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| Film festivals |
The following is a list of festivals dedicated to new media art .
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| Film festivals |
The following is a list of festivals dedicated to new media art .
Egypt
Ethiopia
South Africa
China (mainland)
Discontinued:
Hong Kong
Israel
Indonesia
https://www.mediaartglobale.com
Japan
Austria
Belgium
Bulgaria
Finland
Discontinued:
France
Germany
Greece
Italy
The Netherlands
Serbia
Spain
Switzerland
Republic of Moldova
United Kingdom
Brazil
Colombia
Canada
United States
Australia
Interactive art is a form of art that involves the spectator in a way that allows the art to achieve its purpose. Some interactive art installations achieve this by letting the observer walk through, over or around them; others ask the artist or the spectators to become part of the artwork in some way.
Software art is a work of art where the creation of software, or concepts from software, play an important role; for example software applications which were created by artists and which were intended as artworks. As an artistic discipline software art has attained growing attention since the late 1990s. It is closely related to Internet art since it often relies on the Internet, most notably the World Wide Web, for dissemination and critical discussion of the works. Art festivals such as FILE Electronic Language International Festival, Transmediale (Berlin), Prix Ars Electronica (Linz) and readme have devoted considerable attention to the medium and through this have helped to bring software art to a wider audience of theorists and academics.
Electronic art is a form of art that makes use of electronic media. More broadly, it refers to technology and/or electronic media. It is related to information art, new media art, video art, digital art, interactive art, internet art, and electronic music. It is considered an outgrowth of conceptual art and systems art.
Transmediale, stylised as transmediale, is an annual festival for art and digital culture in Berlin, usually held over three to five days at the end of January and the beginning of February. transmediale takes the form of a conference, an exhibition, and a film and video programme that often contain or support performances and workshops. Throughout the year, transmediale is also involved in a number of long- and short-term cooperative projects. From its initial focus on video culture, it came to cultivate an artistic and critical dialogue with television and multimedia, emerging as the leading international platform for media art.
Honor Harger is a curator and artist from New Zealand. Harger has a particular interest in artistic uses of new technologies. She is currently the executive director of the ArtScience Museum in Singapore.
Richard Chartier is a sound/installation artist and graphic designer from the United States. He works in reductionist microsound electronic music, a form of extreme minimalism characterised by quiet and sparse sound.
Casey Edwin Barker Reas, also known as C. E. B. Reas or Casey Reas, is an American artist whose conceptual, procedural and minimal artworks explore ideas through the contemporary lens of software. Reas is perhaps best known for having created, with Ben Fry, the Processing programming language.
Tom Corby and Gavin Baily (1970) are two London based artists who work collaboratively using public domain data, climate models, satellite imagery and the Internet. Recent work has focused on climate change and its relationship to technology and has involved collaborations with scientists working at the British Antarctic Survey. Corby and Baily are founder members of the Atmospheric Research Collective, an experimental artist group which works in collaboration with climate scientists. For an overview of recent works see "An interview with artist and writer Tom Corb y".
The GOGBOT Festival is an annual four-day festival in Enschede, Netherlands. It is organized by Planetart, a local group of artists, and was first organized in 2004. The festival revolves around multimedia, art, music, and technology and includes a three-month exhibition in collaboration with the local Rijksmuseum (RMT), a four-day exhibition during the festival, a symposium, a film program, and the Youngblood award for art academy graduates.
Mike Stubbs is a curator/director and filmmaker based in the UK, currently, the Creative Producer at Doncaster Creates. For 11 years he was the Director/CEO of FACT, the Foundation for Art and Creative Technology, a leading arts organisation for the commissioning and presentation of new media art forms. He has been a key contributor to the development of culture and cultural policy in Liverpool, UK. Stubbs was jointly appointed in May 2007 by Liverpool John Moores University, where he is Professor of Art, Media and Curating. He is father to two daughters Saskia and Lola Czarnecki-stubbs.
Marc Lee is a Swiss new media artist working in the fields of interactive installation art, internet art, performance art and video art.
Linda Dement is an Australian multidisciplinary artist, working in the fields of digital arts, photography, film, and writing non-fiction. Dement is largely known for her exploration of the creative possibilities of emergent technologies such as the CD-ROM, 3-D modelling, interactive software, and early computing.
Ars Electronica Linz GmbH is an Austrian cultural, educational and scientific institute active in the field of new media art, founded in Linz in 1979. It is based at the Ars Electronica Center (AEC), which houses the Museum of the Future, in the city of Linz. Ars Electronica's activities focus on the interlinkages between art, technology and society. It runs an annual festival, and manages a multidisciplinary media arts R&D facility known as the Futurelab. It also confers the Prix Ars Electronica awards.
Gina Czarnecki is a British artist. Her art spans a variety of mediums, including film, sculpture, installation art, and video and is frequently informed by biomedical science. She is the daughter of a Polish father and an English mother. Czarnecki currently resides in Liverpool, England.
Annette Louise Barbier was an American artist and educator. She worked with video art, net art, installation art, interactive performance, and emerging and experimental technologies since the 1970s. Themes in her work address "issues of home, defined locally as domesticity and more broadly as the ways in which we relate to our environment." An early work, "Home Invasion [1995]," incorporating critical dialogue and audio, is accessible from Leonardo. "Domestic space—formerly inviolable—is increasingly disrupted by electronic communication of all sorts, including radio, TV, email and the telephone." She was Chicago-based.
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in Canada and in Europe.
Marco Donnarumma is an Italian performance artist, new media artist and scholar based in Berlin. His work addresses the relationship between body, politics and technology. He is widely known for his performances fusing sound, computation and biotechnology. Ritual, shock and entrainment are key elements to his aesthetics. Donnarumma is often associated with cyborg and posthuman artists and is acknowledged for his contribution to human-machine interfacing through the unconventional use of muscle sound and biofeedback. From 2016 to 2018 he was a Research Fellow at Berlin University of the Arts in collaboration with the Neurorobotics Research Lab at Beuth University of Applied Sciences Berlin. In 2019, together with bioartist Margherita Pevere and media artist Andrea Familari, he co-founded the artists group for hybrid live art Fronte Vacuo.
Coded Cultures is a conference and festival series developed by the Austrian artist collective 5uper.net and since 2016 is included in the Research Institute for Arts and Technology. The first Coded Cultures focused on the theme 'Decoding Digital Culture' and took place over two weeks in May 2004 at the Museumsquartier in Vienna. The 2009 version of the conference and festival was a bi-national event that took part in Austria and Japan as part of the official "Japan - Austria Friendship Year 2009". Further implementations of the festival have discussed topics such as Open Source Hardware, Right to repair, New media art and digital art in cooperation with the apertus AXIOM project and the University of Applied Arts Vienna, the Transmediale Festival and the ISEA.
Thom Kubli is a Swiss-German composer and artist known for installation art and sculptures that often deploy sound as a significant element, using digital technologies and material configurations that increase the viewers' spatial perception.
Faces is an international online community of women who share an interest in digital media arts. They communicate via an email list and organize events both online and off. Founded in 1997, this informal network includes activists, artists, critics, theoreticians, technicians, journalists, researchers, programmers, networkers, web designers, and educators.
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