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Congolese music is one of the most influential music forms of the African continent. Since the 1930s, Congolese musicians have had a huge impact on the African musical scene and elsewhere. Many contemporary genres of music, such as Kenyan Benga and Colombian Champeta, have been heavily influenced by Congolese music. In 2021, Congolese rumba joined other living traditions such as Jamaican reggae music and Cuban rumba on UNESCO's "intangible cultural heritage of humanity" list.
Soukous is a genre of dance music originating from the Democratic Republic of the Congo and the Republic of the Congo. It derived from Congolese rumba in the 1960s, with faster dance rhythms and bright, intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, song structures and longer dance sequences.
Botswana is an African country made up of different ethnic groups, although Batswana are the majority of the population. Music is a large part of Botswana culture, and includes popular and folk forms. Botswana church choirs are common nationwide.
Diblo Dibala, often known simply as Diblo, is a Congolese soukous musician, known as "Machine Gun" for his speed and skill on the guitar.
Kwassa kwassa is a dance created by Jeanora, a mechanic in Kinshasa from the Democratic Republic of the Congo, that started in the 1980s, where the hips move back and forth while the hands move to follow the hips. It was very popular in Africa.
Congolese rumba, also known as African rumba, is a dance music genre originating from the Democratic Republic of the Congo and the Republic of the Congo. With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage. In December 2021, it was added to the UNESCO list of intangible cultural heritage.
Kwassa Kwassa is a soukous album by Kanda Bongo Man, released 1989.
Franco and Afro Musica is a twelve piece kwasa kwasa band from Gabane, Botswana.
Fogaraté! is the seventh album of the famous Dominican songwriter and musician Juan Luis Guerra. It was released on July 19, 1994. The album mixed a variety of music genres including rural and flolklroic rots of merengue called "Perico Ripao" with elements of African soukus music and Tropical Music such as Reggae with the collaboration of African guitarist Diblo Dibala and Dominican accordionist Francisco Ulloa, along with Son, Bachata and Salsa. Also, the album features a particular, bachata-styled adaptation of the Lacrimosa movement from Mozart's Requiem Mass in D Minor and Guerra's first song fully in English "July 19". Exploring lyrics and themes about magical realism of Latin American literature and commenting on the politics of the Caribbean, for many fans and critics, Fogaraté! is one of his most musically complex album.
Empire Bakuba is an influential soukous band that formed in Zaire in 1972. The name of the band refers to the Bakuba Kingdom; it is sometimes reported as Empire Bakuba du Grand Kalle, in honor of Grand Kalle, the "father of Congolese music", who was also bandleader Pepe Kalle's mentor. The band has never formally disbanded, although its activity has been scarce since Pepe Kalle's death.
L'Orchestre Bella Bella was a prominent DR Congo soukous band that formed in the early 1970s. It was led by the Soki brothers.
Nnamdi Moweta, is a radio personality, music producer, music supervisor, music promoter and consultant. He is the host of Radio Afrodicia, a radio show on KPFK, a listener-sponsored radio station based in Los Angeles, California. With an audience of approximately 50,000 listeners weekly, Moweta is the only African-born radio host in Los Angeles, California. In 2011, Moweta was featured on Reuters Africa Journal segment about African DJs in the United States.
Zing Zong is an album by the Congolese musician Kanda Bongo Man, released in 1991. The album is dedicated to the memory of Soki Vangu and his brother Soki Dianzenza, who were in the earlier Zairean soukous band Orchestre Bella Bella. Both brothers died within a year of each other. "Freres Soki" is a tribute to them, and "Zing-Zong" is a reworking of a Bella Bella hit, "Houleux Houleux". Kanda supported the album with a North American tour.
Babeti Soukous is a 1989 studio/live album by DR Congolese soukous musician and pioneer Tabu Ley Rochereau and his band the Afrisa International Orchestra. Recorded for the duration of only one night as a live studio session at Real World Studios, Wiltshire, England in 1989, the album was one of the four albums released to establish Peter Gabriel's world music label Real World Records, and was one of the first recordings Rochereau created after exiling to France in 1988. Rochereau used the album as an opportunity to re-record highlights from the previous 20 years of his career.
Aurlus Mabélé was a Congolese singer and composer. He was commonly referred to as the "King of Soukous".
"El Costo de la Vida" is a song by Dominican Republic singer-songwriter Juan Luis Guerra from his sixth studio album, Areíto (1992). The song was released as the album's third single in 1992 by Karen Records. It is a Spanish-language adaptation of soukous song "Kimia Eve" composed by Diblo Dibala. The song features Dibala on the guitar and is performed by Guerra as a merengue number. The lyrics to the song provides a social commentary to the rising cost of living, while the artist denounces the dislevel of socioeconomics as well as political corruptions in Latin America. He also references the racial identities of Latin America.
Soukous in Central Park is a live album by the Congolese musician Kanda Bongo Man, released in 1993. Kanda promoted the album with a North American tour.
References
- The African Music Encyclopedia: Music From Africa and the African Diaspora
