origins are evident in the small twelve-paned windows and early round-end shingles. The slender-pillared front porch formed by an overhanging roof is an eighteenth-century addition.
Amersfoort is a city and municipality in the province of Utrecht, Netherlands. As of 31 January 2023, the municipality had a population of 160,902, making it the second-largest of the province and fifteenth-largest of the country. Amersfoort is also one of the largest Dutch railway junctions with its three stations—Amersfoort Centraal, Schothorst and Vathorst—due to its location on two of the Netherlands' main east to west and north to south railway lines. The city was used during the 1928 Summer Olympics as a venue for the modern pentathlon events. Amersfoort marked its 750th anniversary as a city in 2009.
Flatlands is a neighborhood in the southeast part of the borough of Brooklyn in New York City. The current neighborhood borders are roughly defined by the Bay Ridge Branch to the north, Avenue U to the south, Ralph Avenue to the east, and Flatbush Avenue to the southwest.
American colonial architecture includes several building design styles associated with the colonial period of the United States, including First Period English (late-medieval), French Colonial, Spanish Colonial, Dutch Colonial, and Georgian. These styles are associated with the houses, churches and government buildings of the period from about 1600 through the 19th century.
Mill Basin is a residential neighborhood in southeastern Brooklyn, New York City. It is on a peninsula abutting Jamaica Bay and is bordered by Avenue U on the northwest and the Mill Basin/Mill Island Inlet on its remaining sides. Mill Basin is adjacent to the neighborhood of Bergen Beach to the northeast, Flatlands to the northwest, Marine Park to the southwest, and Floyd Bennett Field and the former Barren Island to the southeast. Mill Basin also contains a subsection called Old Mill Basin, north of Avenue U.
Pieter Claesen Wyckoff was a prominent figure in Dutch and later English colonial Kings County, Long Island, New York. Most persons surnamed Wyckoff in North America, including many variations in spelling, can be traced to his family. After some time spent at Rensselaerwyck, near present-day Albany, New York, in 1655 Pieter moved his family into a rented house in New Amersfoort. Pieter Claesen prospered here, acquired land and became a local judge. He was influential in establishing the Flatlands Dutch Reformed Church at the juncture of Flatbush Avenue and Kings Highway in Brooklyn. The Wyckoffs are prominent members in Manalapan, New Jersey.
"The Lurking Fear" is a horror short story by American writer H. P. Lovecraft. Written in November 1922, it was first published in the January through April 1923 issues of Home Brew.
Philip Schuyler Crooke was a United States representative from New York.
Dutch Colonial is a style of domestic architecture, primarily characterized by gambrel roofs having curved eaves along the length of the house. Modern versions built in the early 20th century are more accurately referred to as "Dutch Colonial Revival", a subtype of the Colonial Revival style.
The Dyckman House, now the Dyckman Farmhouse Museum, is the oldest remaining farmhouse on Manhattan island, a vestige of New York City's rural past. The Dutch Colonial-style farmhouse was built by William Dyckman, c.1785, and was originally part of over 250 acres (100 ha) of farmland owned by the family. It is now located in a small park at the corner of Broadway and 204th Street in Inwood, Manhattan.
Bergen Beach is a residential neighborhood in the borough of Brooklyn, New York City. It is located on a peninsula abutting Jamaica Bay in the southeastern portion of the borough, and is bordered by Mill Basin and the neighborhood of the same name to the south and west; the neighborhood of Flatlands to the northwest; Paerdegat Basin and the neighborhood of Canarsie to the northeast; and Jamaica Bay and the Belt Parkway to the east. Bergen Beach contains a sub-neighborhood named Georgetown. The vast majority of residents are white, and the neighborhood generally has a suburban quality.
The Wyckoff House, or Pieter Claesen Wyckoff House, is a historic house at 5816 Clarendon Road in the Canarsie neighborhood of Brooklyn in New York City. The house is within Milton Fidler Park.
The Wyckoff-Bennett Homestead in Flatlands, Brooklyn, New York City, is a National Historic Landmark. It is believed to have been built before 1766. During the American Revolution it housed Hessian soldiers, two of whom, Captain Toepfer of the Ditfourth regiment and Lieut. M. Bach of the Hessen-Hanau Artillerie, scratched their names and units into windowpanes. It was declared a National Historic Landmark in 1976. It is part of the New York State Revolutionary War Heritage Trail.
The Hendrick I. Lott House is a historic home located at 1940 East 36th Street between Fillmore Avenue and Avenue S, in Marine Park, Brooklyn, New York City. Lott House, one of the oldest Dutch Colonial houses in Brooklyn, is listed on the National Register of Historic Places and is a New York City designated landmark. The house remains structurally sound and virtually unchanged from the time Hendrick Lott constructed it in 1800, incorporating a section of the 1720 original homestead built by his grandfather, Johannes Lott.
Wolfert Gerritse Van Couwenhoven, also known as Wolphert Gerretse van Kouwenhoven and Wolphert Gerretse, was an original patentee, director of bouweries (farms), and a founder of the New Netherland colony.
Queen Anne style architecture was one of a number of popular Victorian architectural styles that emerged in the United States during the period from roughly 1880 to 1910. Popular there during this time, it followed the Second Empire and Stick styles and preceded the Richardsonian Romanesque and Shingle styles. Sub-movements of Queen Anne include the Eastlake movement.
James Moncrief was a trained engineer and military officer of Scottish Highlander descent in the British Royal Engineers.
Dutch colonial architecture is the type of architecture prevalent in the construction of homes, commercial buildings, and outbuildings in areas settled by the Dutch from the early 17th to early 19th century in the area encompassing the former Dutch colony of New Netherland.
Steven Coertse van Voorhees was an early Dutch settler in America and the patriarch of the Voorhees family line and namesakes.
The Schenck House is one of the earliest extant homes currently within the City of Buffalo limits. It was built by early pioneer and farmer Michael Schenck (1772–1844) and his son Samuel Schenck out of locally quarried limestone, where many fossils can be seen on the eastern side of the facade. The Schenck family dates back to 1709 when they first arrived in America in an effort to escape religious persecution for being Anabaptist, specifically Mennonite. Just over a hundred years later they would find themselves in two covered wagons, traversing the Allegheny Mountains, and settling at the border between the City of Buffalo and Town of Amherst. There they practiced the same farming techniques they had in Pennsylvania and earlier in Germany. These techniques by today’s standards could be termed "environmentally friendly" and polyculture due to their use of crop rotation, production of multiple food products on a family farm, and the use of cow manure. The Schencks like other German settlers practiced the keeping and feeding of multiple types of animals, housing them in a barn through winter. This practice was considered unusual by farmers of British heritage. While the German idea of feeding and housing animals through winter was adopted by non-German farmers in the 19th century, the keeping of a variety of animals was not. Many 19th-century farmers began to develop specialized farms, unofficially becoming a "pig farmer" or "cattle rancher". Three generations of Schencks continued practicing polyculture of crops and animals even when monoculture continued to expand and “special” or synthetic fertilizers were being developed and used.
George Taylor House is in Freehold Borough, Monmouth County, New Jersey, United States on the corner of Broadway and Dutch Lane Road across from Freehold High School. The house was built in circa 1870 by George Taylor, the son of John G. Taylor and Cary Conover Taylor. John G. Taylor was of Scottish ancestry, while Cary Conover was of Dutch ancestry. John G. Taylor was the proprietor of Taylors Mills, a successful family business that George continued to run in his father's footsteps. The grist mill was successful during the mid-late 19th century, as new markets were opening up with the advent of extensive railroad networks.
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