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Jose Luis Gonzalez | |
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 Gonzalez in March 2015 |
Jose Luis Gonzalez (also known as J.L. Goez, Joe L. Gonzalez) is a restorer, designer, painter, muralist, sculptor, ceramist, appraiser, importer, and arts administrator.
He was the first born of a father from Jalisco, Mexico and mother from Arizona, USA. Born in 1939, in Aguascalientes, Mexico, Jose Luis arrived in Los Angeles, California with his mother in 1947. Shortly, thereafter, his father and his siblings started a new life in Los Angeles, California.
Jose Luis first attended Pio Pico Elementary School in Pico Rivera, later Malabar Street School in East Los Angeles. At the age of 9, he was enrolled in Assumption Catholic School; graduated, then entered Don Bosco Technical Institute in San Gabriel. His class was the first graduating class in 1959.
In 1957, at the age of 17, he was hired as an apprentice under Eddie Fusek at Fusek's Religious Art Studio, and performed projects, creating crosses, restoring religious statues, etc. He attended East Los Angeles College, studied under Olinto Marcucci Ramirez, Rudolf Vargas, Professor Aldana, Angel Hernandez, and was personal friend of the famed Rufino Tamayo.
Gonzalez has created numerous murals, shrines, monuments and restorations. He received a City of Los Angeles Certificate of Service for his chairmanship of The Los Angeles City Bicentennial Committee from Mayor Tom Bradley on September 28, 1976. He received the Bronze Medallion of Mexico City from Dr. Carlos Hank Gonzalez, Mayor of Mexico City, in 1981 for his contributions toward the Mexico City and Los Angeles Sister City project. In 1984 Peter Ueberroth, President of the Olympic Committee, along with Harry L. Usher and Paul Ziffren, presented him a Certificate and Bronze Medal for his contributions to the success of the 23rd Olympiad held in Los Angeles known also as the 1984 Summer Olympics.
Gonzalez was sentenced to five years probation in 1983 after admitting to a federal felony charge related to this enrollment in a federal jobs program for the needy and subsequently being paid thousands of dollars for work he didn't do. [1] The program was administered by The East Los Angeles Community Union (TELACU), a social service non-profit. [1] Gonzalez was also paid at least $458,000 by TELACU for contracts awarded to his art companies at the same time he was serving as vice chair of its board of directors, which was cited as a possible conflict of interest by the U.S. Department of Labor, Office of Inspector General. [2] [3] [4] [5]
José Luis Cuevas was a Mexican artist, he often worked as a painter, writer, draftsman, engraver, illustrator, and printmaker. Cuevas was one of the first to challenge the then dominant Mexican muralism movement as a prominent member of the Generación de la Ruptura. He was a mostly self-taught artist, whose styles and influences are moored to the darker side of life, often depicting distorted figures and the debasement of humanity. He had remained a controversial figure throughout his career, not only for his often shocking images, but also for his opposition to writers and artists who he feels participate in corruption or create only for money. In 1992, the José Luis Cuevas Museum was opened in the historic center of Mexico City holding most of his work and his personal art collection. His grandson Alexis de Chaunac is a contemporary artist.
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Guillermo Ceniceros is a Mexican painter and muralist, best known for his mural work in Mexico City, as well as his figurative easel work. He began his mural painting career as an assistant to mural painters such as Federico Cantú, Luis Covarrubias and then David Alfaro Siqueiros who was a mentor and a key influence. Ceniceros is the most notable of Siqueiros' assistants. While he has experimented with abstract expression, his easel work mostly classifies as figurativism and is influenced by the geometrical construct of Mexican muralism. He has had over 300 individual and collective exhibitions in Mexico and the International stage. His work has been recognized by the Mexican Ministry of Culture and several of its institutions. He has painted over 20 large scale Mural Paintings with some of the most notable being the large scale work for the Legislative Palace of San Lazaro as well as his murals in the Metro Subway System. He is a member of the Salón de la Plástica Mexicana. In 1995, the State of Durango, Ceniceros' native state, opened to the public the Guillermo Ceniceros Art Museum within the oversight of the Ministry of Culture. Ceniceros has been reviewed by notable critics such as Berta Taracena, Raquel Tibol, Alaide Foppa, Graciela Kartofel, José Angel Leyva and Eduardo Blackaller among others. There are several publications about his work including a vast review of his art life endeavors developed by the Ministries of Culture of Durango and Nuevo León. He is married to the artist Esther González and lives in his studio house in the Colonia Roma of Mexico City.
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