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Jñāna Vigraham is a distinctively styled statue of the revered saint Sree Nārāyana Guru. In Sanskrit, the word Jñāna means knowledge, and Vigraham is the common term for statue (or embodiment). The name Jñāna Vigraham signifies embodiment of knowledge. The first such statue was carved in wood and portrays facial likeness to Nārāyana Guru.
The overall iconography incorporates aesthetic design elements, Sanskrit words of reverence, and symbolic depiction of the Guru's spiritual reform initiative, concepts of human equality and knowledge universe arivu. The aesthetic elements of the design of a Jñāna Vigraham conform to ancient Eastern philosophic and religious iconography and carvings commonly seen across Hinduism, Buddhism and Jainism.
The first Jñāna Vigraham was designed and commissioned by a private art collector and researcher of Nārāyana Guru's philosophy and teachings. It was primarily intended as a trendsetter to improve the quality of Nārāyana Guru's statues, kept in homes and in small chapel-like places of reverence and worship called 'Guru Mandirams'. These shrines dot the length and breadth of Kerala, the south-western part of India where Nārāyana Guru was born and lived during the period 1856 to 1928.
The Jñāna Vigraham was sculptured in wood by the sculptor Artist Mani Mesthiri of Thiruvananthapuram, Kerala, during 2006-2007. The work signified the period commemorating one and a half centuries since the Guru's birth, as well as the 75th anniversary of the annual pilgrimage to Sivagiri, the chosen spiritual abode and eternal resting place of saint Nārāyana Guru.
The design of Jñāna Vigraham incorporates three parts of its structure - the anatomical statue, the pedestal and the radiance board (Prabha).
The core anatomical statue is devoid of any decorative elements. It is a lifelike figure of Nārāyana Guru, supposedly in his mid-life, in a seated posture and with hands in the ‘dharmachakra mudra’, the gesture of teaching usually interpreted as turning the wheel of righteousness. The hands are held level with the heart, the thumbs and index fingers form circles, symbolising the teachings of the Nārāyana Guru. The legs are placed in ‘vajrāsana’ an iconographic yoga posture (also referred to as ‘padmasana’), symbolising that Narayana Guru had mastered various yoga practices and endorsed Raja Yoga, which is yoga of meditation and also incorporates Hatha Yoga.
The pedestal has three front-facing panels with relief carvings. The centre panel depicts the conch and lotus, the traditional Eastern symbol of dharma. One of the side panels illustrate the historic consecration of the Sivalinga in 1888 at Aruvippuram; an action of Nārāyana Guru that broke the centuries-old tradition of such spiritual practices that was reserved as a prerogative of orthodox priests of those days. The third panel depicts the eastern proverbial blind men and an elephant as represented by Nārāyana Guru in verse 44 of the Guru's philosophical masterpiece and scripture Atmopadesa Satakam (one hundred verses of self-instruction).
The radiance board providing the backdrop and halo for the statue incorporates decorative elements and symbolism. The overall structure of the backdrop displays likeness to the Sarnath Buddha. The lower portion of the board figures the relief carvings of two elephants in outward facing and welcoming posture signifying Nārāyana Guru's openness to the views and beliefs of other religions and philosophies. The radiance board also has relief carvings of fluttering birds representing the Guru's words in verse 8 of the scripture Atmopadesa Satakam. The six fluttering birds represent the five senses and the sixth sense of philosophical intuition as visualised by the designers to venerate the Guru. The relief carvings of the birds are intertwined with creepers and flowers signifying the growth and fruition of wisdom.
The Jñāna Vigraham incorporates the citation of a befitting Sanskrit verse from the ancient Indian scripture Bhagavata Purana to revere Nārāyana Guru as follows:
eke tvākhila-karmāni
sannyasyopaśamaḿ gatāḥ
jñānino jñāna-yajñena
yajanti jñāna-vigraham
Translation: In pursuit of spiritual knowledge, some persons renounce all material activities and, having thus become peaceful, perform the sacrifice of philosophic investigation to worship You, the embodiment of knowledge.
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Bhakti yoga, also called Bhakti marga, is a spiritual path or spiritual practice within Hinduism focused on loving devotion towards any personal deity. It is one of the three classical paths in Hinduism which lead to Moksha, the other paths being Jnana yoga and Karma yoga.
