The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
The bogeyman is a mythical creature used by adults to frighten children into good behaviour. Bogeymen have no specific appearances and conceptions vary drastically by household and culture, but they are most commonly depicted as masculine or androgynous monsters that punish children for misbehaviour. The bogeyman, and conceptually similar monsters can be found in many cultures around the world. Bogeymen may target a specific act or general misbehaviour, depending on the purpose of invoking the figure, often on the basis of a warning from an authority figure to a child. The term is sometimes used as a non-specific personification of, or metonym for, terror, and sometimes the Devil.
The music of Montserrat is influenced by Irish traditions, noticeable in the set dance-like Bam-chick-lay, and the presence of fife and drum ensembles similar to the bodhrán. Natives are also witness to the jumbie dance, the style of which is still strongly African. Instruments include the ukulele and shak-shak, an African instrument made from a calabash gourd; both of these are used in traditional string bands. Calypso and spiritual-influenced vocal choirs, like the Emerald Isle Community Singers, are popular.
Obeah, also spelled Obiya or Obia, is a broad term for African diasporic religious, spell-casting, and healing traditions found primarily in the former British colonies of the Caribbean. These practices derive much from West African traditions but also incorporate elements of European and South Asian origin. Many of those who practice these traditions avoid the term Obeah due to the word's pejorative connotations in many Caribbean societies.
Afro-Caribbean people or African Caribbean are Caribbean people who trace their full or partial ancestry to Africa. The majority of the modern Afro-Caribbean people descend from the Africans taken as slaves to colonial Caribbean via the trans-Atlantic slave trade between the 15th and 19th centuries to work primarily on various sugar plantations and in domestic households. Other names for the ethnic group include Black Caribbean, Afro or Black West Indian or Afro or Black Antillean. The term Afro-Caribbean was not coined by Caribbean people themselves but was first used by European Americans in the late 1960s.
The church grim is a guardian spirit in English and Nordic folklore that oversees the welfare of a particular Christian church, and protects the churchyard from those who would profane and commit sacrilege against it. It often appears as a black dog but is known to take the form of other animals. In modern times, when black dogs are kept as pets in churches and their attached parsonages, these are called church Grims since they reside on and guard ecclesiastical property.
Duppy is a word of African origin commonly used in various Caribbean Islands, including The Bahamas, Barbados and Jamaica, meaning ghost or spirit. The word is sometimes spelled duffy.
A Mocko Jumbie is a traditional stilt walker or spirit dancer, ingrained in the cultural heritage of the U.S. Virgin Islands for over 200 years. Originating from West African traditions, these cultural practices were introduced to the Caribbean island by enslaved individuals during the 19th century, forming an intricate tapestry of their heritage and history.
A soucouyant, among other names, is a kind of shape-shifting, blood-sucking hag present in Caribbean folklore.
Colombian folklore are beliefs, customs and cultural traditions in Colombia.
Mythic humanoids are legendary, folkloric, or mythological creatures that are part human, or that resemble humans through appearance or character. Each culture has different mythical creatures that come from many different origins, and many of these creatures are humanoids. They are often able to talk and in many stories they guide the hero on their journey.
"Jumbie Jamberee" is a calypso song credited to Conrad Eugene Mauge, Jr. In 1953 Lord Intruder released the song as the B-side to "Disaster With Police". The song is also known as "Zombie Jamboree" and "Back to Back". The introduction to the Kingston Trio's version humorously credits "Lord Invader and his Twelve Penetrators" with authorship of the song instead of Lord Intruder.
A bhoota or bhuta is a supernatural creature, usually the ghost of a deceased person, in the popular culture, literature and some ancient texts of the Indian subcontinent. Interpretations of how bhootas come into existence vary by region and community, but they are usually considered to be perturbed and restless due to some factor that prevents them from moving on. This could be a violent death, unsettled matters in their lives, or simply the failure of their survivors to perform proper funerals.
Thai folklore is a diverse set of mythology and traditional beliefs held by the Thai people. Most Thai folklore has a regional background for it originated in rural Thailand. With the passing of time, and through the influence of the media, large parts of Thai folklore have become interwoven with the wider popular Thai culture.
The night hag or old hag is the name given to a supernatural creature, commonly associated with the phenomenon of sleep paralysis. It is a phenomenon which a person feels during a presence of a supernatural malevolent being which immobilizes the person as if sitting on their chest or the foot of their bed. The word "night-mare" or "nightmare" was used to describe this phenomenon before the word received its modern, more general meaning. Various cultures have various names for this phenomenon and supernatural character.
The traditional Jamaican Maroon religion, otherwise known as Kumfu, was developed by a mixing of West and Central African religious practices in Maroon communities. While the traditional religion of the Maroons was absorbed by Christianity due to conversions in Maroon communities, many old practices continued on. Some have speculated that Jamaican Maroon religion helped the development of Kumina and Convince. The religious Kromanti dance is still practiced today but not always with the full religious connotation as in the past.
Caribbean Shaktism, also known as Kalimai Dharma or Madras Religion in Guyana, refers to the syncretic Shakti Kali/Mariamman worship that has evolved within the Indo-Caribbean Tamil community in countries such as Guyana, Trinidad and Tobago, Guadeloupe, Martinique, Jamaica and Suriname. It can be found across the Caribbean and any South American country with an Indo-Caribbean community. It is a syncretic blend of Dravidian folk religion and Hinduism and has also been influenced by other cultural and religious traditions found in the Caribbean such as Catholicism, Trinidad Orisha, Comfa and Obeah. It is considered to be a form of Folk Tamil Hinduism and many attend services of Vedic Origin, more Orthodox Tamil Origin, and Madrasi origin.
