Judith K. Brodsky

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Judith Kapstein Brodsky (born 1933) is an American artist, curator, and author known for her contributions to feminist discourse in the arts. She received her B.A. from Harvard University where she majored in Art History, and an M.F.A. from Tyler School of Art at Temple University. She is Professor Emerita in the Department of Visual Arts at Rutgers, State University of New Jersey. A printmaker herself, Brodsky is founding Director of the Rutgers Center for Innovative Print and Paper in 1996, [1] later renamed the Brodsky Center in her honor in September 2006, [2] and which later joined the Philadelphia Academy of Fine Arts (PAFA) in 2018. She was also co-founder, with Ferris Olin, of the Center for Women in the Arts and Humanities at Rutgers University in 2006. She was the first artist appointed as president of the Women's Caucus for Art, an active Affiliated Society of the College Art Association.

Contents

Biography

Brodsky was born in 1933 in Providence, Rhode Island. She studied Art History at Radcliffe, where she graduated in 1954. Married in her junior year of college, as a wife and mother later living in Princeton, New Jersey, Brodsky is said to have "drawn a circle" on a map around her home to determine how far away she could go to school and still return home by the time her children returned from school. [3] That circle led Brodsky to Temple University's Tyler School of Art and Architecture. Her feminist actions began early, in 1960 while at Tyler, where she helped found FOCUS, a festival celebrating women artists. The festival drew such renowned artists as feminist artist Judy Chicago and abstract expressionist Lee Krasner. Presciently, the festival's success sowed discontent among male artists: “We got sued,” Brodsky recalls, “by a male artist who said he couldn’t get a show during that period because the galleries were only showing women.” [4]

She was Chairperson of the Art Department at Beaver College, Jenkintown, Pennsylvania before coming to Rutgers University in 1978. She retired in 2001 as Distinguished Professor Emerita in the Department of Visual Arts at Rutgers. Brodsky continues to be influential in her active role in the College Art Association, and as Board Chair of the New York Fine Arts Foundation. Brodsky was interviewed for !Women Art Revolution . [5] In 2016, she received an honorary Doctor of Fine Arts at Rider University.

Influence and reception

The power of feminist art : the American movement of the 1970s, history and impact, which was published in 1994 and which Brodsky co-wrote and edited with Norma Broude and Mary D. Garrard, was the first major art history text focusing solely on American art made by women. [6] The book particularly focused on women's art during the 1970s, which coincideded with the American Women's Movement, and impacted subsequent generations of feminist artists and art historians, for whom it remains a relevant resource. [7] [8] As testament to the book's impact, the three authors were interviewed in 2021 on the occasion of the 100th anniversity of the College Art Association. [9]

Yet, as British feminist art historian Grizelda Pollock noted in her 1995 review at the time, the "triumph" of women's art in the book was not merely premature, as Pollock notes women artists 20 years after those celebrated in the book were still struggling for recognition; but also "smacks of the cold war triumphalism" prominent in the U.S. during the 1980-90s, and does not acknowledge the ways that feminist perspectives are themselves disputed within and by many of the works included. [10]

Art

A printmaker, Brodsky’s work is in the permanent collections of more than 100 museums and corporations such as The Library of Congress; the Victoria & Albert Museum, London; The Stadtsmuseum, Berlin; the Grunwald Center for the Graphic Arts, University of California at Los Angeles; the Rhode Island School of Design Museum; the New Jersey State Museum; and the Fogg Museum at Harvard.

Of particular note is a one-person exhibition of her work, Memoir of an Assimilated Family, at the Philadelphia Museum of Jewish Art (March 3, 2010 - July 30, 2010). Consisting of approximately 150 etchings based on old family photographs, Brodsky's exhibited oeuvre negotiates cultural assimilation and how the Holocaust functions as lens through which to view family.

Books and exhibition catalogues

Curating

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References

  1. ↑ Zimmer, William (2002-12-15). "ART REVIEW; Redefining The Nature Of a Print". The New York Times. ISSN   0362-4331 . Retrieved 2021-12-30.
  2. ↑ "Rutgers Center for Innovative Print and Paper Renamed in Honor of Founding Director Judith K. Brodsky". Rutgers. 2006-10-24. Retrieved 2023-06-14.
  3. ↑ "Judith Kapstein Brodsky - Biography". www.askart.com. Retrieved 2021-12-29.
  4. ↑ Baron, Violet (2016-08-09). "Beauty from Disarray". Harvard Magazine. Retrieved 2021-12-29.
  5. ↑ "Artist, Curator & Critic Interviews: Sylvia Sleigh". !Women Art Revolution: Voices of a Movement. 21 September 2016. Retrieved 20 February 2020.
  6. ↑ "Nonfiction Book Review: The Power of Feminist Art: The American Movement of the 1970s, History and Impact by Norma Broude, Editor, Mary D. Garrard, Editor, Mary D. Garrand, Editor ABRAMS $60 (318p) ISBN 978-0-8109-3732-1". PublishersWeekly.com. Retrieved 2021-12-29.
  7. ↑ Brodsky, Judith K.; Olin, Ferris (2008-01-01). "Stepping out of the Beaten Path: Reassessing the Feminist Art Movement". Signs: Journal of Women in Culture and Society. 33 (2): 329–342. doi:10.1086/521062. ISSN   0097-9740. S2CID   144913217.
  8. ↑ Brodsky, Judith K.; Olin, Ferris (2008). "Stepping out of the Beaten Path: Reassessing the Feminist Art Movement". Signs: Journal of Women in Culture and Society. 33 (2): 329–342. doi:10.1086/521062. S2CID   144913217.
  9. ↑ Association, College Art (2021-12-17). "Judith Brodsky, Mary Garrard, and Ferris Olin, Co-authors of Chapter 11, "Governance and Diversity"". CAA News | College Art Association. Retrieved 2021-12-29.
  10. ↑ Pollock, Griselda (1995-01-01). "The Power of Feminist Art: Emergence, Impact and Triumph of the American Feminist Art Movement". Women's Art Magazine (62): 33–35.
  11. ↑ "The Fertile Crescent: Gender, Art, and Society – Ethical Culture Society of Bergen County NJ". ethicalfocus.org. Retrieved 2021-12-30.
  12. ↑ Almino, Elisa Wouk (2019-04-19). "Reflections on Aging, Identity, and Social Justice in Potent Prints". Hyperallergic. Retrieved 2021-12-29.
  13. ↑ Purcell, Janet (2019-03-20). "Fine Arts: The metamorphosis of the printed page". nj. Retrieved 2021-12-30.
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