Jñāna yoga, also known as jñāna mārga, is one of the three classical paths (margas) for moksha in Hinduism, which emphasizes the "path of knowledge", also known as the "path of self-realization". The other two are karma yoga and bhakti yoga. Modern interpretations of Hindu texts have yielded systems, techniques and formulations such as raja yoga and kriya yoga.
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Jagadguru, literally meaning the guru of the universe, is a title used in Sanātana Dharma. Traditionally, it has been bestowed upon or used for ācāryas belonging to the Vedānta school who have written Sanskrit commentaries on the Prasthānatrayī – the Brahma sūtras, the Bhagavad-gītā and the principal Upaniṣads. Historically, jagadgurus have established a lineage, established an institution to spread dharma, who have been based in Varanasi, the centre of Sanskrit study.
The following list consists of notable concepts that are derived from Hindu culture and associated cultures traditions, which are expressed as words in Sanskrit or other Indic languages and Dravidian languages. The main purpose of this list is to disambiguate multiple spellings, to make note of spellings no longer in use for these concepts, to define the concept in one or two lines, to make it easy for one to find and pin down specific concepts, and to provide a guide to unique concepts of Hinduism all in one place.
Dakshinamurthy is an aspect of the Hindu god Shiva as a guru (teacher) of all types of knowledge. This aspect of Shiva, as the original guru, is his personification as the supreme or the ultimate awareness, understanding and knowledge. This form represents Shiva as a teacher of yoga, music and wisdom, and giving exposition on the shastras. He is worshipped as the god of wisdom, complete and rewarding meditation. As per Hindu scriptures, if a person doesn't have a guru, they can consider and worship Dakshinamurthy as their guru. Eventually they will be blessed with a self-realised human guru, if they are worthy.
Ekasarana Dharma is a neo-Vaishnavite religion propagated by Srimanta Sankardeva in the 15th-16th century in the Indian state of Assam. It rejects focus on vedic ritualism and focuses on devotion (bhakti) to Krishna in the form of congregational listening (sravan) and singing his name and deeds (kirtan).
Param Brahma in Hindu philosophy is the "Supreme Brahman" that which is beyond all descriptions and conceptualisations. It is described as the formless that eternally pervades everything, everywhere in the universe and whatever is beyond.
The Shrimad Bhagavad Gita, often referred to as the Gita, is a 700-verse Hindu scripture that is part of the epic Mahabharata, dated to the second half of the first millennium BCE and exemplary for the emerging Hindu synthesis. It is considered to be one of the holy scriptures for Hinduism.
The Yogatattva Upanishad, also called as Yogatattvopanishad (योगतत्त्वोपनिषत्), is one of the important Upanishads of Hinduism. A Sanskrit text, it is one of eleven Yoga Upanishads attached to the Atharvaveda, and one of twenty Yoga Upanishads in the four Vedas. It is listed at number 41 in the serial order of the Muktika enumerated by Rama to Hanuman in the modern era anthology of 108 Upanishads. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that present the philosophical concepts of Hinduism.
"Atmopadesa Śatakam" is a Malayalam spiritual work by Narayana Guru in the form of a poem. It is considered as the classic work of Narayana Guru, who was a social reformer and spiritual leader of Kerala, India. The literal translation of the title means "One Hundred Verses of Self Instruction". "Atmopadesa Śatakam" contained 100 verses or stanzas, each of which describing a set of actions performed by the self on itself, affecting and recognising moments of transformation into an absolute value.
Varaha Upanishad is a minor Upanishad of Hinduism composed between the 13th and 16th centuries CE. Composed in Sanskrit, it is listed as one of the 32 Krishna Yajurveda Upanishads, and classified as one of 20 Yoga Upanishads.
The Mandala-brahmana Upanishad, also known as Mandalabrahmanopanisad, is one of the minor Upanishads of Hinduism and a Sanskrit text. It is attached to the Shukla Yajurveda and is classified as one of the 20 Yoga Upanishads.
The Dakshinamurti Upanishad is an ancient Sanskrit text and is one of the minor Upanishads of Hinduism. It is attached to the Krishna Yajurveda, and classified as one of the 14 Shaiva Upanishads.