Srilata K | |
---|---|
![]() Srilata in 2016 | |
Born | Ranchi |
Nationality | Indian |
Occupation(s) | Academic, Poet, Author |
K. Srilata (also known as Srilata Krishnan) is an Indian poet, fiction writer, translator and academic based in Chennai. [1] Her poem, In Santa Cruz, Diagnosed Home Sick won the First Prize in the All India Poetry Competition (organized by the British Council and The Poetry Society (India)) in 1998. [2] She has also been awarded the Unisun British Council Poetry Award (2007) and the Charles Wallace writing residency at the University of Sterling (2010). [3] Her debut novel Table for Four was long-listed in 2009 for the Man Asian Literary Prize and released in 2011. [4] [5]
Srilata’s most recent collection of poems, Footnotes to the Mahabharata , [6] [7] [8] [9] [10] was published by Westland/Context in 2025. The collection is made up of five poetic sequences which explore the interior lives of Alli, Hidimbi, Draupadi, Gandhari and Kunti and is shaped around what remains unexamined or invisible within extant interpretations. The poems use as their starting point, off-centre interpretations, revised and altered tales. Footnotes to the Mahabharata opens with a sequence based on Alli, a character exclusive to the Tamil, Dravidian tradition, not on the map of the mainstream Mahabharata. The book inspired a performative reading by Madras Players, a theatre group based in Chennai.
Translator, scholar and writer Arshia Sattar writes of the book:
“Srilata's polished gems illuminate the inner world of the Mahabharata, where the women live and love and wait and watch.”
Poet, fabulist and librettist Karthika Nair says:
“In Footnotes to the Mahabharata, K. Srilata draws readers into the inner, intimate, worlds of some of the Mahabharata’s most compelling women whose choices and destinies power the narrative even in the canonical tellings, although they are usually denied the space there to express themselves.”
Poet and award-winning author Arundhathi Subramaniam writes:
“In her new work, K Srilata adds her voice to the mounting cultural imperative to transform footnotes into mainstream narratives, cameos into protagonists. Shadowy female figures of the Mahabharata seize the spotlight, making sure we get their stories right this time around.”
The poems in Srilata’s earlier collection Three Women in a Single-Room House, published by Sahitya Akademi in 2023, [11] [12] [13] [14] trace the bitter-sweet shape of family and female lineage. The poet Ranjit Hoskote describes this collection thus:
“K Srilata’s new collection of poems is animated by the courage, the resilience, and the tragic yet unbowed wisdom of women – individuals who have had to resist the unforgiving pressures of a patriarchal, hierarchical society, and to flourish despite the constraints such a society seeks to impose on the female subjectivity…As memoir, as elegy, as prayer, as hymn, these poems mark yet another milestone on the journey of a very fine poet who, in her pensive quietude, claims our complete attention.”
Her critically acclaimed book This Kind of Child: The ‘Disability’ Story , which brought together first-person accounts, interviews and short fiction on the disability experience, was published by Westland in 2022. [15] [16] [17] [18] [19] [20] [21] [22] Srilata’s poems have been widely anthologized and featured in collections such as The Bloodaxe Book of Contemporary Indian Poets and The Penguin Book of Indian Poets .
A Fulbright pre-doctoral scholar at the University of California, Santa Cruz, Srilata has a masters and a PhD in Literature from the University of Hyderabad. Formerly a Professor of Literature at the Indian Institute of Technology (IIT) Madras, Srilata took early retirement in order to focus more fully on her writing. She has been a participating writer at the Jaipur Literary Festival, the Bangalore Literary Festival, the Seoul International Writers Festival, the Sahitya Akademi’s International Literature Festival, the Hindu Lit for Life festival, the Hyderabad Literary Festival and the Kala Ghoda Arts Festival.
Her first book of poems, Seablue Child, was published in 2000, followed by Arriving Shortly (2011). [23] [24] Other poetry collections are Writing Octopus (2013), Bookmarking the Oasis (2015) [25] [26] and The Unmistakable Presence of Absent Humans (2019). [27] [28] Srilata also translated from Tamil to English two millennia worth of poetry titled Rapids of a Great River: The Penguin Book of Tamil Poetry - along with Lakshmi Holmstrom and Subashree Krishnaswamy. [29] Her other work includes translations of R. Vatsala's Tamil novels Once there was a girl (Vattathul) , The Scent of Happiness (Kannukkul Satru Payanithu) , a co-translation along with Shobhana Kumar of the Tamil poet Salma’s work i, Salma (Red River) , and a translation of women's writing from the Self-Respect Movement The Other Half of the Coconut: Women Writing Self-Respect History . [30] [31] Yoda Press has published an Indo-Irish collaborative poetry anthology All the Worlds Between that Srilata co-edited with Fiona Bolger. [32] Srilata has co-edited Lifescapes: Interviews with Contemporary Women Writers from Tamil Nadu (Women Unlimited), along with Swarnalatha Rangarajan. She has won several awards for her poetry. [33]
Srilata has been a writer-in-residence at the University of Stirling, at Sangam House and at the Yeonhui Art Space in Seoul. Srilata co-curates the CMI Arts Initiative along with Madhavan Mukund and K.V. Subrahmanyam, apart from hosting a writing residency in partnership with Sangam House. Srilata is also part of the team that runs Yavanika Press, an e-publishing site specializing in poetry.
Srilata was previously a professor at IIT Madras where she taught Creative Writing, Fiction, Advanced English and Translation Studies. [34] Srilata is currently Distinguished Visiting Professor at Shiv Nadar University, Chennai and adjunct Professor at the Chennai Mathematical Institute. [35]