Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity, severity, and heightened feeling, which harmonized with the moral climate of the final years of the Ancien Régime.
Anne-Louis Girodet de Roussy-Trioson, also known as Anne-Louis Girodet-Trioson or simply Girodet, was a French painter and pupil of Jacques-Louis David, who participated in the early Romantic movement by including elements of eroticism in his paintings. Girodet is remembered for his precise and clear style and for his paintings of members of the Napoleonic family.
Jean-Baptiste Regnault was a French painter.
Louis-Jean-François Lagrenée was a French rococo painter and student of Carle van Loo. He won the Grand Prix de Rome for painting in 1749 and was elected a member of the Académie royale de peinture et de sculpture in 1755. His younger brother Jean-Jacques Lagrenée was also a painter.
Venus and Cupid with a Satyr is a painting by the Italian High Renaissance artist Antonio da Correggio. It is now in the Musée du Louvre in Paris.
The Death of Marat is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. One of the most famous images from the era of the French Revolution, it was painted when David was the leading French Neoclassical painter, a Montagnard, and a member of the revolutionary Committee of General Security. Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his assassination by Charlotte Corday on 13 July 1793. Art historian T. J. Clark called David's painting the first modernist work for "the way it took the stuff of politics as its material, and did not transmute it".
Marie-Guillemine Benoist, born Marie-Guillemine Laville-Leroux, was a French neoclassical, historical, and genre painter.
Fleury François Richard, sometimes called Fleury-Richard, was a French painter of the Lyon School. A student of Jacques-Louis David, Fleury-Richard and his friend Pierre Révoil were precursors of the Troubadour style.
Jean-Baptiste Marie Pierre was a French painter, draughtsman and administrator.
Jean-Baptiste Wicar was a French Neoclassical painter and art collector.
The Portrait of Pope Pius VII is an 1805 portrait of Pope Pius VII by the French painter Jacques-Louis David to thank the pope for assisting at the coronation of Napoleon I of France. Pope Pius appears in David's The Coronation of Napoleon, depicted as blessing the emperor, when in fact he was merely a spectator, assisting at the ceremony with a resigned expression throughout.
Portrait of Madame Récamier is an 1800 portrait of the Parisian socialite Juliette Récamier by Jacques-Louis David showing her in the height of Neoclassical fashion, reclining on a Directoire style sofa in a simple Empire line dress with almost bare arms, and short hair "à la Titus." The work is unfinished.
Pierre Audouin (1768–1822) was a French engraver, and pupil of Beauvarlet.
Self-Portrait(in French: Autoportrait) is the title of a self-portrait painted by the artist Jacques-Louis David in 1794 while in imprisoned at the Hôtel des Fermes for having supported the Robespierreans. It was his third and last self-portrait. He gave the work to his former student Jean-Baptiste Isabey. It entered the collections of the Louvre in 1852.
Nicolas-Henri Tardieu, called the "Tardieu the elder", was a prominent French engraver, known for his sensitive reproductions of Antoine Watteau's paintings. He was appointed graveur du roi to King Louis XV of France. His second wife, Marie-Anne Horthemels, came from a family that included engravers and painters. She is known as an engraver in her own right. Nicolas-Henri and Marie-Anne Tardieu had many descendants who were noted artists, most of them engravers.
Henriette de Verninac (1780–1827) was the daughter of Charles-François Delacroix, minister of Foreign Affairs under the Directory, and wife of the diplomat Raymond de Verninac Saint-Maur. She is known as the subject of a portrait by Jacques-Louis David.
Jupiter and Antiope is an oil painting by the French artist Antoine Watteau. It is also known as the Satyr and the Sleeping Nymph and was probably painted between 1714 and 1719. Intended to be placed over a doorway, today it hangs in the Musée du Louvre in Paris.
La Dormeuse de Naples was an 1809 painting by the French artist Jean-Auguste-Dominique Ingres, now lost. He reused the pose in two later works, Odalisque with Slave (1839) and Jupiter and Antiope (1851).
The Anger of Achilles is an oil-on-canvas painting of 1819 by the French artist Jacques-Louis David. It is in the collection of the Kimbell Art Museum, Fort Worth, Texas.
The Pardo Venus is a painting by the Venetian artist Titian, completed in 1551 and now in the Louvre Museum. It is also known as Jupiter and Antiope, since it seems to show the story of Jupiter and Antiope from Book VI of the Metamorphoses. It is Titian's largest mythological painting, and was the first major mythological painting produced by the artist for Philip II of Spain. It was long kept in the Royal Palace of El Pardo near Madrid, hence its usual name; whether Venus is actually represented is uncertain. It later belonged to the English and French royal collections.
