Jenny Suen | |
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Born | 白海 December 9, 1983 Hong Kong |
Years active | 2015-current |
Jenny Suen (born December 9, 1983) is a Hong Kong screenwriter, film producer, and director. She last co-directed The White Girl (2017) with the Australian-Hong Kong cinematographer Christopher Doyle, which premiered at the BFI London Film Festival. She also produced Doyle's Hong Kong Trilogy (2015), which premiered at the Toronto International Film Festival.
Suen was born and raised in Hong Kong.
At eighteen, she moved to the United States to study at the University of Pennsylvania. She graduated in 2006 with a Bachelor of Arts in Comparative Literature, Political Science, East Asian Languages and Civilisation, and a Master of Arts in East Asian Languages and Civilisation. She graduated Phi Beta Kappa, summa cum laude, and was named Dean's Scholar, a distinction only given to nine members of her class. [1]
In 2015, Suen produced Hong Kong Trilogy, a hybrid documentary directed by Doyle, which is a portrait of the city as told by three generations of real Hong Kong people interviewed over the course of one year: children, young people, and the elderly. [2] She raised over US$100,000 on Kickstarter.com to fund the project. [3] The film kicked off a busy festival run after its world premiere at the Toronto International Film Festival. It was released in Hong Kong cinemas September 2015. Upon its theatrical release in the United States, it was named "Film of the Week" by Film Comment , described by critic Jonathan Romney as a "three linked semi-documentary vignettes about a location close to the director’s heart—feels as much a community project as a personal statement. It isn’t so much an example of the genre known as the “city symphony”—it's more like a city jam." [4]
Suen then co-directed with Doyle a film called The White Girl. It's a love story set in the last fishing village of Hong Kong that stars Joe Odagiri and Angela Yuen. Described as a "tropical-noir fairytale", it is set against the backdrop of the fishermen's disappearing culture and way of life. [5] After its 2017 world premiere at the BFI London Film Festival, [6] it screened as a special presentation at the Singapore International Film Festival [7] where it was hailed as "a very accomplished first feature from Suen, [heralding] the coming of a new director with the knowhow and potential to add truly unique offerings to Hong Kong’s film canon". [8] It was nominated for a NETPAC award at the Taipei Golden Horse Film Festival. [9] [10] The film was theatrically released in Hong Kong in 2017 and was released in Japan at the end of 2018.[ citation needed ]
Her first solo directorial debut will be a remake of Vera Chytilova's Czech New Wave masterpiece Daisies in Hong Kong. [11] The project won the top prize at South Korea's Bucheon International Fantastic Film Festival (BIFAN) in 2021. [12] The jury awarded the project in "consideration of the filmmaker’s intrepid vigour and the brilliant premise of transposing the chaotic and critical satire of Vera Chytilova’s Daisies to the milieu of contemporary Hong Kong.” They added that, of all the films in the market, “none felt as timely, as rousing, or as fun as Jenny’s delirious and wonderful vision.”"
In the Mood for Love is a 2000 romantic drama film written, produced and directed by Wong Kar-wai. A co-production between Hong Kong and France, it portrays a man and a woman whose spouses have an affair together and who slowly develop feelings for each other. It forms the second part of an informal trilogy, alongside Days of Being Wild and 2046.
Christopher Doyle, also known as Dù Kěfēng (Mandarin) or Dou Ho-Fung (Cantonese) is an Australian-Hong Kong cinematographer. He has worked on over fifty Chinese-language films, being best known for his collaborations with Wong Kar-wai in Chungking Express, Happy Together, In the Mood for Love and 2046. Doyle is also known for other films such as Temptress Moon, Hero, Dumplings, and Psycho. He has won awards at the Cannes Film Festival and Venice Film Festival, as well as the AFI Award for cinematography, the Golden Horse award, and the Hong Kong Film Award.
Josephine "Josie" Ho Chiu-yi is a singer and actress from Hong Kong. She is the daughter of the Macao casino magnate Stanley Ho.
Chu Tʻien-wen is a Taiwanese fiction writer. Chu is perhaps best known for writing the screenplays for most Hou Hsiao-hsien films. She is the recipient of the 2015 Newman Prize for Chinese Literature.
Clara Law Cheuk-yiu is a Hong Kong Second Wave film director who currently resides in Australia.
The Singapore International Film Festival (SGIFF) is the longest-running film festival in Singapore. Founded in 1987.
The Network for the Promotion of Asian Cinema (NETPAC) is a worldwide organization of 29 member countries. It was created as the result of a conference on Asian cinema organized by Cinemaya, the Asian Film Quarterly, in New Delhi in 1990 at the instance and with the support of UNESCO, Paris.
White Girl may refer to:
The Contract is a 1978 Hong Kong comedy film written, directed by and starring Michael Hui. The film also co-stars Hui's brothers, Samuel Hui and Ricky Hui. It was very successful at the Hong Kong box office being the highest-grossing film there at the time.
The Golden Horse Award for Best Leading Actor is given at the Golden Horse Film Awards.
Hong Kong Trilogy: Preschooled Preoccupied Preposterous is a documentary-fictional hybrid film directed by Christopher Doyle. It's a portrait of Hong Kong told by three generations of real people: “PRESCHOOLED” children, “PREOCCUPIED” young people, and “PREPOSTEROUS” senior citizens.
The Road to Mandalay is a 2016 internationally co-produced drama film directed by Midi Z. The film premiered at the 73rd edition of the Venice Film Festival in the Venice Days section, in which it was awarded the Fedeora Award for Best Film. It was also screened in the Contemporary World Cinema section at the 2016 Toronto International Film Festival.
Godspeed is a 2016 Taiwanese black comedy road caper film written and directed by Chung Mong-hong and starring Michael Hui and Nadow. The film had its world premiere at the 2016 Toronto International Film Festival on 14 September 2016 and was theatrically released in Taiwan on 18 November.
The Receptionist is a 2016 drama film directed by London-based Taiwanese director Jenny Lu, starring Teresa Daley and Chen Shiang-chyi. Inspired by a true story, the film follows the lives of Asian migrant women who had arrived in London in hopes of a better life but end up taking jobs in an illegal massage parlor to survive. The film premiered at the Golden Horse Film Festival on 20 November 2016.
Angels Wear White is a 2017 Chinese drama film directed by Vivian Qu. It was screened in the main competition section of the 74th Venice International Film Festival.
Peggy Chiao is a Taiwanese/Chinese filmmaker, producer, distributor, educator, juror, critic, and author. She is known internationally as the "godmother of New Taiwan Cinema".
The Sunny Side of the Street is a 2022 Hong Kong drama film written and directed by Lau Kok-rui. The feature debut of Malaysia-born Lau Kok-rui, the film tells the story of a Hong Kong-born Pakistani refugee boy who forms an unexpected bond with a local taxi driver.
Coo-Coo 043 is a 2022 Taiwanese drama film written and directed by Chan Ching-lin. Set in the world of pigeon racing, it revolves around a struggling family who relies on the sport for a living, as they face the threat of an economic downturn and the disappearance of their son. It was selected as the opening film of the 2022 Taipei Golden Horse Film Festival.
Geylang is a 2022 Singaporean crime thriller film produced and directed by Boi Kwong. The second feature film by Kwong, the film is set in the red-light district of Geylang and revolves around the intertwined fates of five individuals over the course of one night. It had its world premiere at the Taipei Golden Horse Film Festival in November 2022 and was released in theatres on 6 April 2023.