 |
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| Film festivals |
The following is a list of festivals dedicated to new media art .
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| Film festivals |
The following is a list of festivals dedicated to new media art .
Egypt
Ethiopia
South Africa
China (mainland)
Discontinued:
Hong Kong
Israel
Indonesia
https://www.mediaartglobale.com
Japan
Austria
Belgium
Bulgaria
Finland
Discontinued:
France
Germany
Greece
Italy
The Netherlands
Serbia
Spain
Switzerland
Republic of Moldova
United Kingdom
Brazil
Colombia
Canada
United States
Australia
Software art is a work of art where the creation of software, or concepts from software, play an important role; for example software applications which were created by artists and which were intended as artworks. As an artistic discipline software art has attained growing attention since the late 1990s. It is closely related to Internet art since it often relies on the Internet, most notably the World Wide Web, for dissemination and critical discussion of the works. Art festivals such as FILE Electronic Language International Festival, Transmediale (Berlin), Prix Ars Electronica (Linz) and readme have devoted considerable attention to the medium and through this have helped to bring software art to a wider audience of theorists and academics.
Electronic art is a form of art that makes use of electronic media. More broadly, it refers to technology and/or electronic media. It is related to information art, new media art, video art, digital art, interactive art, internet art, and electronic music. It is considered an outgrowth of conceptual art and systems art.
Transmediale, stylised as transmediale, is an annual festival for art and digital culture in Berlin, usually held over five days at the end of January and the beginning of February. Transmediale takes the form of a conference, an exhibition, and a film and video program that often contain or support performances and workshops. Throughout the year, transmediale is also involved in a number of long- and short-term cooperative projects via transmediale/resource. From its initial focus on video culture, it came to cultivate an artistic and critical dialogue with television and multimedia, emerging as the leading international platform for media art.
Honor Harger is a curator and artist from New Zealand. Harger has a particular interest in artistic uses of new technologies. She is currently the executive director of the ArtScience Museum in Singapore.
Richard Chartier is a sound/installation artist and graphic designer from the United States. He works in reductionist microsound electronic music, a form of extreme minimalism characterised by quiet and sparse sound.
Christopher Bauder is a German interaction designer and media artist who lives and works in Berlin. His projects focus on the translation of bits and bytes into objects and environments and vice versa. Space, object, sound, light, and interaction are the key elements of his work.
Tom Corby and Gavin Baily (1970) are two London based artists who work collaboratively using public domain data, climate models, satellite imagery and the Internet. Recent work has focused on climate change and its relationship to technology and has involved collaborations with scientists working at the British Antarctic Survey.
D-Fuse are a London-based audiovisual artist collective, who use emerging creative technologies to explore social and environmental issues.
José-Carlos Mariátegui is a scientist, writer, curator and scholar on culture, new media and technology. Born in 1975, he is the son of Peruvian psychiatrist Javier Mariategui and the grandson of Jose Carlos Mariategui, the most influential Latin American Marxist thinker of the 20th century. He studied Mathematics and Biology at Cayetano Heredia University in Lima, Perú and did both Masters and Doctoral degrees in Information Systems and Innovation from the London School of Economics and Political Science – LSE (London). His PhD, dated 2013, was titled Image, information and changing work practices: the case of the BBC’s Digital Media Initiative. Has been involved in teaching and research activities, as well as published a variety of articles on art, science, technology, society and development. He founded Alta Tecnología Andina (ATA), non-profit organization dedicated to the development and research of artistic and scientific theories in Latin America. Founder of the International Festival of Video and Electronic Art in Lima (1998–2003). Founding Director of the Memorial Museum of José Carlos Mariátegui of the Ministry of Culture in Peru.
The GOGBOT Festival is an annual four-day festival in Enschede, Netherlands. It is organized by Planetart, a local group of artists, and was first organized in 2004. The festival revolves around multimedia, art, music, and technology and includes a three month exhibition in collaboration with the local Rijksmuseum (RMT), a four-day exhibition during the festival, a symposium, a film program, and the Youngblood award for art academy graduates.
