Juxtlahuaca

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Painting 1 from Juxtlahuaca. Juxtlahuaca Painting 1.svg
Painting 1 from Juxtlahuaca.

JuxtlahuacaSpanish pronunciation:  [xuʃtɬaˈwaka] is a cave and archaeological site in the Mexican state of Guerrero containing murals linked to the Olmec motifs and iconography. Along with the nearby Oxtotitlán cave, Juxtlahuaca walls contain the earliest sophisticated painted art known in Mesoamerica, [1] and only known example of non-Maya deep cave art in Mesoamerica. [2]

Archaeological site Place in which evidence of past activity is preserved

An archaeological site is a place in which evidence of past activity is preserved, and which has been, or may be, investigated using the discipline of archaeology and represents a part of the archaeological record. Sites may range from those with few or no remains visible above ground, to buildings and other structures still in use.

Guerrero State of Mexico

Guerrero, officially the Free and Sovereign State of Guerrero, is one of the 31 states which, with the Federal District, comprise the 32 Federal Entities of Mexico. It is divided in 81 municipalities and its capital city is Chilpancingo and its largest city is Acapulco.

Mural piece of artwork painted or applied directly on a large permanent surface

A mural is any piece of artwork painted or applied directly on a wall, ceiling or other permanent surface. A distinguishing characteristic of mural painting is that the architectural elements of the given space are harmoniously incorporated into the picture.

Contents

The cave

Juxtlahuaca and other Olmec-related sites in the Formative Period. Formative Era sites.svg
Juxtlahuaca and other Olmec-related sites in the Formative Period.

The Juxtlahuaca site is located some 45 km southeast of the state capital Chilpancingo in what is now a National Park. The entire cave system is slightly over 5 km. The caves, also called Grutas de Juxtlahuaca ("Grottos of Juxtlahuaca"), are a favorite destination of spelunkers. The caves are open to the public, but a local guide is required.

Chilpancingo Place in Guerrero, Mexico

Chilpancingo de los Bravo is the capital and second-largest city of the state of Guerrero, Mexico. In 2010 it had a population of 187,251 people. The municipality has an area of 2,338.4 km2 (902.9 sq mi) in the south-central part of the state, situated in the Sierra Madre del Sur, on the bank of the Huacapa River. The city is on Mexican Federal Highway 95 which connects Acapulco to Mexico City. It is served by Chilpancingo National Airport, which is one of the five airports in the state.

The site's paintings have been estimated to be over a kilometre down a long cavern: descent times are roughly two hours and some passages are partially filled with water.

The paintings

The red jaguar. Juxtlahuaca Jaguar (M Lachniet).jpg
The red jaguar.

The most well-known of the cave art is Painting 1, which features a large bearded man with a black cloak, a striped tunic, and an elaborate headpiece. The arms and legs are covered with jaguar fur, and a small jaguar tail is even visible dangling down. The man is brandishing a trident at a much smaller figure crouched to his side and is carrying a long snake or snakelike object. [3] This 2 meter (6 foot) tall painting is one of the rare Olmec-style portrayals of human-on-human dominance, [4] which some researchers interpret as a scene of human sacrifice. [5]

Jaguar species of mammal

The jaguar is a wild cat species and the only extant member of the genus Panthera native to the Americas. The jaguar's present range extends from Southwestern United States and Mexico in North America, across much of Central America, and south to Paraguay and northern Argentina in South America. Though there are single cats now living within the Western United States, the species has largely been extirpated from the United States since the early 20th century. It is listed as Near Threatened on the IUCN Red List; and its numbers are declining. Threats include loss and fragmentation of habitat.

Trident three-prong spear

Trident is a three-pronged spear. It is used for spear fishing and historically as a polearm. The trident is the weapon of Poseidon, or Neptune, the God of the Sea in classical mythology. In Hindu mythology, it is the weapon of Shiva, known as trishula. It has been used by farmers as a decorticator to remove leaves, seeds, and buds from the stalks of plants such as flax and hemp.

