Karina Smigla-Bobinski

Last updated
Karina Smigla-Bobinski
Born1967
Szczecin, Poland
Education Academy of Fine Arts Cracow
Academy of Fine Arts, Munich
Known forInteractive installations, kinetic sculptures, post-digital art, video stages
MovementIntermedia artist
Website smigla-bobinski.com

Karina Smigla-Bobinski (1967) is a German-Polish intermedia artist, working primarily in new media art and digital art, based in Berlin and Munich.Her work bridges kinetic art, drawing, video, installation, painting, performance and sculpture. Her works have been exhibited in Europe, Asia, North America and South America. One of her major works is ADA, a large, interactive kinetic sculpture and drawing machine. [1]

Contents

Life and education

Smigla-Bobinski studied art and visual communication at the Academy of Fine Arts in Kraków, Poland and the Academy of Fine Arts, Munich, Germany and graduated as a master student of Gerhard Berger in 2000. [2] [3]

Career

Smigla-Bobinski's work has been shown in galleries and museums including Grande halle de la Villette Museum Paris; [4] and the Nottingham Castle Museum and Art Gallery [5] where her work was exhibited in correlation with Leonardo da Vinci: 10 Drawings from the Royal Collection.

One of her major works is ADA – analog interactive installation, a large kinetic sculpture and drawing machine. [6] [7] [8] [9] Her interactive installation Simulacra engages viewers to discover hidden images displayed on video screens by using magnifying glasses. [10]

Her work has been written about in The Atlantic , [11] Wired , [12] TANZ Magazine, Imperica, Le Journal de Québec , [13] Business Insider , [14] The Vancouver Sun , [15] e-flux , and Calgary Herald .

In 2016 she was a Visiting Research Fellow and Artist in Residence at ZiF Center for Interdisciplinary Research, Bielefeld, the Bielefeld University’s Institute for Advanced Study, a cultural institution that supports collaborations and dialogue between the arts and sciences. [16] [17]

Literature

Exhibitions

Her works have been shown at museums galleries and festivals, including:

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References

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  2. "Karina Smigla-Bobinski – "I am talking about a complex world."". www.porta-polonica.de. Retrieved 2017-01-23.
  3. "FORSCHUNG im Medium des bewegten Bildes - mit Karina Smigla-Bobinski und Eberhard Ortland (ZiF, Uni Bielefeld)". Film University Babelsberg KONRAD WOLF. Retrieved 8 February 2017.
  4. "100% EXPO : Karina Smigla-Bobinski". Grande Halle La Villette. Retrieved 11 February 2017.
  5. "ADA by Karina Smigla-Bobinski". Nottingham Castle Museum and Ar Gallery. Retrieved 11 February 2017.
  6. Leclerc, Yves. "Être et faire ensemble". Le Journal de Québec. Retrieved 8 February 2017.
  7. "ADA Kinetic Sculpture at The Lowry". URDESIGN. 12 August 2015. Retrieved 8 February 2017.
  8. 1 2 Baldegg, Kasia Cieplak-Mayr von. "Analogue Is the New Digital in 'ADA,' and Interactive Installation". The Atlantic. Retrieved 2017-02-11.
  9. 1 2 "Artist's charcoal-studded helium balloon creates mysterious wall drawings (Wired UK)". 2012-01-19. Archived from the original on 2012-01-19. Retrieved 2017-02-11.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
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  13. Leclerc, Yves (January 11, 2017). "Être et faire ensemble". Le Journal de Québec. Retrieved 11 February 2017.
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  21. Debatty, Régine (2011-07-21). "ADA – analog interactive installation". We Make Money Not Art. Retrieved 2017-01-24.
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  25. varios, EDICIONES EL PAIS, S.L.,Roberta Bosco y Stefano Caldana. "Robots y hombres electrónicos". El arte en la edad del silicio. Retrieved 2017-01-24.{{cite news}}: CS1 maint: multiple names: authors list (link)
  26. Lynn, Hannah (26 September 2018). "Mattress Factory opens new Artist in Residence series". Pittsburgh City Paper. Retrieved 29 December 2018.
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  30. Veronica Pacini-Ketchabaw; Sylvia Kind; Laurie L. M. Kocher (19 August 2016). Encounters With Materials in Early Childhood Education. Taylor & Francis. p. 50. ISBN   978-1-317-58857-3.
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