John Bezold | |
---|---|
Born | 1985 (age 38–39) |
Nationality | American-Dutch |
Alma mater | University of Cincinnati College of Design, Architecture, Art, and Planning University of Amsterdam |
Occupation(s) | editor, journalist, art historian |
John Bezold (born 1985) is an American-Dutch journalist, editor, author, and art historian based in Amsterdam. [1] [2] He graduated from the University of Cincinnati College of Design, Architecture, Art, and Planning in 2007, and from the University of Amsterdam in 2015 and 2017. [3] He is known for his expertise in the art of the Dutch Golden Age, [4] and for his editorial contributions to the fields of modern architecture and design, [5] [6] which have been recognized by numerous publishing awards. [7] [8] [9] [10]
He started in journalism at Frame (design magazine) in Amsterdam, where he authored articles on architecture and design. [1] [11] In 2008, he published one of the first interviews with the designer and researcher Neri Oxman, who at the time established the field of 'materiology'. [12] He was a contributing editor for Mark magazine, covering contemporary architecture, from 2009 to 2017. From 2009 to 2021, Bezold collaborated with architect Wiel Arets, editing and co-authoring several significant publications on architectural photography and philosophy, designed by Edwin van Gelder, Mevis & Van Deursen, and Irma Boom. [13] [14] [15]
In 2016, Bezold was a research fellow at the Mauritshuis in The Hague, receiving a grant to analyze the museum's painting acquisitions. [16] [17] He is specialized in the work of Dutch painter Frans Hals. [18] [19] [20] [21] [22] In the late-2010s, he authored a column on museum curation trends in the journal Museumvisie, published by the Dutch Museum Association. [23] [24]
From 2019 to 2024, he served on the editorial board of Oud Holland, the world's oldest art historical scholarly journal, focusing on Dutch Golden Age painting and Flemish painting, as a review editor, and modernized the journal by establishing its online presence. [25]
Bezold’s editorial work has been characterized by Rein Wolfs, director of the Stedelijk Museum in Amsterdam, as being, “Strong and sensitive. Rough yet controlled. And completely convincing.” [26]
Bezold hosts the podcast Dutch Art & Design Today, discussing art and design in the context of its relation to the Netherlands. His work on the podcast has made art history and design more accessible to a broader audience. [27]
Bezold has written and edited numerous articles and books, with some of his most notable contributions including:
The Rijksmuseum is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.
Frans Hals the Elder was a Dutch Golden Age painter. He lived and worked in Haarlem, a city in which the local authority of the day frowned on religious painting in places of worship but citizens liked to decorate their homes with works of art. Hals was highly sought after by wealthy burgher commissioners of individual, married-couple, family, and institutional-group portraits. He also painted tronies for the general market.
The Mauritshuis is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings. The collection contains works by Johannes Vermeer, Rembrandt van Rijn, Jan Steen, Paulus Potter, Frans Hals, Jacob van Ruisdael, Hans Holbein the Younger, and others. Originally, the 17th-century building was the residence of Count John Maurice of Nassau. It is now the property of the government of the Netherlands and is listed in the top 100 Dutch heritage sites.
Philips Wouwerman was a Dutch painter of hunting, landscape and battle scenes. He became prolific during the Dutch Golden Age and joined the Haarlem Guild of St. Luke.
The Laughing Cavalier (1624) is a portrait by the Dutch Golden Age painter Frans Hals in the Wallace Collection in London. It was described by art historian Seymour Slive as "one of the most brilliant of all Baroque portraits". The title is an invention of the Victorian public and press, dating from its exhibition in the opening display at the Bethnal Green Museum in 1872–1875, just after its arrival in England, after which it was regularly reproduced as a print, and became one of the best known old master paintings in Britain. The unknown subject is in fact not laughing, but can be said to have an enigmatic smile, much amplified by his upturned moustache.
Judith Jans Leyster was a Dutch Golden Age painter of genre works, portraits, and still lifes. Her work was highly regarded by her contemporaries, but largely forgotten after her death. Her entire oeuvre came to be attributed to Frans Hals or to her husband, Jan Miense Molenaer. In 1893, she was rediscovered and scholars began to attribute her works correctly.
