Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time music, though in contrast to country, it is traditionally played exclusively on acoustic instruments and also kept its roots in traditional English, Scottish and Irish ballads and dance tunes, as well as incorporating blues and jazz. It was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Bill Monroe once described bluegrass music as, "It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."
The term American folk music encompasses numerous music genres, variously known as traditional music, traditional folk music, contemporary folk music, vernacular music, or roots music. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks."
Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, contra dance, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle and plucked string instruments, most often the banjo, guitar, and mandolin. Together, they form an ensemble called the string band, which along with the simple banjo-fiddle duet have historically been the most common configurations to play old-time music. The genre is considered a precursor to modern country music.
"The Wife of Usher's Well" is a traditional ballad, catalogued as Child Ballad 79 and number 196 in the Roud Folk Song Index. An incomplete version appeared in Sir Walter Scott's "Minstrelsy of the Scottish Border" (1802). It is composed of three fragments. They were notated from an old woman in West Lothian. The Scottish tune is quite different from the English tune, and America produced yet another tune. William Motherwell also printed a version in "Minstrelsy Ancient and Modern" (1827). Cecil Sharp collected songs from Britain but had to go the Appalachian Mountains to locate this ballad. He found 8 versions and 9 fragments. In the first half of the twentieth century many more versions were collected in America.
"Frog Went a-Courtin'" is an English-language folk song. Its first known appearance is in Wedderburn's Complaynt of Scotland (1549) under the name "The Frog cam to the Myl dur", though this is in Scots rather than English. There is a reference in the London Company of Stationers' Register of 1580 to "A Moste Strange Weddinge of the Frogge and the Mouse." There are many texts of the ballad; however the oldest known musical version is found in Thomas Ravenscroft's Melismata in 1611.
"Silver Dagger", with variants such as "Katy Dear", "Molly Dear", "The Green Fields and Meadows", "Awake, Awake, Ye Drowsy Sleepers" and others, is an American folk ballad, whose origins lie possibly in Britain. These songs of different titles are closely related, and two strands in particular became popular in commercial country music and folk music recordings of the twentieth century: the "Silver Dagger" version popularised by Joan Baez, and the "Katy Dear" versions popularised by close harmony brother duets such as The Callahan Brothers, The Blue Sky Boys and The Louvin Brothers.
"Banks of the Ohio", also known as "Down on the Banks of the Ohio" and "I'll Never Be Yours", is a 19th-century murder ballad, written by unknown authors. The lyrics tell of "Willie" who invites his young lover for a walk during which she rejects his marriage proposal, and once they are alone on the river bank, he murders the young woman.
"On Top of Old Smoky" is a traditional folk song of the United States. As recorded by The Weavers, the song reached the pop music charts in 1951. It is catalogued as Roud Folk Song Index No. 414.
Appalachian music is the music of the region of Appalachia in the Eastern United States. Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles, and to a lesser extent the music of Continental Europe.
"Pretty Polly", "The Gosport Tragedy" or "The Cruel Ship's Carpenter" is a traditional English-language folk song found in the British Isles, Canada, and the Appalachian region of North America, among other places.
"Darlin' Cory" is a well-known American folk song about love, loss, and moonshine. It is similar in theme to "Little Maggie" and "The Gambling Man" but is not considered the same as those songs.
Buell Kazee was an American country and folk singer. He is considered one of the most successful folk musicians of the 1920s and experienced a career comeback during the American folk music revival of the 1960s due in part to his inclusion on the Anthology of American Folk Music.
Strictly Instrumental is the title of a recording by American folk music artists Doc Watson, Lester Flatt and Earl Scruggs, released in 1967.
The McDowell County Courthouse is a historic courthouse in Welch, West Virginia. It was placed on the National Register of Historic Places on August 29, 1979.
"Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, American Ballads and Folk Songs, by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".
"The Butcher’s Boy" or "The Butcher Boy" is an American folk song derived from traditional English ballads. Folklorists of the early 20th century considered it to be a conglomeration of several English broadside ballads, tracing its stanzas to "Sheffield Park", "The Squire's Daughter", "A Brisk Young Soldier", "A Brisk Young Sailor" and "Sweet William " and "Died for Love".
"Down in the Willow Garden", also known as "Rose Connelly", is a traditional Appalachian murder ballad. It is written from the perspective of a man facing the gallows for the murder of his lover, to whom he gave poisoned wine, then stabbed, and threw in a river. It originated in the 19th century, probably in Ireland, before becoming established in the United States. The lyrics greatly vary among earlier versions, but professional recordings have stabilized the song in a cut-down form. First professionally recorded in 1927, it was made popular by Charlie Monroe's 1947 version, and it has been recorded dozens of times since then.
In the study of folklore, the folk process is the way folk material, especially stories, music, and other art, is transformed and re-adapted in the process of its transmission from person to person and from generation to generation. The folk process defines a community—the "folk community"—in and through which folklore is transmitted. While there is a place for professional and trained performers in a folk community, it is the act of refinement and creative change by community members within the folk tradition that defines the folk process.
