Joanne Leonard is an American photographer, photo collage artist, and feminist based in Ann Arbor, Michigan. Her work has been included in major art history textbooks and has been shown internationally in galleries and museums.[1][2]
Joanne Leonard was born in Los Angeles in 1940 to P. Alfred Leonard, originally of Mannheim, Germany, and Marjorie Rosenfeld Leonard. She has a twin sister, Eleanor (Rubin), who is also an artist, and a younger sister, Barbara (Handelman). She received a B.A. in Social Science from the University of California in 1962.[3][1] As infants, she and her twin sister were cast as a baby in the film The Lady Is Willing starring Marlene Dietrich.[4]
Career
Leonard is known for her photographs and photo collages depicting private moments and personal struggles from women's lives once considered either taboo or unimportant.[1] Her work struck a chord with the art world in the later part of the 20th century, and she was one of the few female artists to be featured in the 3rd edition of H.W. Janson’s History of Art.[5] Her photograph, Julia and the Window of Vulnerability was chosen to illustrate the opening of the chapter, "The Modern World" in the 1991 edition of Gardner's Art Through the Ages.[6]
Leonard's influence on the field of photography has been for making images of things, places, and people from women’s realms and private spaces—from a woman’s own perspective. A large body of her work is in photo collage,[9] made with the goal of juxtaposing the intimate with social questions or political issues that are circulating today in the world. She is happily known for distinguished photo collage[10] work as well.
Collections
Leonard's work is held by major collections, including:
I built a darkroom when I could have fixed up a kitchen.[21]
My camera has always sought the beauty and light in a moment.[22]
Feminism is a tool for looking at what's missing.[23]
The making of the work, as miserable as I was (and it was a miserable time for me), was also a time of great excitement because I was doing something I had actually never seen before. I was finding ways to represent something I had no idea how to do.[23]
Anne Frank's Diary, for all the horror it conveyed, also said that a young girl's thoughts, and life, and everyday events could be important.[23]
Collecting Conversations: Joanne Leonard, part of the Ransom Center series "Collecting Conversations: Five Women in American Photography" by the University of Texas at Austin
Vimeo link- screen test for Twins: Joanne and Eleanor at Columbia Studios in Hollywood 1941
Being in pictures: an intimate photo memoir. Ann Arbor: University of Michigan Press. 2008. ISBN978-0-47211-402-3.
Newspaper Diary: Trompe l’Oeil Photographs, with essays by Amanda Krugliak and Wendy Kozol, University of Michigan Institute for the Humanities, 10 color plates, 5 incidental figures, with essays, 2 details in endpapers, 20 pages. 2012.
Manuscript
Woman by Three. Menlo Park. Pacific Coast Publishers. 1969. First Edition. Illustrated by monochrome photographs.
Works from 1960s - present
Early Work - Haight-Ashbury, San Francisco, 1963[24]
Julia (daughter) with concentration - 1975-95 and sporadically, continuing to present[28]
Interiors – 1977-early 1980s. Home interiors photographed in conjunction with Human Arts and Technology (HAT) – a project funded by National Endowment of the Arts (NEA) Photography Surveys grant. Ultimately, the series incorporated images made earlier in the 1960s in West Oakland.[29]
Not Losing Her Memory (photographs and collages focusing on women in Leonard's family and her mother’s memory loss – 1980s and 1990s[30]
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