Maastricht Institute of Arts, formerly known as the Academie Beeldende Kunsten Maastricht and the Stadsacademie voor Toegepaste Kunsten, is a cluster of visual arts education from Zuyd University of Applied Sciences in Maastricht. The institute offers higher education in Bachelor of Education, Fine Arts and Design, Communication Design, Architecture and Interior Design, Interdisciplinary Arts, and in Master of Scientific Illustration, Architecture and Interior Design. Since 2020, the institute, in cooperation with the Academies of Music and Theatre, the Jan van Eyck Academy and Maastricht University, has offered the possibility of a doctorate in the visual arts. The institute focuses on the meaning of art as a phenomenon in its own right, with its own insights and laws.
Dutch architecture has played an important role in the international discourse on architecture in three eras. The first of these was during the 17th century, when the Dutch empire was at the height of its power. The second was in the first half of the 20th century, during development of modernism. The third is not concluded and involves many contemporary Dutch architects who are achieving global prestige.
Roemer van Toorn, born 1960 in Amsterdam, Netherlands, is a Dutch architectural theorist, professor, writer, lecturer and photographer. Currently he is Professor Architectural Theory at the Umeå School of Architecture (UMA), in Umeå, Sweden.
Bart Lootsma studied architecture at the Eindhoven University of Technology during 1975–1984. He is a historian, critic, and curator in the fields of architecture, design, and fine arts. He holds the chair for architectural theory at the Leopold-Franzens University of Innsbruck and is also professor at the Institute for History, Theory and Critic in Architecture at the Academy of Applied Arts in Vienna.
Wiel Arets is a Dutch architect, architectural theorist, urbanist, industrial designer and the former dean of the college of architecture at the Illinois Institute of Technology in Chicago, in the United States of America. Arets was previously the 'Professor of Building Planning and Design' at the Berlin University of the Arts (UdK), Germany, and studied at the Technical University of Eindhoven, graduating in 1983. The same year later he founded Wiel Arets Architects, a multidisciplinary architecture and design studio, today with studios in Amsterdam, Maastricht, Munich, and Zürich. From 1995-2002 he was the dean of the Berlage Institute in Rotterdam, where he introduced the idea of 'progressive-research' and co-founded the school's architectural journal named HUNCH.
The Berlage Institute was an independent unaccredited postgraduate school of architecture in Amsterdam and Rotterdam, Netherlands, that operated from 1990 to 2012. Named after the Dutch architect Hendrik Petrus Berlage, the Institute had an international student population and teaching staff.
Edwin van Gelder is a Dutch graphic designer and art director based in Amsterdam. He graduated from the graphic design department at the Utrecht School of the Arts in 2004. In 2005 Van Gelder founded graphic design studio Mainstudio.
Seymour Slive was an American art historian, who served as director of the Harvard Art Museums from 1975 to 1984. Slive was a scholar of Dutch art, specifically of the artists Rembrandt, Frans Hals, and Jacob van Ruisdael.
Gijsbert Claesz van Campen, was a Dutch cloth merchant of Haarlem who is most famous today for his family portrait painted by Frans Hals. The sitters in this painting have been identified by Pieter Biesboer as the family of Gijsbert Claesz. van Campen and is today split into three parts; the left half is in the collection of the Toledo Museum of Art, with an extra baby lower left added by Salomon de Bray in 1628, the center half is in the collection of the Royal Museums of Fine Arts of Belgium, Brussels, and a third fragment on the far right from a European private collection make up the three known surviving pieces of the original portrait. These three segments were reunited at the Toledo Museum of Art for an exhibition October 18, 2018 – January 6, 2019. The exhibition traveled to the RMFAB in Brussels from February 2 – April 28, 2019 and the Collection Frits Lugt in Paris, from June 8 – August 25, 2019.
Ernst Wilhelm Moes, was a Dutch art historian and director of the print cabinet for the Rijksmuseum.
Marriage Portrait of Isaac Massa and Beatrix van der Laen is a painting by the Dutch Golden Age painter Frans Hals, painted c. 1622 and now in the Rijksmuseum, Amsterdam. The couple has been identified as Isaac Massa and his bride Beatrix van der Laen.
The Threatened Swan is an oil painting of a mute swan made around 1650 by Dutch Golden Age painter Jan Asselijn. The work is in the collection of the Rijksmuseum in Amsterdam in the Netherlands.
Portrait of a Dutch Family is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted c. 1635 and now in the Cincinnati Art Museum, Cincinnati.
Quentin Buvelot is a Dutch art historian. He works as the chief curator at the Mauritshuis in The Hague, and is regarded as a specialist in the painting of the Dutch Golden Age.
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