Karin Wolverton (born 1974, Roseville, Minnesota) [1] is an American operatic soprano. A graduate of the University of Minnesota, she has performed several roles with the Minnesota Opera, including Antonia in Les contes d'Hoffmann , Donna Anna in Don Giovanni , Donna Ines in Maria Padilla and both Mimi and Musetta in La bohème among others. [2] [3] With that company she created the role of Anna Sorenson in the world premiere of Kevin Puts' Pulitzer Prize-winning opera Silent Night in 2011. [4] That performance was filmed and broadcast nationally on PBS in 2013. [5]
In 2014 Wolverton made her debut with the Tulsa Opera as Micäela in Bizet's Carmen . In 2015 she performed the role of Fiordiligi in Mozart's Così fan tutte with the Utah Opera, Donna Elvira in Don Giovanni with the Austin Lyric Opera, and returned to Tulsa as Mimi in La bohème. [6] [2] [7] Other opera companies she has performed leading roles with include the Central City Opera, the Des Moines Metro Opera, the Pensacola Opera, the Pittsburgh Opera, and the Rubén Darío National Theatre in Nicaragua. [8]
On the concert stage Wolverton has performed regularly with the Minnesota Orchestra, including performances of Pamina in The Magic Flute , the Mother in Amahl and the Night Visitors , and Carl Nielsen's Symphony No. 3 , the latter of which was performed at Carnegie Hall in New York City. [9] [10] In 2014 she was the soprano soloist in Carmina Burana with the Pennsylvania Ballet and performed Knoxville: Summer of 1915 with Orchestra Seattle. [11] Her performances include concerts with the Chippewa Valley Symphony, Dayton Philharmonic, Discovery Ensemble, New Hampshire Music Festival, the Rochester Symphony Orchestra, Saint Paul Chamber Orchestra, St. Cloud Symphony Orchestra, and Wayzata Symphony Orchestra among others. [12] [8]
Susanna Phillips (Huntington) is an American singer who has sung leading lyric soprano roles at leading American and international opera houses.
Lucia Popp was a Slovak operatic soprano. She began her career as a soubrette, and later moved into the light-lyric and lyric coloratura soprano repertoire and then the lighter Richard Strauss and Wagner operas. Her career included performances at Vienna State Opera, the Metropolitan Opera, Covent Garden, and La Scala. Popp was also a highly regarded recitalist and lieder singer.
Marie Te Hapuku is an operatic soprano from Gisborne, New Zealand, and is a direct descendant of the Māori chief, Te Hapuku., of the Ngāti Kahungunu tribe.
Barbara Fris is a Canadian soprano and actress who performs as an opera singer, concert artist, and recitalist. She specializes in opera and classical symphonic works for voice, having performed across Canada, in Europe and the United States where she also has sung a wide range of works that include operettas, musical theatre, light classics, lieder, French mélodie, and art songs.
Barbara Frittoli is an Italian operatic soprano, specializing in operas by Verdi and Mozart. She has sung leading roles in opera houses throughout Europe and in the United States, such as La Scala in Milan and the Metropolitan Opera in New York. Her signature roles include Mimì in La bohème, the Countess in The Marriage of Figaro, Donna Elvira in Don Giovanni, Desdemona in Otello.
Mary Dunleavy is an American soprano who has performed with major opera companies and orchestras around the world.
Anja Harteros is a German soprano. Since winning the 1999 Cardiff Singer of the World competition she has been particularly associated with the Bavarian State Opera and enjoyed an international career.
Madelyn Renée is an American opera singer and soprano.
Stella Zambalis is an American spinto soprano born in Cleveland, Ohio. She has been called one of the best sopranos in the world today.
Antoinette Halloran is an Australian operatic soprano.
Ludmila Vernerová is a Czech operatic soprano and the niece of the oboist Pavel Verner. After graduating from the Academy of Performing Arts in Prague, she was a regular performer at the Prague Chamber Opera in the mid 1980s. In 1987 she joined the Prague National Theatre where she performed for 12 years. Since 1999 she has been a member of the Prague State Opera. Among the many roles she has created on stage are Angelica in Orlando furioso, Belinda in Dido and Aeneas, Countess Almaviva in The Marriage of Figaro, Donna Anna in Don Giovanni, Fiordiligi in Così fan tutte, Isabella in Robert le diable, Lucy in The Beggar's Opera, Micaela in Carmen, Musetta in La bohème, Pamina in The Magic Flute, and the title roles in Alcina and Rodelinda.
Rachel Willis-Sørensen is an American operatic soprano.
Evelyn Mandac is a soprano opera singer, orchestra soloist, recitalist and voice teacher from the Philippines. She is based in New York City. She's also listed in "Who's Who in Music and Musicians."
Joanna Woś is a Polish operatic coloratura soprano.
Marina Rebeka is a Latvian soprano, active on both opera and concert stages. Associated with Violetta in Verdi's La traviata, she performs primarily in the 19th-century Italian and French repertoire, most notably works by Gioachino Rossini, in addition to Donna Anna in Mozart's Don Giovanni, another frequent role.
Roberta Alexander is an American operatic soprano. She began her career as a lyric soprano in 1975 and spent the next three decades performing principal roles with opera houses internationally. Particularly celebrated for her performances of Mozart heroines, she was a leading soprano at the Metropolitan Opera from 1983 to 1991. In addition to principal Mozart roles like Countess Almaviva, Elettra, Fiordiligi, and Donna Elvira, she had particular success with the parts of Mimì in Puccini's La bohème and the title role in Janáček's Jenůfa. More recently she has performed secondary character roles on stage, including performances at the Grand Théâtre de Provence in 2013, La Scala in 2014, and La Monnaie in 2015. She performed the Fifth Maid in Strauss's Elektra at the Met in 2016 and Curra in Verdi's La forza del destino at the Royal Opera House, Covent Garden, in 2019.
Veronika Dzhioeva is a South Ossetian operatic soprano singer.
Heather Engebretson is a Chinese-American operatic soprano who made a career mostly in Europe. Based at German opera ensembles for several years, she has worked freelance from 2017, and widened her repertoire from coloratura roles to leading characters such as Puccini's Madama Butterfly. She has been praised for her convincing acting as well as the expressiveness of her lyric voice, with performances including the Royal Opera House in London, the Bolshoi Theatre and Oper Frankfurt.
Edyta Piasecka is a Polish dramatic coloratura soprano.
Nicole Car is an Australian operatic soprano. She has performed leading roles at the Metropolitan Opera, Royal Opera House, Vienna State Opera, Bavarian State Opera, Deutsche Oper Berlin, Semperoper Dresden, Opéra national de Paris, The Dallas Opera, and Opera Australia. Car is particularly associated with the roles of Tatyana in Eugene Onegin, Mimì in La bohème, Marguerite in Faust, Fiordiligi in Così fan tutte, Donna Elvira in Don Giovanni and Micaëla in Carmen, and has also given noted performances as Elisabeth de Valois in Don Carlos, and the title roles in Luisa Miller and Thaïs.