Karina Smigla-Bobinski

Last updated
Karina Smigla-Bobinski
Born1967
Szczecin, Poland
Education Academy of Fine Arts Cracow
Academy of Fine Arts, Munich
Known forInteractive installations, kinetic sculptures, post-digital art, video stages
MovementIntermedia artist
Website smigla-bobinski.com

Karina Smigla-Bobinski (1967) is a German-Polish intermedia artist, working primarily in new media art and digital art, based in Berlin and Munich.Her work bridges kinetic art, drawing, video, installation, painting, performance and sculpture. Her works have been exhibited in Europe, Asia, North America and South America. One of her major works is ADA, a large, interactive kinetic sculpture and drawing machine. [1]

Contents

Life and education

Smigla-Bobinski studied art and visual communication at the Academy of Fine Arts in Kraków, Poland and the Academy of Fine Arts, Munich, Germany and graduated as a master student of Gerhard Berger in 2000. [2] [3]

Career

Smigla-Bobinski's work has been shown in galleries and museums including Grande halle de la Villette Museum Paris; [4] and the Nottingham Castle Museum and Art Gallery [5] where her work was exhibited in correlation with Leonardo da Vinci: 10 Drawings from the Royal Collection.

One of her major works is ADA - analog interactive installation, a large kinetic sculpture and drawing machine. [6] [7] [8] [9] Her interactive installation Simulacra engages viewers to discover hidden images displayed on video screens by using magnifying glasses. [10]

Her work has been written about in The Atlantic , [11] Wired , [12] TANZ Magazine, Imperica, Le Journal de Québec , [13] Business Insider , [14] The Vancouver Sun , [15] e-flux , and Calgary Herald .

In 2016 she was a Visiting Research Fellow and Artist in Residence at ZiF Center for Interdisciplinary Research, Bielefeld, the Bielefeld University’s Institute for Advanced Study, a cultural institution that supports collaborations and dialogue between the arts and sciences. [16] [17]

Literature

Exhibitions

Her works have been shown at museums galleries and festivals, including:

Related Research Articles

<span class="mw-page-title-main">Site-specific art</span> Artwork created for a certain place

Site-specific art is artwork created to exist in a certain place. Typically, the artist takes the location into account while planning and creating the artwork. Site-specific art is produced both by commercial artists, and independently, and can include some instances of work such as sculpture, stencil graffiti, rock balancing, and other art forms. Installations can be in urban areas, remote natural settings, or underwater.

Juan Downey was a Chilean artist who was a pioneer in the fields of video art and interactive art.

<span class="mw-page-title-main">Langlands & Bell</span>

Langlands & Bell are two artists who work collaboratively. Ben Langlands and Nikki Bell, began collaborating in 1978, while studying Fine Art at Middlesex Polytechnic in North London, from 1977 to 1980.

<span class="mw-page-title-main">Ginny Ruffner</span> American glass artist

Ginny Ruffner is a pioneering American glass artist based in Seattle, Washington. She is known for her use of the lampworking technique and for her use of borosilicate glass in her painted glass sculptures.

<span class="mw-page-title-main">Mohsen Vaziri-Moghaddam</span> Iranian painter and professor (1924–2018)

Mohsen Vaziri Moghaddam, was an Iranian-born painter, sculptor, and a professor of art. He was most notable for his style of abstract expressionism, and was once referred to as the "pioneer of modern Iranian abstraction."

<span class="mw-page-title-main">Ken Feingold</span> Artist

Kenneth Feingold is a contemporary American artist based in New York City. He has been exhibiting his work in video, drawing, film, sculpture, photography, and installations since 1974. He has received a Guggenheim Fellowship (2004) and a Rockefeller Foundation Media Arts Fellowship (2003) and has taught at Princeton University and Cooper Union for the Advancement of Art and Science, among others. His works have been shown at the Museum of Modern Art, NY; Centre Georges Pompidou, Paris; Tate Liverpool, the Whitney Museum of American Art, New York, among others.

Mark Manders is a Dutch artist, currently living and working in Ronse, Belgium. His work consists mainly of installations, drawings and sculptures. He is probably best known for his large bronze figures that look like rough-hewn, wet or peeling clay. Typical of his work is also the arrangement of random objects, such as tables, chairs, light bulbs, blankets and dead animals.

<span class="mw-page-title-main">Kenneth Price</span> American artist (1935-2021)

Kenneth Price was an American artist who predominantly created ceramic sculpture. He studied at the Chouinard Art Institute and Otis Art Institute in Los Angeles, before receiving his BFA degree from the University of Southern California in 1956. He continued his studies at Chouinard Art Institute in 1957 and received an MFA degree from New York State College of Ceramics at Alfred University in 1959. Kenneth Price studied ceramics with Peter Voulkos at Otis and was awarded a Tamarind Fellowship.

