Arts and entertainment in India have had their course shaped by a synthesis of indigenous and foreign influences that have consequently shaped the course of the arts of the rest of Asia, since ancient times. Arts refer to paintings, architecture, literature, music, dance, languages and cinema. In early India, most of the arts were derived Vedic influences. After the birth of contemporary Hinduism, Jainism, Buddhism, and Sikhism arts flourished under the patronage of kings and emperors. The coming of Islam spawned a whole new era of Indian architecture and art. Finally the British brought their own Gothic and Roman influences and fused it with the Indian style. They have a culture infusion in their art.
Yakshagana is a traditional theater, developed in Dakshina Kannada, Udupi, Uttara Kannada, Shimoga and western parts of Chikmagalur districts, in the state of Karnataka and in Kasaragod district in Kerala that combines dance, music, dialogue, costume, make-up, and stage techniques with a unique style and form. It is believed to have evolved from pre-classical music and theatre during the period of the Bhakti movement. It is sometimes simply called "Aata" or āṭa. This theatre style is mainly found in coastal regions of Karnataka in various forms. Towards the south from Dakshina kannada to Kasaragod of Tulu Nadu region, the form of Yakshagana is called as 'Thenku thittu' and towards north from Udupi up to Uttara Kannada it's called as'Badaga Thittu'. Both of these forms are equally played all over the region. Yakshagana is traditionally presented from dusk to dawn. Its stories are drawn from Ramayana, Mahabharata, Bhagavata and other epics from both Hindu and Jain and other ancient Indic traditions.
Koodiyattam is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of Koothu, an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity.
Dance in India comprises numerous styles of dances, generally classified as classical or folk. As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
Marthandam is a major trade centre in Kuzhithuraii municipality across National Highway in the Kanyakumari district of Tamil Nadu, India. Earlier days it was known by the name Thoduvetty, it was a portion of Kanyakumari district which was added to the state of Tamil Nadu on 1 November 1956.
Koothu or Therukoothu (jwalith)(Tamil: கூத்து), is an ancient art, where artists play songs with dance and music in storytelling the epics, performed in Tamil; it is a folk art originated from the early Tamil country. More precisely Koothu refers to either Terukuttu (Tamil:தெருக்கூத்து) or Kattaikkuttu. The terms Terukkuttu and Kattaikkuttu are often used interchangeably in modern times; however, historically, the two terms appear to have distinguished, at least in certain villages, between two different kinds of performance: while Terukkuttu referred to mobile performances in a procession, Kattaikkuttu denotes overnight, narrative performances at a fixed performance space. Koothu as a form of entertainment reached its peak hundreds of years ago in Tamil Nadu, as mentioned in the Sangam texts about the development of iyal (literature), isai (music) and natagam (drama). Going beyond just a means of entertainment, koothu educates the rural people about religion and their history.
The culture of Kerala has developed over the past millennia, influences from other parts of India and abroad. It is defined by its antiquity and the organic continuity sustained by the Malayali people. Modern Kerala society took shape owing to migrations from different parts of India and abroad throughout Classical Antiquity.
Chavittu Nadakam (Malayalam:ചവിട്ടുനാടകം) is a highly colorful Latin Christian classical art form originated in Ernakulam district, Kerala state in India. Commonly believed that Fort Kochi is the birthplace of Chavittu Nadakam. It is noted for its attractive make-up of characters, their elaborate costumes, detailed gestures and well-defined body movements presented in tune with the rhythmic playback music and complementary percussion. This art form highly resembles European opera. Chavittu Nadakam is believed to be originated during the 16th century AD. This form of play is prevalent among the Latin Christian community in the districts of Alappuzha, Ernakulam and Thrissur of Kerala.
Classical Indian musical theatre is a sacred art of the Hindu temple culture. It is performed in different styles.
Tala-Maddale is an ancient form of performance dialogue or debate performance in Southern India in the Karavali and Malnad regions of Karnataka and Kerala. The plot and content of the conversation is drawn from popular mythology but the performance mainly consists of an impromptu debate between characters involving sarcasm, puns, philosophy positions and humour. The main plot is sung from the same oral texts used for the Yakshgana form of dance- drama. Performers claim that this was a more intellectual rendition of the dance during the monsoon season.
