Jhumar song

This article is about folk music of Sadanic ethnolinguistic group. For its eponymous dance, see Jhumair.

Jhumar, also known as Jhumur or Jhumair, is a form of folk music prevalent in the Chota Nagpur Plateau, primarily in Jharkhand, the southwestern region of West Bengal and the northern part of Odisha. It is also found in the Tea states of Assam due to emigration. ^[1] Jhumar songs are sung during various social events, primarily during festivals such as Karam, Tusu, and Bandna by agricultural and indigenous communities like Kuṛmi, Oraon, Chik Baraik, Bagal, Bhumij, Rajwar, and Munda. ^{[2] [3] [4] [5]}

Overview

The word "Jhumar" is derived from Jhum (Shifting cultivation), a regional term for the primitive method of farming practiced by indigenous-agricultural communities in eastern India and Bangladesh. In earlier times, it originated as a form of shouting (locally known as Hawka or Hanka) by working women, expressed through short lines describing their emotions while working in the fields. Under the influence of Hinduism, these songs became infused with religious themes, often featuring deities such as Radha–Krishna and Rama–Lakshmana. ^[1]

Jhumar songs vary depending on the singer's region, as the Jhumar culture spans a vast area of eastern India. Due to this diversity, dominant regional languages intermingle with the songs, resulting in different dialectical variations. However, Jhumar songs are primarily composed in Nagpuri, Kurmali, and Bengali language. Since non-Aryan tribal groups also observe Jhumar-associated festivals, they often sing in a synthesized form that blends their native languages with Nagpuri, Kurmali, or Bengali. ^{[4] [6]} In general, Jhumar songs are classified into two broad groups: Traditional Jhumar and Modified Jhumar. Some examples of Traditional Jhumar include Adivasi Jhumur, Kathi Jhumur, and Nachni Jhumur, while Darbari, Pala, and Dand are examples of Modified Jhumar. ^{[7] [8]}

Adibasi, Bagalia, Baha, Bhaduria, Burihi, Chaitali, Dand, Darbari, Darsalia, Galoari, Jharkhandia, Jheta, Jhika, Jhikadang, Karam, Khatinach, Kurmali, Lagrey, Magha, Matoari, NachniNach, Pala, Pata, Raila, Riuja, Sadhu, Saharja, Tand, Thant and many more are the various disciplined forms of Jhumar songs. These songs are themed around Laukik Prem (worldly love), Pouranik (mythological tales), Prahelika (riddles), Radha–Krishna and Samajik (social themes). ^{[1] [9]}

Notable singer

• Dulal Manki, Jhumair singer from Assam
• Mahavir Nayak, Theth Nagpuri singer

References

1. Mondal, Anindya (August 2018). "Jhumur Song: A Geo – Environmental Analysis". Journal of Advances and Scholarly Researches in Allied Education. XV (6): 35–37. doi:10.29070/15/57671 (inactive 25 April 2025). ISSN   2230-7540. S2CID   135187216. Archived from the original on 2022-10-07. Retrieved 2022-04-05.
2. Singh, Kumar Suresh (2008). People of India: Bihar, including Jharkhand (2 pts). Anthropological Survey of India. ISBN   978-81-7046-302-3.
3. Sinha, Manik Lal. "Jhumar of the West Bengal highlands". Indianculture.gov.in. Retrieved 2022-04-05.
4. Vakoch, Douglas A.; Anae, Nicole (2022-08-08). Indian Feminist Ecocriticism. Rowman & Littlefield. p. 40. ISBN   978-1-6669-0872-5.
5. Sattar 1975 , p. 149
6. Chaudhary, P.C. Roy (17 February 1968). "The Jhumur of Bengal". Mainstream. 6 (19–41): 27–28.
7. Dey, Falguni. "Folk Culture of West Bengal". Journal of Institute of Landscape Ecology and Ekistics. 35 (1). ISSN   0971-4170.
8. Sinha, Manik Lal (1974). Jhumar of the West Bengal highlands. Sangeet Natak Akademi, New Delhi.
9. Narayan Chattopadhyay (1999). "Jhumur" Lokosanskriti and Adivasi Sanskriti Kendra, Kolkata.

Further reading

• Sattar, Abdus (1975). Tribal Culture in Bangladesh. Dacca, Bangladesh: Muktadhara. pp. 128–132, 149–152. OCLC   2423269. Archived from the original on 19 November 2022. Retrieved 19 November 2022.