An acropolis was the settlement of an upper part of an ancient Greek city, especially a citadel, and frequently a hill with precipitous sides, mainly chosen for purposes of defense. The term is typically used to refer to the Acropolis of Athens, yet every Greek city had an acropolis of its own. Acropolises were used as religious centers and places of worship, forts, and places in which the royal and high-status resided. Acropolises became the nuclei of large cities of classical ancient times, and served as important centers of a community. Some well-known acropolises have become the centers of tourism in present-day, and, especially, the Acropolis of Athens has been a revolutionary center for the studies of ancient Greece since the Mycenaean period. Many of them have become a source of revenue for Greece, and represent some great technology during the period.
The Parthenon is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena. Its decorative sculptures are considered some of the high points of classical Greek art, and the Parthenon is considered an enduring symbol of Ancient Greece, democracy, and Western civilization.
Salamis was an ancient Greek city-state on the east coast of Cyprus, at the mouth of the river Pedieos, 6 km north of modern Famagusta. According to tradition, the founder of Salamis was Teucer, son of Telamon, king of the Greek island of Salamis, who could not return home after the Trojan War because he had failed to avenge his brother Ajax.
The statue of Athena Parthenos was a monumental chryselephantine sculpture of the goddess Athena. Attributed to Phidias and dated to the mid-fifth century BCE, it was an offering from the city of Athens to Athena, its tutelary deity. The naos of the Parthenon on the acropolis of Athens was designed exclusively to accommodate it.
The Temple of Athena Nike is a temple on the Acropolis of Athens, dedicated to the goddesses Athena and Nike. Built around 420 BC, the temple is the earliest fully Ionic temple on the Acropolis. It has a prominent position on a steep bastion at the south west corner of the Acropolis to the right of the entrance, the Propylaea. In contrast to the Acropolis proper, a walled sanctuary entered through the Propylaea, the Victory Sanctuary was open, entered from the Propylaea's southwest wing and from a narrow stair on the north. The sheer walls of its bastion were protected on the north, west, and south by the Nike Parapet, named for its frieze of Nikai celebrating victory and sacrificing to their patroness, Athena and Nike.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
Wilhelm Dörpfeld was a German architect and archaeologist, a pioneer of stratigraphic excavation and precise graphical documentation of archaeological projects. He is famous for his work on Bronze Age sites around the Mediterranean, such as Tiryns and Hisarlik, where he continued Heinrich Schliemann's excavations. Like Schliemann, Dörpfeld was an advocate of the historical reality of places mentioned in the works of Homer. While the details of his claims regarding locations mentioned in Homer's writings are not considered accurate by later archaeologists, his fundamental idea that they correspond to real places is accepted. Thus, his work greatly contributed to not only scientific techniques and study of these historically significant sites but also a renewed public interest in the culture and the mythology of Ancient Greece.
Zeugma was an ancient Hellenistic era Greek and then Roman city of Commagene; located in modern Gaziantep Province, Turkey. It was named for the bridge of boats, or zeugma, that crossed the Euphrates at that location. Zeugma Mosaic Museum contains mosaics from the site, and is one of the largest mosaic museums in the world.
The Parthenon frieze is the high-relief Pentelic marble sculpture created to adorn the upper part of the Parthenon's naos.
William Bell Dinsmoor Sr. was an American architectural historian of classical Greece and a Columbia University professor of art and archaeology.
Ian Dennis Jenkins was a Senior Curator at the British Museum who was an expert on ancient Greece and specialised in ancient Greek sculpture. Jenkins published a number of books and more than a hundred articles. He led the British Museum's excavations at Cnidus and was involved in the debate over the ownership of the Elgin Marbles.
This bibliography of Greece is a list of books in the English language which reliable sources indicate relate to the general topic of Greece.
Mary Alison Frantz was an American archaeological photographer and a Byzantine scholar. She is best known for her work as the official photographer of the excavations of the Agora of Athens, and for her photographs of ancient Greek sculpture, including the Parthenon frieze and works from the Temple of Zeus at Olympia.
Jenifer Neils is an American classical archaeologist and was from July 2017 to June 2022 director of the American School of Classical Studies at Athens. Formerly she was the Elsie B. Smith Professor in the Liberal Arts in the Department of Classics at Case Western Reserve University.
Yeronisos or Geronisos is a small island lying off the west coast of Cyprus, some 18 kilometres north of Paphos. Uninhabited since the 15th century, recent excavations have revealed it once held a sanctuary dedicated to Apollo in the late Hellenistic period.
Hiereia was the title of the female priesthood or priestesses in ancient Greek religion, being the equivalent of the male title hiereus (ἱερεύς). Ancient Greece had a number of different offices in charge of worship of gods and goddesses, and both women and men functioned as priests. While there were local variations depending on cult, the Hiereiai had many similarities across ancient Greece. Normally, their office related only to a specific sanctuary or Greek temple.
Olga Palagia is Professor of Classical Archaeology at the National and Kapodistrian University of Athens and is a leading expert on ancient Greek sculpture. She is known in particular for her work on sculpture in ancient Athens and has edited a number of key handbooks on Greek sculpture.
The High Priestess of Athena Polias held the highest religious office in Ancient Athens.
The Priestess of Demeter and Kore, sometimes referred to as the High Priestess of Demeter, was the High Priestess of the Goddesses Demeter and Persephone (Kore) in the Telesterion in Eleusis in Ancient Athens. It was one of the highest religious offices in Ancient Athens, and its holder enjoyed great prestige. It was likely the oldest priesthood in Athens, and also the most lucrative priesthood in all of Attica.
The Mentor was a brig bought by Thomas Bruce, 7th Earl of Elgin, in order to transport antiquities from Athens. The cargo included a significant number of sculptures from the Parthenon.
