Kandis Williams | |
---|---|
Born | Park Heights, Baltimore, U.S. |
Alma mater | Cooper Union School of Art BFA, 2009 |
Occupation | Artist, editor, publisher, writer |
Website | www |
Kandis Williams is an artist, writer, editor, and publisher. [1] Williams has received critical acclaim for her collage art, performance art, and publishing work. [2] [3] Williams lives and works in Los Angeles and Berlin. [4] Williams is known for her art exploring racial issues, nationalism, and many other categories. [5]
Williams graduated from Cooper Union School of Art. [6]
Kandis Williams' work often explores contemporary critical theory including, but not limited to, racial-nationalism, authority, and eroticism. [7] In addition to Williams' studio, writing, and publishing practices, Williams is also a visiting faculty member at Cal Arts School of Art. [4]
Her first solo show that runs from November 6, 2020 - August 1, 2021 is called “A Field”. [10] [11]
A Field is a live green house surrounded with multiple plants and plant sculptures as well as along the walls of the room. Williams also used wired plants instead of leaves to attach photos from history and use as a backdrop. [11] With that Williams attaches multiple different photos including Mississippi chain gangs, images from Vintage Magazine, and depictions from tango dancers. In addition to A Field there is a live video with a dancer that was also choreographed by Williams on the former Lorton Reformatory and Virginia State Prison Farm, where prisoners worked as time for their sentence. [12]
Williams co-founded the non-profit Cassandra Press in 2016 with Taylor Doran, and Jordan Nassar. The organization distributes lo-fi activist and academic texts, flyers, posters, pamphlets, and readers as well as offer classes and exhibitions. [23] [24]
The name is a reference to the Trojan princess Cassandra, who was said to have accurately foretold the future yet no one would believe her. [24]
The Hammer Museum, which is affiliated with the University of California, Los Angeles, is an art museum and cultural center known for its artist-centric and progressive array of exhibitions and public programs. Founded in 1990 by the entrepreneur-industrialist Armand Hammer to house his personal art collection, the museum has since expanded its scope to become "the hippest and most culturally relevant institution in town." Particularly important among the museum's critically acclaimed exhibitions are presentations of both historically over-looked and emerging contemporary artists. The Hammer Museum also hosts over 300 programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. As of February 2014, the museum's collections, exhibitions, and programs are completely free to all visitors.
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Erin Christovale is a Los Angeles-based curator and programmer who currently works as an assistant curator at the Hammer Museum at the University of California, Los Angeles. Together with Hammer Museum Senior Curator Anne Ellegood, Christovale curated the museum's fourth Made in L.A. biennial in June 2018. She also leads Black Radical Imagination, an experimental film program she co-founded with Amir George. Black Radical Imagination tours internationally and has screened at MoMA PS1; Museum of Contemporary Art, Los Angeles; and the Museo Taller Jose Clemente Orozco, among other spaces. Christovale is best known for her work on identity, race and historical legacy. Prior to her appointment at the Hammer Museum, Christovale worked as a curator at the Los Angeles Municipal Art Gallery. She has a bachelor's degree from the University of Southern California School of Cinematic Arts.
Kellie Jones is an American art historian and curator. She is a Professor in Art History and Archaeology in African American Studies at Columbia University. She won a MacArthur Fellowship in 2016.
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Meleko Mokgosi is an artist and associate professor of painting and drawing at the School of Art at Yale University. His work includes large-scale paintings that explore themes of colonialism, democracy, nationalism, and life in Southern Africa.
Christina Quarles is a queer, mixed contemporary American artist and writer, living and working in Los Angeles, whose gestural, abstract paintings confront themes of racial and sexual identities, gender, and queerness. She grew up as an only child to a single mother and started drawing from an early age. She took her first life drawing class at age 12. During high school, she developed skill and learned techniques from her teacher Joseph Gatto that she still uses. “He spoke of the muscle memory of rendering the form,” she said. “Before making a mark, you would trace the movements to outline the figure, with just charcoal dust. When you started to draw, if you made a mistake, you wouldn’t erase it, because that would reinforce the muscle memory; instead, you should go over it with a new mark.”
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Janna Ireland is an African-American photographer based in Los Angeles.
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