<span class="mw-page-title-main">Julian Rosefeldt</span> German artist and filmmaker (born 1965)

Julian Rosefeldt is a German artist and film-maker. Rosefeldt's work consists primarily of elaborate, visually opulent film and video installations, often shown as panoramic multi-channel projections. His installations range in style from documentary to theatrical narrative.

<span class="mw-page-title-main">Fred Sandback</span> American sculptor

Fred Sandback was an American minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. His estate is represented by David Zwirner, New York.

Gert Tobias and Uwe Tobias are twin brothers working as a collaborative duo of visual artists.

<span class="mw-page-title-main">Joachim Sauter</span> German media artist and designer (1959–2021)

Joachim Sauter was a German media artist, designer and technology entrepreneur. He was appointed Professor for New Media Art and Design at the Universität der Künste Berlin, UdK in 1991, and in 1993 he created Terravision, before pursuing a lawsuit against Google for infringing the patent. He became an adjunct professor at UCLA, Los Angeles in 2001.

<span class="mw-page-title-main">Light art</span> Visual art using light as a medium

Light art or the art of light is generally referring to a visual art form in which (physical) light is the main, if not sole medium of creation. Uses of the term differ drastically in incongruence; definitions, if existing, vary in several aspects. Since light is the medium for visual perception, this way all visual art could be considered light art absurdly enough; but most pieces of art are valid and coherent without reflecting on this basic perceptual fact. Some approaches on these grounds also include into light art those forms of art where light is not any medium contributing to the artwork, but is depicted. Thus, luminism may also refer to light art in the above sense, its previous usage point to painterly styles: either as an other label for the Caravaggisti in the baroque, or 19th and 20th centuries, fundamentally impressionist schools.

<span class="mw-page-title-main">Fujiko Nakaya</span> Japanese artist, known for her fog sculptures

Fujiko Nakaya is a Japanese artist, a member of Experiments in Art and Technology, and a promoter, supporter, and practitioner of Japanese video art. She is best known for her fog sculptures.

<span class="mw-page-title-main">Aziz + Cucher</span> Artist duo

Aziz + Cucher, consisting of Anthony Aziz and Sammy Cucher, are American artists working collaboratively since meeting in graduate school in 1990 at the San Francisco Art Institute. They are considered pioneers in the field of digital imaging and post-photography, with projects exhibited at numerous international venues, including the 46th Venice Biennale in 1995, the Museo Reina Sofia in Madrid, the Los Angeles County Museum of Art and the San Francisco Museum of Modern Art.

<span class="mw-page-title-main">Heather Hart</span> American visual artist

Heather T. Hart is an American visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.

<span class="mw-page-title-main">Nan Hoover</span>

Nan Hoover was a Dutch/American-expatriate artist who is known for her pioneering work in video art, photography and performance art. She spent almost four decades living and working in the Netherlands. She also used the mediums of drawing, painting, photography and film and created art objects and sculptures. One of the main themes of her art was light and motion. The rigorous, minimalist handling of her means as well as the intense concentration with which she performed within spaces of light and shadow are the most salient characteristics of her artistic work.

Adam Basanta is a Montreal-based artist and experimental composer whose practice investigates manifestations of technology as a meeting point of concurrent and overlapping systems. He uses various media and creates participatory and multi-sensory performances.

<span class="mw-page-title-main">Nicole Anona Banowetz</span> American artist

Nicole Anona Banowetz is a Denver based artist who is known for creating giant inflatable sculpture of microscopic creatures. Her work has been shown internationally appearing in shows in the Netherlands, Russia, Sweden, Taiwan, and Poland. Her works frequently appears at festivals around the world.

<span class="mw-page-title-main">Werner Klotz</span>

Werner Klotz, is an artist based in Berlin and New York, working in the fields of installation and interactive art.