The feathered serpent. Juxtlahuaca Serpent (M Lachniet).jpg
The feathered serpent.

Also of note in Juxtlahuaca is a painting of a red Feathered Serpent with green plumes, near a red jaguar whose large ears and eyes give it a youthful cast. A design that has provisionally been interpreted as a temple was found on a stalagmite. [6]

The cave paintings have been known since at least the 1920s, but were first professionally documented in the early 1960s by Gillett Griffin of Princeton University and Carlo T. E. Gay, an Italian businessman. Archaeologist Michael D. Coe has estimated that the paintings "might probably be Early Preclassic (1200-900 BC, uncalibrated)" in date. [7] Juxtalhuaca is, so far as is known, unassociated with any large town of that period. It is also not known how Olmec-influenced art came to be painted hundreds of kilometres (or miles) from the Olmec heartland. Caves are prominent on many Olmec-style monuments: several Olmec "altars" depict priests or rulers emerging from caves, and monuments and reliefs at the archaeological site of Chalcatzingo, to the north of Juxtlahuaca, also feature cave motifs.

Princeton University is a private Ivy League research university in Princeton, New Jersey. Founded in 1746 in Elizabeth as the College of New Jersey, Princeton is the fourth-oldest institution of higher education in the United States and one of the nine colonial colleges chartered before the American Revolution. The institution moved to Newark in 1747, then to the current site nine years later, and renamed itself Princeton University in 1896.

Michael D. Coe is an American archaeologist, anthropologist, epigrapher and author. Primarily known for his research in the field of pre-Columbian Mesoamerican studies, Coe has also made extensive investigations across a variety of other archaeological sites in North and South America. He has also specialised in comparative studies of ancient tropical forest civilizations, such as those of Central America and Southeast Asia. He currently holds the chair of Charles J. MacCurdy Professor of Anthropology, Emeritus, Yale University, and is Curator Emeritus of the Anthropology collection in the Peabody Museum of Natural History, where he had been Curator from 1968 to 1994.

Mesoamerican chronology Divides the history of pre-Columbian Mesoamerica into several periods

Mesoamerican chronology divides the history of prehispanic Mesoamerica into several periods: the Paleo-Indian, the Archaic, the Preclassic or Formative, the Classic (250–900CE), and the Postclassic, Colonial (1521–1821), and Postcolonial (1821–present). The periodization of Mesoamerica is based on archaeological, ethnohistorical, and modern cultural anthropology research. The endeavor to create cultural histories of Mesoamerica dates to the early twentieth century, with ongoing work by archeologists, ethnohistorians, historians, and cultural anthropologists.

Other artifacts

A photo of the ruler and smaller figure. Juxtlahuaca Ruler (M Lachniet).jpg
A photo of the ruler and smaller figure.

A dozen skeletons have been found in the so-called Hall of the Dead, located midway between the entrance and the paintings. From their positions, some extended and some in a fetal position, and their condition, covered with a stalactite crust, the skeletons are assumed to be ancient interments. Some have been partially buried as a result of a cave-in. [8]

Just before the paintings, a 250-foot (80 m) artificial canal has been cut into the red clay floor of the cave. The purpose of this canal is not known.

See also

Notes

  1. Grove (2000).
  2. Stone (1997).
  3. Some have seen this as a rope that is tied to the smaller figure: flowstone may have obscured the object so that it is seen as a snake-like object and a belt around the smaller figure.
  4. The other two prominent displays of human-on-human domination are Chalcatzingo's Monument 2 and Altar 4 at La Venta.
  5. Coe (2005).
  6. Griffin, p.4.
  7. Coe (2005).
  8. Coe (1968), p. 99.

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References

Coordinates: 17°26′21.36″N99°9′34.03″W / 17.4392667°N 99.1594528°W / 17.4392667; -99.1594528