Arleen Schloss is an American performance artist, video/film artist, sound poet, director and curator of the lower Manhattan art, video, performance art and music scenes. Schloss began through A's – an interdisciplinary loft space that became a hub for music, exhibitions, performance art, films and videos. In the 1990s A's became A's Wave where website works and other forms of digital media were shown.
Mike Stubbs is a curator/director and filmmaker based in the UK, currently, the Creative Producer at Doncaster Creates. For 11 years he was the Director/CEO of FACT, the Foundation for Art and Creative Technology, a leading arts organisation for the commissioning and presentation of new media art forms. He has been a key contributor to the development of culture and cultural policy in Liverpool, UK. Stubbs was jointly appointed in May 2007 by Liverpool John Moores University, where he is Professor of Art, Media and Curating. He is father to two daughters Saskia and Lola Czarnecki-stubbs.
Marc Lee is a Swiss new media artist working in the fields of interactive installation art, internet art, performance art and video art.
Ars Electronica Linz GmbH is an Austrian cultural, educational and scientific institute active in the field of new media art, founded in Linz in 1979. It is based at the Ars Electronica Center (AEC), which houses the Museum of the Future, in the city of Linz. Ars Electronica's activities focus on the interlinkages between art, technology and society. It runs an annual festival, and manages a multidisciplinary media arts R&D facility known as the Futurelab. It also confers the Prix Ars Electronica awards.
Gina Czarnecki is a British artist. Her art spans a variety of mediums, including film, sculpture, installation art, and video and is frequently informed by biomedical science. She is the daughter of a Polish father and an English mother. Czarnecki currently resides in Liverpool, England.
Annette Louise Barbier was an American artist and educator. She worked with video art, net art, installation art, interactive performance, and emerging and experimental technologies since the 1970s. Themes in her work address "issues of home, defined locally as domesticity and more broadly as the ways in which we relate to our environment." An early work, "Home Invasion [1995]," incorporating critical dialogue and audio, is accessible from Leonardo. "Domestic space—formerly inviolable—is increasingly disrupted by electronic communication of all sorts, including radio, TV, email and the telephone." She was Chicago-based.
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in Canada and in Europe.
Marco Donnarumma is an Italian performance artist, new media artist and scholar based in Berlin. His work addresses the relationship between body, politics and technology. He is widely known for his performances fusing sound, computation and biotechnology. Ritual, shock and entrainment are key elements to his aesthetics. Donnarumma is often associated with cyborg and posthuman artists and is acknowledged for his contribution to human-machine interfacing through the unconventional use of muscle sound and biofeedback. From 2016 to 2018 he was a Research Fellow at Berlin University of the Arts in collaboration with the Neurorobotics Research Lab at Beuth University of Applied Sciences Berlin. In 2019, together with bioartist Margherita Pevere and media artist Andrea Familari, he co-founded the artists group for hybrid live art Fronte Vacuo.
Coded Cultures is a conference and festival series developed by the Austrian artist collective 5uper.net and since 2016 is included in the Research Institute for Arts and Technology. The first Coded Cultures focused on the theme 'Decoding Digital Culture' and took place over two weeks in May 2004 at the Museumsquartier in Vienna. The 2009 version of the conference and festival was a bi-national event that took part in Austria and Japan as part of the official "Japan - Austria Friendship Year 2009". Further implementations of the festival have discussed topics such as Open Source Hardware, Right to repair, New media art and digital art in cooperation with the apertus AXIOM project and the University of Applied Arts Vienna, the Transmediale Festival and the ISEA.
Faces is an international online community of women who share an interest in digital media arts. They communicate via an email list and organize events both online and off. Founded in 1997, this informal network includes activists, artists, critics, theoreticians, technicians, journalists, researchers, programmers, networkers, web designers, and educators.
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