References

  1. "Karina Smilla-Bobinski". FILE: Electronic Language International Festival. FILE. Retrieved 15 February 2017.
  2. "Karina Smigla-Bobinski – "I am talking about a complex world."". www.porta-polonica.de. Retrieved 2017-01-23.
  3. "FORSCHUNG im Medium des bewegten Bildes - mit Karina Smigla-Bobinski und Eberhard Ortland (ZiF, Uni Bielefeld)". Film University Babelsberg KONRAD WOLF. Retrieved 8 February 2017.
  4. "100% EXPO : Karina Smigla-Bobinski". Grande Halle La Villette. Retrieved 11 February 2017.
  5. "ADA by Karina Smigla-Bobinski". Nottingham Castle Museum and Ar Gallery. Retrieved 11 February 2017.
  6. Leclerc, Yves. "Être et faire ensemble". Le Journal de Québec. Retrieved 8 February 2017.
  7. "ADA Kinetic Sculpture at The Lowry". URDESIGN. 12 August 2015. Retrieved 8 February 2017.
  8. 1 2 Baldegg, Kasia Cieplak-Mayr von. "Analogue Is the New Digital in 'ADA,' and Interactive Installation". The Atlantic. Retrieved 2017-02-11.
  9. 1 2 "Artist's charcoal-studded helium balloon creates mysterious wall drawings (Wired UK)". 2012-01-19. Archived from the original on 2012-01-19. Retrieved 2017-02-11.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  10. "Simulacra by Karina Smigla-Bobinski, the elusive ghostly video". Neural.it . 27 June 2014. Retrieved 8 February 2017.
  11. Cieplak-Mayr von Baldegg, Kasia (August 22, 2011). "Analogue Is the New Digital in 'ADA,' and Interactive Installation". The Atlantic. Retrieved 11 February 2017.
  12. Solon, Olivia (July 27, 2011). "Artist's charcoal-studded helium balloon creates mysterious wall drawings". WIRED UK. Archived from the original on 19 January 2012. Retrieved 11 February 2017.{{cite news}}: CS1 maint: bot: original URL status unknown (link)
  13. Leclerc, Yves (January 11, 2017). "Être et faire ensemble". Le Journal de Québec. Retrieved 11 February 2017.
  14. Fowler, A.C. (March 15, 2016). "This is the world's coolest crayon". Business Insider. Retrieved 11 February 2017.
  15. Griffin, Kevin (June 19, 2015). "Balloons become more than lightweights at the New Media Centre". Vancouver Sun. Retrieved 11 February 2017.
  16. "Karina Smigla-Bobinski". ADA. Archive of Digital Art (formerly Database of Virtual Art). Retrieved 11 February 2017.
  17. "Künstlergespräch mit Karina Smigla-Bobinski". ZiF Zentrum fur Interdisziplinäre Forschung. Bielefeld University. Retrieved 11 February 2017.
  18. Brink, Nick (12 August 2015). "morning star kinetic sculpture by Karina Smigla-Bobinski". DesignBoom. Retrieved 8 February 2017.
  19. "SIMULACRA Interactive New Media Installation". CURRENTS Festival of New Media. 4 March 2015. Retrieved 11 February 2017.
  20. "German Missions in the United States - Karina Smigla-Bobinski". www.germany.info. Retrieved 2017-01-24.
  21. Debatty, Régine (2011-07-21). "ADA – analog interactive installation". We Make Money Not Art. Retrieved 2017-01-24.
  22. "File São Paulo Exhibition Catalog". File. Retrieved 8 February 2017.
  23. "Introducing Karina Smigla-Bobinski". www.fact.co.uk. Retrieved 2017-01-24.
  24. "Karina Smigla-Bobinski - ADA". www.fact.co.uk. Retrieved 2017-01-24.
  25. varios, EDICIONES EL PAIS, S.L.,Roberta Bosco y Stefano Caldana. "Robots y hombres electrónicos". El arte en la edad del silicio. Retrieved 2017-01-24.
  26. Lynn, Hannah (26 September 2018). "Mattress Factory opens new Artist in Residence series". Pittsburgh City Paper. Retrieved 29 December 2018.
  27. "Exhitibion: ADA by Karina Smigla-Bobinski at Mois Multi Festival - Goethe-Institut Kanada". www.goethe.de. Retrieved 2017-01-24.
  28. "Karina Smigla-Bobinski". MoTA. 2015-02-17. Retrieved 2017-01-24.
  29. "T.R.I.B.E. – Exercises in Transitory Art (MoTA Editions # 2)". MoTA. 2014-09-03. Retrieved 2017-01-24.
  30. Veronica Pacini-Ketchabaw; Sylvia Kind; Laurie L. M. Kocher (19 August 2016). Encounters With Materials in Early Childhood Education. Taylor & Francis. p. 50. ISBN   978-1-317-58857-3.
  31. "ADA by Karina Smigla-Bobinski | Nottingham Castle". www.nottinghamcastle.org.uk. Retrieved 2017-01-24.
  32. "SIMULACRA". WRO 2015 TEST EXPOSURE. 2015-04-29. Retrieved 2017-01-24.
  33. "2012 ZERO1 Biennial". 2012.zero1biennial.org. Retrieved 2017-01-24.