Villu Paatu, also known as Villadichampaatu, is an ancient form of musical story-telling in India where narration is interspersed with music, an art of southern states of Tamil Nadu and Kerala, as well as North-East Sri Lanka. This art form is popular among Nadar and Ezhava castes of erstwhile Travancore kingdom. Simple tunes and verses make the story easy to follow. The villu (bow), the age-old weapon of warriors - paradoxically lends itself to be used as a primary musical instrument for the Villu Paatu artists.
Tamil Nadu has a rich history of art and entertainment. The three modes of entertainment classified as Iyal (Literature), Isai (Music) and Nadagam (Drama) had their roots in the rural folk theatre like Theru Koothu. Many forms of group and individual dances with the classical forms for popularity and sheer entertainment value. Some of the dance forms are performed by Tribal people. The majority of these dances are still thriving in Tamil Nadu today.
Ochira Velukutty (1905–1954) was an Indian dramatist in the early days of Malayalam theatre. The Malayalam theatre began as an offshoot of Tamil theatre. In South Kerala, the monotony of the sangeetha natakam was broken in 1930 by the play Karuna, an adaptation of Kumaran Asan's famous poetic piece. The adaptation was done by Brahmavrathan and the actors Sebastian Kunjukunju Bhagavathar and Ochira Velukutty. This adaptation constituted a radical breakthrough in the 'sangeetha nataka' tradition and its implications were far reaching. It became part of the social reformist movement being led by the precepts of Sree Narayana Guru. It made history, having been staged more than 7,000 times over seven years. The heroine of the story, Vasavadatha, was played by Velukutty and secured him a place in the history of Malayalam theatre.
Sebastian Kunjukunju Bhagavathar was a Malayalam theatre actor, singer, and author. He is known for his contributions to Malayalam sangeetha natakam. Along with Ochira Velukutty, he was responsible for breaking the monotony of musical operas with their 1930 play Karuna, an adaptation of Kumaran Asan's famous poetic piece. He is the brother of actor Alleppey Vincent.
Puliyattam is an old folk art dance of Tamil Nadu. A highly exuberant and cultural festival, this dance form usually comprises a troupe of 6 performers aping the movements of the majestic, predatory tigers. Their bodies are painted by the painstaking efforts of local artists in vibrant yellow and black to resemble an exact replica of a tiger. The paintings include the ferocious looking fangs and convincing headgear replete with ears, paws with claws, and a long tail that conjures an accurate picture of the savage beast’s graceful movements.
Padayani, also known Padeni, is a traditional folk dance and a ritual art from the central portion of the Indian state of Kerala. A ceremonial dance involving masks, it is an ancient ritual performed in Bhagavati temples. The dance is performed in honor of Bhadrakaali. Meaning, a 'row of warriors', Padayani is an art form that blends all music, dance, theatre, satire, facial masks, and paintings. It is part of worship of Bhadrakali and is staged in temples dedicated to the goddess from mid-December to mid-May. Padayani is unique to central Travancore, comprising the Pathanamthitta and kottayam districts of Kerala. Padayani is regarded as a remnant of the Dravidian forms of worship that existed before the advent of Brahmanism.
Azhakiyakavu Devi Temple is situated at Kallisseri in Chengannur taluk of Alappuzha district, Kerala, India. It is a Hindu template dedicated to the goddess Bhadrakali and is one of the 30 temples in Central Travancore area where the ancient Dravidian ritualistic art form of Padayani is performed annually. The temple is 4 kilometres (2.5 mi) from Chengannur Railway Station and Bus Stand.
G. Bhargavan Pillai (1933–2009), was one among the famous Folklore writers from Kerala. He was the Founder Chairman of Kerala Folklore Academy, located at Kannur, Kerala. Pillai's most famous work is Kakkarissinatakam, a book on Kakkarissi Natakam. Bhargavan Pillai died on 17 April 2009 at the age of 75, in Trivandrum due to illness.
Velichappadu in Malayalam translates as Revealer of Light, is the oracle or mediator between a deity and devotees at a Hindu Temple in Kerala. Prominent in Valluvanad, the Velichappadu, also known as Komaram in some parts, is an integral part of the rituals in a Bhagavathi temple. There are both male and female Velichappadu and often belong to a particular family. People, in Kerala and beyond, have enormous respect for these mediating oracles when they’re in their trances and heed to their words.
